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21, Theatre Road, Calcutta (on University of Calcutta printed notepaper). - Has tennis-elbow from playing badminton. The books [his "Essays in Verse"] arrived at the beginning of the week: they are beautifully printed and he is very grateful. It is sad they are a little too late to help him get the jobs he wanted, but he may not have succeeded anyway. Is glad Trevelyan has sent copies to the people he mentions: does not see Desmond MacCarthy's name on the list; hopes he will send one, as he would much like to hear his opinion. Asks for copies also to be sent to: [Marie] Germanova: Edwyn Bevan: Brian Lunn: Amelie Brázdová; [Monica] Bridges or Elizabeth [Daryush]; Alison Hooper of Monkswood, Great Hallingbury; Malcolm Muggeridge at "Time and Tide"; Mrs Ikramullah; Simone Téry; and B [Bev] Kalitinsky. Is negotiating with Macmillans to try to bring out the book in India. Would be good if Trevelyan could have a hundred copies sent over; asks what the book should be priced, in shillings. Feels much closer to Trevelyan now there is airmail. Will soon have out a book of essays about art, called "Prefaces" since 'all knowledge we possess is a preface to real knowledge... the Indian idea'. Is also bringing out the first of a series about Bengal folk art which the University is publishing under his general editorship. Saw Tagore a fortnight ago when he came to stage 'one of his new social plays', which Suhrawardy appreciates; he spoke 'very affectionately' about Trevelyan; he is disturbed about Japanese aggression in the Far East, contrasting the Japanese and Chinese instinct to court death like moths to the flame with the Indian 'habit of slow annihilation of self'; he has had to shave his hair and beard after his illness and so sees few people but 'still appears beautiful'. Asks Trevelyan to let him know readers' opinions of his book, particularly Bessie and Julian's.

A postscript notes that he has only received five copies of the book, though Trevelyan had said he was sending fifty; asks if Birrell and Garnett could take some copies for sale to 'curious Indian students'.

The Shiffolds, Holmbury St. Mary, Dorking. - Is sorry for leaving behind the books; thanks her for sending them on. Has tried to find out about the symbol of the serpent biting its tail: copies out a passage from [Edward Burnett] Tylor's "Primitive Culture; mentions the article on serpent-worship in the "Encyclopaedia Britannica" by S. A. Cook; and cites the treatment of the snake in Frazer's "Folklore of the Old Testament". Also discusses her husband's wish to use 'Sapph' as a diminutive for Sappho, which Hermann supports, and talks about the possible influence of the Lesbian dialect; however, he feels 'Sapph' might look odd and more like a misprint. He and his wife very much enjoyed their visit to the Bridges. Is very glad to have seen the later poems of their daughter [Elizabeth].

Chilswell. - Discussion of the scansion of a line in her husband's translation of "Priam and Achilles" ["Iliad" xxiv 339-660] which she has altered during editing. Was pleased to see Trevelyan and his wife the other day; she and her daughter hope they might meet again should anything bring them to Oxford.

Chilswell, Boar's Hill. - Thanks Trevelyan for the copy of Suhrawardy's poems, which she has shared with Elizabeth. Expected them to be mystical, so was a little disappointed with the love poems. Likes "In the Earth unbroken", "The Cotswolds" and "In Russia". Does not have Suhrawardy's address, and asks Trevelyan, when he next writes, to thank him for remembering her with a copy; hopes she will see him when he comes to England. Has taken an interest in a blind man, Harry Booth, son of an unemployed Yorkshire miner, who won a scholarship to Oxford and wrote a B.Litt. thesis on "Robert Bridges and the poetry of today". Hopes he can get better work than reading Braille proofs, 'very tedious and ill-paid': thinks he could teach well.

Goodman's Furze, Headley, Epsom. - Has got copies made of the correspondence between his father and her husband, which he sends, along with the twenty-two original letters she lent him from his father to her husband, and some from his mother and sister which he has not had copied. He also sends seven letters from her husband to his father and a copy of an eighth, the original of which was stuck into a book. Most of the letters were written in 1927 and 1928, and formed part of a series of letters preserved by his father from those to whom he had sent proof copies of the "Testament of Beauty". Has pencilled years on undated letters. He has no record of the comments and criticism which her husband made on this poem, and asks she would be willing to lend him the proof copies in which these were made. He also asks if he could be given the chance to acquire the letters if she ever thinks of parting with them.

Stockwell, Boar's Hill, Oxford. - Thanks Trevelyan for his kind letter about her poetry; in fact, some of the poems he likes were ones she was not happy about publishing, so she is particularly grateful. Discusses the scansion of the last poem, which he found difficult.

Stockwell, Boar's Hill, Oxford. - Apologises for the delay in thanking him for sending her his book ["Rimeless Numbers"?]: has been busy with reviews. Is rather ignorant of classical metres, but finds that his hexameters run very smoothly. She likes best "The Wood" and the lyrics "Cortona" and "From Italy". It is a 'great feat to be able to do without rhyme'.

Grosvenor House, Park Lane, London, W.1. - Apologises for not replying sooner to his letter about her book: her husband was appointed as one of the Persian delegates to the Economic Conference in London and they were only given a few days to prepare. Poetry seems far away in the 'fantastically exorbitant' hotel paid for by the Persian government. Criticisms he makes are the kind for which she is most grateful, and she discusses several of them; some have also been made by her brother-in-law Horace Joseph.

40 Well Walk, Hampstead, NW. - Thought the "Annual [of New Poetry]" had been abandoned due to the publication of the new "Georgian Poetry"; asks who the contributors are. Offers his own "Micah", or some shorter pieces if that is too long; would like to keep the manuscript as long as possible to continue work. Has read much of [Bob's translation of'] "Agamemnon", comparing it with Browning's; will compare it with Paul Claudel's next time he goes to the British Museum. Bob's version 'reads very well on the whole', though there are still too many lines which 'no one writing English would pass or feel to be happy'; increasingly doubts whether Aeschylus's original is 'quite the model of style it is supposed to be'. Quotes an example of the 'interesting and poetical meanings" often found in Browning's translation but 'altogether unrepresented' in Bob's; asks whether these are different readings of doubtful passages, or whether Browning has invented them. Glad that Julian has quite recovered. Hopes that Bob is 'offering pages [in the "Annual"] to all the best people' and that it will not be 'hole-in-the-cornerish'. Adds postscript saying that Miss Bridges's book had 'some first rate things in it'; has also just read "Poems of Alban" by Emilia Stuart Lorimer, which had a few 'fine things', and thinks Bob should 'try to have one or two ladies'.

W[est] H[ackhurst]. - Does not know Binjori's [Abdul Rahman Bijnori?] works as he ought to, and does not feel able to take the chair; wishes Trevelyan would do it himself. Suggests asking someone from the East such as Narayana Menon, though perhaps he is too little known. Discusses [Elizabeth] Daryush's poems. George Thomson should have organised the [Apostles'] Dinner, but is going into hospital. Took tea with Chi'en [Xiao Qian]. Agrees that Silvia S. [Sylvia Sprigge?] is now far away.