Mounted photograph with portrait of man, perhaps A. S. F. Gow
- GOW/A/2/6/1/u
- Unidad documental simple
- [n.d.]
Parte dePapers of A. S. F. Gow
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Mounted photograph with portrait of man, perhaps A. S. F. Gow
Parte dePapers of A. S. F. Gow
Parte deCrewe Manuscripts
‘Paris le [blank] 1820.’ is printed on the back. The reference in the note is to Barbier’s Dictionnaire des ouvrages anonymyes et pseudonymes, 2nd ed. (1824), iii. 455.
Mounted photograph with portrait of man
Parte dePapers of A. S. F. Gow
Mounted photograph in folded card labelled 'To Andrew from Harry... Photograph of HG [?]'
Parte dePapers of A. S. F. Gow
Letter from E. H. Barker to F. T. Maxon
Parte deCrewe Manuscripts
Photograph of the Earl and Countess of Crawford and Balcarres
Parte dePapers of A. S. F. Gow
Photograph of young man in military uniform
Parte dePapers of A. S. F. Gow
Parte deCrewe Manuscripts
Subscribed ‘Notedia Doanti’.
Parte deCrewe Manuscripts
‘A Letter to Julian.’ Author unknown.
Parte deCrewe Manuscripts
First line: ‘Dear Friend, I fain wou’d try once more’.
‘Sir Edmund-Bury Godfrey’s Ghost.’ Author unknown. [1679.]
Parte deCrewe Manuscripts
First line: ‘It hap’n’d in the twilight of the day’.
‘A Dialogue, Between K. and D.’ Author unknown. [1678.]
Parte deCrewe Manuscripts
First line: ‘Uds Life we’re undon’. The British Library copy (Add. MS 34362, ff. 55r–56r) is headed ‘A dialogue between King and Duke 1678’.
‘A Gentle Ballad, Call’d Lamentable Lory.’ Author unknown. [1684.]
Parte deCrewe Manuscripts
Heading continues: ‘To the Tune of Youth, Youth, etc.’ First line: ‘The Youth was belov’d in the Spring of his life’. ‘Lory’ was the nickname of Laurence Hyde, Earl of Rochester. For the date see Macaulay’s History of England, i. 371 n.
‘The Female Laureat.’ Author unknown.
Parte deCrewe Manuscripts
First line: ‘If Affra’s worth were needful to be Shown’. The subject of the poem is Aphra Behn.
(Greg has written ‘ass!’ by one line.)
Parte deCrewe Manuscripts
The year has been altered from ‘1577’.
Parte deCrewe Manuscripts
First line: ‘We read in Prophane, and Sacred Records’.
‘The true Englishman.’ Author unknown. [1686.]
Parte deCrewe Manuscripts
First line: ‘Curs’d be the timerous Fool, whose feeble mind’.
‘On Garroway.’ Author unknown. [1671.]
Parte deCrewe Manuscripts
First line: ‘Unto my aid I wou’d som Painter Call’. The poem appears to have been occasioned by William Garway’s appointment as Commissioner of Customs in 1671.
Parte deCrewe Manuscripts
Heading continues: ‘ To the Tune of Sir Roger Martin.’ First line: ‘There’s Sunder-land the Tory’.
‘Satyr in it’s own Colors.’ Author unknown.
Parte deCrewe Manuscripts
First line: ‘Since Satyr is the only thing that’s writ’.