Probably a commercially-produced print. Captioned below by hand, ‘South Side I. | Evangelists & Teachers.’
Of a similar date to the photograph on f. 2r.
Probably a commercially-produced print. Captioned below by hand, ‘South Side I. | Evangelists & Teachers.’
Of a similar date to the photograph on f. 2r.
Probably a commercially-produced print. Captioned below by hand, ‘South Side II. | The Church of the First Days.’
Of a similar date to the photograph on f. 2r.
Probably a commercially-produced print. Captioned below by hand, ‘South Side IV. | The Anglo-Saxon Church.’
Of a similar date to the photograph on f. 2r.
A commercially-produced print, captioned on the image, ‘Roof of King’s College Chapel, Cambridge. 3404. G.W.W.’
Of a similar date to the print on f. 2r.
A commercially-produced print, captioned on the image, ‘Gate of Humility, Gonville & Caius College, Cambridge. 7666. G.W.W.’
Of a similar date to the print on f. 2r.
A commercially-produced print, captioned on the image, ‘Avenue & Gate in Trinity College, Cambridge. [An illegible number.] G.W.W.’ (The caption is faint, and the reading is not entirely certain.)
Of a similar date to the print on f. 2r.
A commercially-produced print, captioned on the image, ‘St John’s Bridge and College from River, Cambridge. 6071. J.V.’ The photograph includes two men leaning over the bridge and part of the ‘Bridge of Sighs’ in the background.
Of a similar date to the print on f. 2r.
These arches were uncovered in 1893, as explained in the article in The Builder pasted below the photograph.
Of a similar date to the print on f. 2r.
A commercially-produced print stamped, in capitals, ‘Messrs Stearn, Photos: Cambridge.’ The image is rather poor.
The heading is, in capitals, ‘The Stained Glass of the Great West Window, King’s College Chapel, Cambridge, by John R. Clayton and Alfred Bell.’
Perhaps the photograph shows Richard Appleton in his rooms at Trinity, but the subject and the location of the room have not been identified.
A colour print of a painting by D. Warren. Below the illustration are the words ‘In proud and loving memory of’, in capitals, followed by a blank space. Copyright by Landeker & Brown Ltd, London, E.C.2.
According to the notes inserted before this page the people in this photograph are as follows:
Back row: unidentified man; Lady Constance Veronica Bruce; three unidentified men; 'Mademoiselle' (L. Krauth?); Henry Babington Smith.
Middle row: Lady Christian Augusta Bruce; unidentified man; Lady Elisabeth Mary Bruce; the Viceroy; the Maharaja of Gwalior; the Countess of Elgin; Colonel Algernon Durand(?); unidentified man; the Hon. Mrs Grant.
Front row: Viscount Fincastle; two unidentified men.
(The photographs are placed side-by-side to form a single panoramic image.)