- [Mar 1929?]
39 Royal Terrace, Edinburgh. - Following Hedmont's suggestion, Tovey has had a telephone message from [George?] Campbell asking who is to be named as producer, since Hedmont says he is leaving everything to Tovey. Replied firmly that he was not the producer, and that he is having a score marked with the wishes of himself, Trevelyan, and Ricketts; if Hedmont carries these instructions out he will be the producer, at least technically - which he had already stated in a letter to Campbell. In case there is an attempt to make Tovey responsible for production, he would like to find a 'competent artist in sympathy with Ricketts and [Trevelyan]' whom he would be able to work with; perhaps 'the man who did the Court Theatre operas' or Frederic Austin who did Rutland Boughton's Glastonbury productions and may be 'rather conceited & wooly pated but anything's better than Hedmont'. Does not want 'too haw-haw' a person like [Thomas] Beecham: hopes he does not take criticism badly, but there is no time for 'inattention and flightiness'. Hopes to post his interleaved score tomorrow. The local oboes are not available - the first oboe 'has always been rather a skunk in his behaviour to [Tovey] - so he has wired to [Hugh] Allen to see how much a good R.C.M. [Royal College of Music] student oboist would be.