Mounted photograph with portrait of man, perhaps A. S. F. Gow
- GOW/A/2/6/1/u
- Stuk
- [n.d.]
Part of Papers of A. S. F. Gow
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Mounted photograph with portrait of man, perhaps A. S. F. Gow
Part of Papers of A. S. F. Gow
Part of Crewe Manuscripts
‘Paris le [blank] 1820.’ is printed on the back. The reference in the note is to Barbier’s Dictionnaire des ouvrages anonymyes et pseudonymes, 2nd ed. (1824), iii. 455.
Mounted photograph with portrait of man
Part of Papers of A. S. F. Gow
Mounted photograph in folded card labelled 'To Andrew from Harry... Photograph of HG [?]'
Part of Papers of A. S. F. Gow
Letter from E. H. Barker to F. T. Maxon
Part of Crewe Manuscripts
Photograph of the Earl and Countess of Crawford and Balcarres
Part of Papers of A. S. F. Gow
Photograph of young man in military uniform
Part of Papers of A. S. F. Gow
Part of Crewe Manuscripts
Subscribed ‘Notedia Doanti’.
Part of Crewe Manuscripts
‘A Letter to Julian.’ Author unknown.
Part of Crewe Manuscripts
First line: ‘Dear Friend, I fain wou’d try once more’.
‘Sir Edmund-Bury Godfrey’s Ghost.’ Author unknown. [1679.]
Part of Crewe Manuscripts
First line: ‘It hap’n’d in the twilight of the day’.
‘A Dialogue, Between K. and D.’ Author unknown. [1678.]
Part of Crewe Manuscripts
First line: ‘Uds Life we’re undon’. The British Library copy (Add. MS 34362, ff. 55r–56r) is headed ‘A dialogue between King and Duke 1678’.
‘A Gentle Ballad, Call’d Lamentable Lory.’ Author unknown. [1684.]
Part of Crewe Manuscripts
Heading continues: ‘To the Tune of Youth, Youth, etc.’ First line: ‘The Youth was belov’d in the Spring of his life’. ‘Lory’ was the nickname of Laurence Hyde, Earl of Rochester. For the date see Macaulay’s History of England, i. 371 n.
‘The Female Laureat.’ Author unknown.
Part of Crewe Manuscripts
First line: ‘If Affra’s worth were needful to be Shown’. The subject of the poem is Aphra Behn.
(Greg has written ‘ass!’ by one line.)
Part of Crewe Manuscripts
The year has been altered from ‘1577’.
Part of Crewe Manuscripts
First line: ‘We read in Prophane, and Sacred Records’.
‘The true Englishman.’ Author unknown. [1686.]
Part of Crewe Manuscripts
First line: ‘Curs’d be the timerous Fool, whose feeble mind’.
‘On Garroway.’ Author unknown. [1671.]
Part of Crewe Manuscripts
First line: ‘Unto my aid I wou’d som Painter Call’. The poem appears to have been occasioned by William Garway’s appointment as Commissioner of Customs in 1671.
Part of Crewe Manuscripts
Heading continues: ‘ To the Tune of Sir Roger Martin.’ First line: ‘There’s Sunder-land the Tory’.
‘Satyr in it’s own Colors.’ Author unknown.
Part of Crewe Manuscripts
First line: ‘Since Satyr is the only thing that’s writ’.