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Archivistische beschrijving
Small coloured vignette portrait of Mary or Agnes Berry
Small coloured vignette portrait of Mary or Agnes Berry
Small coloured vignette portrait of Mary or Agnes Berry
Small coloured vignette portrait of Mary or Agnes Berry
Engraved sheet (a bookplate?) bearing Mary Berry’s name, and, below the motto ‘Inter folia fructus’, an illustration of strawberries
Engraved sheet (a bookplate?) bearing Mary Berry’s name, and, below the motto ‘Inter folia fructus’, an illustration of strawberries
Small pencil and ink copy of Thomas Lawrence’s drawing of Horace Walpole
Small pencil and ink copy of Thomas Lawrence’s drawing of Horace Walpole
Print of Mary Berry, aged 86
Print of Mary Berry, aged 86
Print of Kirkbridge, Stanwick, Yorkshire, ‘the birthplace of Miss Mary and Miss Agnes Berry’
Print of Kirkbridge, Stanwick, Yorkshire, ‘the birthplace of Miss Mary and Miss Agnes Berry’
Metaphysical notes, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Metaphysical notes, in an unidentified hand
Metaphysical notes, in an unidentified hand
Inscription by Jesaias Friedrich Weisenborn
Inscription by Jesaias Friedrich Weisenborn
Copy of an agreement between (A) John Dryden and (B) Jacob Tonson for Dryden’s translation of Virgil, 15 June 1694
Copy of an agreement between (A) John Dryden and (B) Jacob Tonson for Dryden’s translation of Virgil, 15 June 1694
Account of the costs of printing Parnell’s Poems
Account of the costs of printing Parnell’s Poems
‘Account of the Throgmorton Family wrote in Part by Mr Abraham Smyth, who had been Steward to Sir Humphrey and the Lady Judith’, in the hand of Thomas Gray
‘Account of the Throgmorton Family wrote in Part by Mr Abraham Smyth, who had been Steward to Sir Humphrey and the Lady Judith’, in the hand of Thomas Gray
Notes on the concept of property, in the hand of Thomas Gray
Notes on the concept of property, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Draft of a deed of bargain and sale from D. M. (probably Daniel Midwinter), citizen and stationer of London, to Jacob Tonson II
Draft of a deed of bargain and sale from D. M. (probably Daniel Midwinter), citizen and stationer of London, to Jacob Tonson II
Copy of an agreement between (A) John Milton and (B) Samuel Simmons for Milton’s Paradise Lost, 27 Apr. 1667;
Copy of an agreement between (A) John Milton and (B) Samuel Simmons for Milton’s Paradise Lost, 27 Apr. 1667;
Ink drawing captioned ‘La Malheureuse Famille Calas. La Mere, les deux Filles, ave Jeanne Viguiene, leur bonne Servante, le Fils et son Ami Lavayse.’
Ink drawing captioned ‘La Malheureuse Famille Calas. La Mere, les deux Filles, ave Jeanne Viguiene, leur bonne Servante, le Fils et son Ami Lavayse.’
Frontispiece of the Horseman’s Sure Guide and Complete Horse Doctor(?), by an unknown engraver
Frontispiece of the Horseman’s Sure Guide and Complete Horse Doctor(?), by an unknown engraver
An anecdote of the 3rd Duke of Richelieu, in the hand of Thomas Gray
An anecdote of the 3rd Duke of Richelieu, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Metaphysical notes, in the hand of Thomas Gray
Frontispiece of Oeuvres de Monsieur de Saint-Evremond, Vol. IV
Frontispiece of Oeuvres de Monsieur de Saint-Evremond, Vol. IV
Painted coat of arms, labelled ‘Wolff Philipp von Andlau’
Painted coat of arms, labelled ‘Wolff Philipp von Andlau’
Inscription by Johann Peter Weidtmann
Inscription by Johann Peter Weidtmann
Painted coat of arms, labelled ‘Philip Friedrichsböck[?] von Böckel’
Painted coat of arms, labelled ‘Philip Friedrichsböck[?] von Böckel’
Painted coat of arms, labelled ‘Von Rabensburg’
Painted coat of arms, labelled ‘Von Rabensburg’
Painted coat of arms, labelled ‘Bernegger’
Painted coat of arms, labelled ‘Bernegger’
Painted coat of arms, labelled ‘Wolff Jacob Böckel von Böcklinsau’
Painted coat of arms, labelled ‘Wolff Jacob Böckel von Böcklinsau’
Inscriptions by (i) Ch. Adam Rechenberg, 17th c.?, and (ii) Adam Closterbaur, 25 Aug. 1666
Inscriptions by (i) Ch. Adam Rechenberg, 17th c.?, and (ii) Adam Closterbaur, 25 Aug. 1666
Painted coat of arms, labelled ‘Bernhard Friedrich von Uttenheim zum Ramstein’
Painted coat of arms, labelled ‘Bernhard Friedrich von Uttenheim zum Ramstein’