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Presentation album of 13 mounted black and white photographs taken by J. Palmer Clarke at the beginning of World War I, showing images of nurses and soldiers posed in Nevile's Court, the cloisters of Nevile's Court while serving as a hospital, with images of sick and wounded solders in beds, on the lawn beyond, and on the lawn and in tents in the North and South Paddocks on the Backs, with one image in New Court, possibly of the arrival of the first patient. Presented in an album with the following in gold lettering on the front: "Presented to the Library of Trinity College, Cambridge by the Officer Commanding, the Registrar and the Quartermaster of the 1st Eastern General Hospital T.F., June 16, 1915."

Accompanied by a letter from the Officers of the 1st Eastern General Hospital presenting a silver cup in commemoration of September and October 1914, when the sick and wounded soldiers were treated in Nevile's Court. The letter is signed by sixteen men, including Col. Joseph Griffths, Officer Commanding, Major F. E. Apthorpe Webb, Registrar, Lieut. Reg. H. Porter, Quartermaster, Lt. Col. Frederick Deighton, Lt. Col. Laurence Humphry, and Lt. Col. G. Sims Woodhead.

Twenty-two poems in Arthur Munby's hand, written to and about his wife Hannah Cullwick, with 4 postcards sent to her by Munby, and two newscuttings about their relationship.

There are twenty complete poems and two fragments in Munby's hand, fair copies evidently meant for presentation to Hannah, with a few carrying his emendations. Sixteen of the poems are dated, from 19 August 1882 (Munby's 54th birthday) to Christmas 1900. Poems include "To my Hannah, Christmas 1884"; "A servant-wife", Feb. 1886; "Weerin o Glooves", one of two complete dialect poems, this dated 18 Feb. 1887; "Bonne à toute faire", a poem of 60 stanzas dated 29 Jan. 1888; "Ann Lee", another dialect poem dated 16 Feb. 1888; "De haut en bas", a poem of 51 stanzas dated 27 Feb. 1888; "In our Cottage", a sonnet dated 16 Dec. 1895; "To my Hannah for her 65th Birthday"; "For Hannah, New Year 1901" with a pencilled note that the poem refers to her as Hannah Lee 'cause Cullwick winna rime'; an untitled poem of 160 lines written in ink and in pencil, with each of the 40 stanzas ending 'My Hannah'; an untitled poem in 14 stanzas with 3 stanzas written at the end under the heading 'Left out'; and an untitled sonnet beginning 'Others may scorn thy rough laborious life'.

The four postcards are written in French in Arthur Munby's hand, to "Chérie" and signed "M", and are dated 1886-1890. The first two postcards are addressed to Hannah Munby at Charles Gibbs's in Brearly and G. Gibbs in Wolverhampton, and two from Feb. and Nov. 1890 are to Hannah at Hadley. Munby asks for news, is pleased she likes his gifts, urges her to take care of her health, rejects her protest that she has nothing to write about and asks her to describe her work, and reflects on the difference between a lady and a servant, writing 'mais moi, c'est toujours ma servante que j'aime, et qui est ma femme aussi'.

Accompanied by two newscuttings, one from News of the World, [1910] headed "Poet's Romance. Wife Who Would Not Be a Lady. Rich Man's Visits to Humble Cottage", and another from the Cambridge Daily News 14 Jan. 1950 headed "Trinity's 40-Years-Old Mystery Box" about opening the Munby papers after 40 years.

On headed notepaper for 86 Chesterton Road, Cambridge. Has been a supervisor to Ambrose for more than two years, while she has been researching for her Ph.D. on 'Finitism in Mathematics'. She is 'an industrious & intelligent student, very well aware of the difficulties of the subject...& very persevering in her efforts to overcome them. She is keenly interested not only in the particular subject of her research but in philosophical problems generally'. Thinks 'she would be a competent & stimulating teacher of philosophy'.

In general, the sketches seem to have been done first in pencil and then gone over in sepia and/or black ink line and wash. In one sketch, 'Girton Lecturer Diffusing Sweetness And Light', depicting Duff with a number of Girton College students, the wash is watercolour paint rather than ink. Many of the sketches are initialled 'E. M.' for Eveleen Myers; the date is often added, 1887 in all cases. Duff and Babington Smith are almost always identified, usually with initials, occasionally by name.

Most of the sketches are given titles, as follows: Untitled (landscape with castles); 'Between two Hemispheres'; 'Two ways of greeting the sun'; 'Rough? or Smooth?'; untitled [Duff and Babington Smith conversing); 'Breakfast 12.30 P. M.'; 'Arcades ambo. Mr H. B. Smith & Mr Duff. 3. A.M.'; 'The midnight oil'; 'two heads are better than one'; 'A Bear-Fight Extraordinary' (including A. H. Clough the younger); 'The Young Idea'; 'Back From Cyprus!'; 'Hero Bombarding A Hat'; 'The Early Bird And The Late Worm | Breakfast. 11 A.M.' ('Worm' and 'Bird' are transposed in a correction above the original title); 'Highland chieftains: Clan Duff & Clan Smith'; 'The Macduff, On The Rampage'; 'Greek Messenger Describing Death of Jocasta' [Babington Smith acted in the 1887 Cambridge Greek Play production of *Oedipus Tyrannus'; 'Girton Lecturer Diffusing Sweetness And Light'; 'Intelligent Sympathy'; 'Practical Consolation'; 'New brooms sweep clean - reforms of H. B. S. in the Education Office'; 'After The Battle - An Enemy's Counsel' [scene from a game of whist or bridge]; 'Savoy Theatre: a 'Bond' of affection'; 'Thus We Two Parted. In Silence And Pain; / We Were Half-Broken Hearted - But Soon Met Again!!'; 'A Donkey-Race For the Tripos'.

The Girton students depicted with J. D. Duff are Gertrude Mary Butler, Edith Mary Bough, Edith Lydia Johns, Mary Hay Wood, Jane Lily Edwards, Sylvia Grant [later Farmer], Beatrice Geraldine Hudson [later Colby], Jane Ewing Wilson [later Hannay], and Augusta Klein [later Kirby].

With note, 5 May 1969, from Mary Duff explaining some details of the Girton picture.

On headed notepaper for Newnham College, Cambridge. Typed, with autograph signature. Certifies that Ambrose has been a student of Newnham and a 'recognised research student of the University of Cambridge' since October 1932.

In 1932-1933 the courses she attended were 'Metaphysics' with Moore, 'Philosophy', and 'Philosophy for Mathematicians' with Wittgenstein, and 'Advanced Logic' with Braithwaite. This year she is continuing the first two of these, as well as attending courses on 'Types of Deductive Logic' with Braithwaite and 'Theory of Functions of a Real Variable' with Ingham. Professor Moore is the supervisor of Ambrose's research work.

A colour print of a painting by D. Warren. Below the illustration are the words ‘In proud and loving memory of’, in capitals, followed by a blank space. Copyright by Landeker & Brown Ltd, London, E.C.2.

Copied by Helen Taylor. Date of original letter 18 May 1865. Thanks him for his examination of Sir William Hamilton's philosophy. He agrees with him, thinks his contribution to philosophy is 'overrated'.

Includes papers on highly composite numbers, singular moduli, Rogers-Ramanujan identities, Mersenne numbers etc

Correspondents include Ramanujan himself, J E Littlewood, G N Watson, G H Hardy, A S Ramalingam, F Dewsbury, J J Hensman, S Lakshmi Narasimhan, K Ramunni Menon, K Ananda Rao, P V Seshu Ayyar and H Heilbronn.

Also includes minutes of the congratulatory meeting held in honour of Ramanujan and K Ananda Rao.

Diary entries and accounts kept by a student in his last year at Trinity College, Cambridge in a printed diary for 1753 altered to the later date the diary started in February 1755 and continuing on through the beginning of February 1756 when Hebbes left Trinity for Kensington. Hebbes records academic activities: declaiming in Chapel, presenting an epistle to the Master of Trinity Dr Smith, and paying the Moderator's man for huddling before being examined by Mr Howkins, and then by two moderators, and four fathers in the 'theatre'. His accounts record purchases of food, a subscription to Dockrell's Coffee House, and a variety of miscellaneous items: a new wig, repairs to his watch, Christmas boxes, as well as expenses relating to trips to London, Saffron Walden, Royston, Chesterton, and Stourbridge Fair. He records money won and lost at cards and bowls, and money given to the poor. He mentions selling books, makes payments to the Junior Proctor, Beadle, Head Lecturer and Senior Bursar, and buys a bachelor's gown, and wine and port for the 'Batchelor's table' before taking his degree. The diary also appears to have been used for handwriting practice by Ellen Hebbes and possibly other Hebbes children.

In the hand of Robert Leslie Ellis[?]

Incomplete?

Pen-and-ink sketch, with caption at top, "John Wordsworth, Greek lecturer on Thorpes' [Thomas Thorp's] side, Trinity College -- HSB pinxit". HSB is possibly Henry Stapylton Bree, who died 14 May 1836 at Trinity. Three figures in front of Wordsworth are drawn from the back and identified by surname: Howes, Maurice, Maitland [Thomas Chubb Howes, possibly Mowbray Morris and John Gorham Maitland]. With three more lines of names below: Bree, Bowes, Byles, Macgregor, Ritchie, Sugden, Busk, ? , Neat, Waldegrave, Joy, Adcock, and Grant. These students were all admitted in 1834 and 1835 and are possibly Bree himself, Edmund Elford Bowes, James Byles, Walter Grant James Macgrigor, William Ritchie, Frank Sugden, Hans Busk, Richard Henry Neate, William Frederick Waldegrave, William Joy, Halford Henry Adcock, and Alexander Grant.

Bound volume of extracts of William Whewell's letters to his family and perhaps his own diaries, dating from 1812-1839 with the bulk of the material dated 1812-1821. The extracts, which form a narrative of Whewell's activities for this period, are written in an unidentified hand and quote letters to his father John Whewell, aunt Alice Lyon, and sisters Elizabeth, Martha, and Ann Whewell. These extracts are continued by short summaries of Whewell's activities in the years from 1821 to 1839, possibly drawn from diaries, but not identified as such. Accompanied by a poem signed W. W., written on his engagement to Cordelia Marshall.

Part of Cordelia Whewell's collection of franks. The collection includes a letter from William Pickering to William Whewell dated 16 July 1834 with a frank from J. Kennedy (item 201), and three letters to Cordelia from Philip H. Howard, dated Dec. 1839 and 4 and 20 Jan. 1840 (items 195-197).

Lacks pp. 1-2.

Accompanied by two sheets (now in 5 pieces) with a series of numbered questions, one of them headed, "The Confession".

[Only the last page present.] GA sends a collection of rhymes [no longer attached].

Fragment of a letter.

Missing pp 1-4.