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Saw the item in the ['New York] Times' about 'Amadeus', thinks it gutsy 'I mean, who gave a shit about Pizarro? You could do anything with him. But Mozart!?!'; disliked [Bernard] Levin's article in the 'Times' canonizing Mozart, it's as if the Roman church were paying, to help with their take, but despite the millions showing up for the Pope, attendance at Sunday Mass is off; things are good with Denise and his work teaching undergraduates the belief-oriented religion scene continues; new beginnings include studying the psychology of religion.

Is happy about their close communication, wishes to say more about the 'sex situation' in which PS finds himself; wishes to clarify what he meant when he said whatever PS did would make no difference to them but he had hoped for something better: he feels that a 'normal' family life within the framework of social norms where there is love 'is far more fulfilling & rewarding' and is what he hoped for himself and for PS too, but recognises it may be impossible for PS, that 'when love proceeds only in terms that society finds unacceptable - one has to take it along with the sacrifices such social opprobrium enforces', and asks him to keep alive to impulses within himself. Summer school is going well, describes a second interview at [Sarah Lawrence] and the job he's been offered for the next year.

Is leaving Vermont for the weekend to go back and be interviewed by three members of the religion department [at Sarah Lawrence College?]; was most amused by Peter's letter; received Bruce [Hunt]'s letter; will drop Donald [Friedman?] a card; discusses Peter's sexual fears, and says Peter is 'living with a fearful curse' and should go ahead with Louis's advice [?], 'I cannot help praying for something else - you do what you must though'; his sickness is frightening, and refers to the things Peter has told him he can see, and doesn't know how much Peter consoles himself 'into believing that the vision is inextricably involved with the illness'; briefly describes Buber, wishes he could give an idea of what he's going to write his dissertation about; had hoped to get going on his research this summer but his German remains basic, is flirting with multiple women he describes but does not name; describes his big year ahead; has enjoyed living in [Middlebury].

Writes from the German course at Middlebury College, Vermont. Has left the apartment he shared with his cousin Harold [Rosenberg], will probably be the building superintendent in Frances [Whyte]'s apartment house; thinks they will be married inside a year; describes the course at Middlebury College; has a lead on a teaching job at [Sarah Lawrence College] and at Columbia University; asks for news of Richard [Mayne?], Brian and Tony, and Dave Calhoun.

Is going to do his dissertation on Martin Buber; is very busy, with papers and an application for a national religious fellowship; compares his piano teacher at Cambridge and Peter's help, with his teacher in New York; has moved apartments to a place with a kitchen with his cousin Harold [Rosenberg?]; answers PS's statement [in his last letter?] that he had interfered with Mal's happiness, writes at length about his analysis and the first psychoanalyst's view that the scratching was a good thing as it led him to seek help; declares they should stop asking forgiveness of each other; ran into Mr [Balachandra?] Rajan from Trinity, who is working with the United Nations.

It has been a long time since he has written and since PS has written; reflects on the change in his affections and refers to their relationship before Frances [Whyte] arrived and speculates that it would have degenerated instead of being abruptly cut off; shares what he has learned in analysis about his relationships; is afraid that he has put too much into the relationship to let it evolve into a friendship now; has seen Dave [Calhoun] and when they speak of Cambridge finds they are speaking of the Shaffers; mentions thrilling progress on analysis, Frances, and career but does not go into detail.

Felt close to PS when he went to an all Brahms concert conducted by [Adrian] Boult and heard Isaac Stern; hears that Judy [?] has married, wished he had passed that on; has made a friend who was wondering whether to become a rabbi or a minister and was studying philosophy of religion and is now just studying philosophy; hasn't heard from Dave [Calhoun], didn't go to his wedding; is getting along very well with Frances [Whyte]; is distressed to hear that PS has given up analysis, thinks he needs to find another analyst he likes better; hasn't taken another piano lesson; rest of his time is spent studying French and German for the PhD.

Encloses a letter for Dave [Calhoun] in hopes it reaches him before he leaves Cambridge; describes his schedule with psychiatric analysis, dental work, courses in German and French to attain reading proficiency by the autumn, and piano lessons. He and Frances [Whyte] are getting on well; it has been a year since Frances arrived in England; wonders how things are going with Judy [?].

Describes his sessions with his analyst: 5 days a week, is aware he has to do all the work, while the analyst merely restates what he has said; describes the work he needs to do for his PhD; describes the many concerts he has attended, the two highlights already described: concerts by Solomon and Curzon, followed by Beethoven conducted by Walter, Koussevitsky with the Boston Symphony Orchestra, Toscanini in a non-broadcast benefit concert at Carnegie Hall, with the result that he heard the 1st, 3rd, 5th, 6th, 7th, and 9th in 10 days. Read [Graham Greene's] 'The Heart of the Matter'; asks if PS has resumed psychiatric sessions on his return to Cambridge.

Describes a 'magnificent' concert featuring Clifford Curzon with Bruno Walter and the N.Y. Philharmonic, which brought back memories of the glorious weekend with PS before he left for Paris; it's been a great year for English pianists, describes a concert by Solomon and also mentions Myra Hess; is getting on well with Frances [Whyte], but no break on the matrimonial front; is pleased to read what PS had to say about analysis, that the work is all the patient's; says PS is a lot sicker than he is, and will have to do a lot more work; describes his religious problems, has been studying Will Herberg, appreciates that he writes meaningfully about Judaism.

Describes his difficulty in focusing on work, finds analysis painful, has distanced himself from his family except for Frances [Whyte]; is going to hear Solomon [Cutner] in his American debut, [Artur] Schnabel has cancelled concerts due to illness, is going to three performances of the New York Philharmonic conducted by [Bruno] Walter including one featuring [Clifford] Curzon, and two ballets featuring [Alexandra] Danilova and [Alicia] Markova; the best thing he has seen is Marcel Pagnol's film 'Marius', which has the texture of a novel; asks for details of his psychiatrist; asks about friends there, news of Dave Calhoun and Tony, glad to hear Mr Wisdom is looking good.

Is very busy, but has wanted to yell at PS since getting his letter; doesn't agree that his [Mal's] situation is easier than Peter's and tells him to lay off; still thinks PS should undergo analysis; his relationship with Frances [Whyte] is good but they are doomed; give his best to Tony, Brian, Dave [Calhoun], and Seymour Betsky if he's still there.

Went to see 'A Night at the Opera', doesn't like it as much as PS does; was thrilled to watch Toscanini broadcasting from a small studio; briefly mentions a joint recital by [Artur] Schnabel and [Joseph] Szigeti and also the Boston Symphony under Koussevitsky; has seen 'Edward, My Son' with a memorable performance by Peggy Ashcroft; admires the film 'Louisiana Story' with its score by Virgil Thomson; bridles at PS's statement that 'in America analysis is just like going to the toilet [struck out] I mean cloakroom'; suggests PS get himself to an analyst like Henry [Leonard?] Wilson and suggests he prove a correlation between the Bevin Boy Business and his poor psychiatric state despite actually being 'loused up' before in order to get it paid for; could hardly believe he was writing about religion but won't lecture him despite being baited; tried to break up with Frances [Whyte] last month to no avail and mentions the private language he had with PS (Cuban); his father [Walter Diamond] is paying for analysis after meeting the analyst; tells him not to worry about PS's effect on his analysis, rather it gives him something to say; wishes he would not apologise for everything; hopes Dave [Calhoun] is well.

A self-described stream of consciousness letter describing his hectic schedule, worries about his future with Frances [Whyte], a religious upheaval (worries that his faith is just that he has become 'clever with dialectic tensions and religious terminology'); is aware that analysis requires persevering through pain; thinks analysis is PS's only hope; Mal's father [Walter Joseph Diamond] doesn't see the point of analysis and is balking at the cost; a dermatologist has brought the scratching under control; thinks of suicide but is in no danger of getting on with it; sees that full term ends 6 Dec. at Cambridge and send his best to PS's family; D.A.G. Hinks 'was a hell of a nice guy'.

Is glad to hear from PS, urges him not to overdo things and look after his health; describes working as a waiter to pay his passage to the U.S. on board the 'Marine Tiger'; has taken to scratching himself for hours again, but is better when he is around Frances [Whyte]; saw Uncle [Sid] Lovett, Chaplain at Yale, who advised him to marry Frances, get psychiatric treatment at once, take money from his father, and approved of Frances' idea that he take an MA in Philosophy; shares his admiration for Frances, would marry her now if it weren't for her Catholicism; went up to Union Theological and saw [James] Muilenberg, who went all out to get him accepted by Columbia and Union, is a candidate for the PhD in the Philosophy of Religion supervised by a joint faculty board from both universities, has started the semester 3 weeks late, with exams and term papers for five courses; has not wanted to see people since his return, but saw Harold [Rosenberg?] and is working to reestablish their relationship; the U.S. seems vulgar and terribly wasteful compared to Europe; hopes the letter doesn't worry PS, his was very welcome.

Has been very busy getting ready to leave the country, has been with Frances [Whyte] continually and hasn't been able to write; describes what he's been doing since PS left, describes a trip to Oxford, where they especially liked Magdalen's Deer Park; spent time with Dave Calhoun who reminded them of his father [Robert Lowry Calhoun], spent time talking of philosophy, thinks Brian [Shaffer] will enjoy his company; went to see 'Othello' at Stratford and describes the play, agrees with him about [John] Quayle's Iago, and discusses John Justin's Cassio, [Paul] Scofield's Roderigo, Diana [Wynyard]'s Desdemona, and [Ena] Burrill's Emilia; describes their visit to Warwick Castle, Canterbury, hitchhiking, visiting Tony, Brian, and Reka at Windyridge; is to sail on one of the converted troop ships leaving [Southampton] the next day; saw 'Naked City' and thought it well done; really liked 'Oliver Twist' which he has seen twice; is reading 'Pride and Prejudice', but thinks Aldous Huxley wrote a good screenplay; his feelings have not stayed the same in this past month, given he has been immersed in another love, 'Nature, society, everything was for this and against us'; his love for Frances in no way dims his feelings for Peter.

Image of Charlecote House - Writes from Stratford, hasn't been overrun by tourists yet; has been busy getting ready to leave the country.

Writes from Paris. Is reading 'Howard's End' and thinks it first rate, disagreeing with PS; describes his attempts to reach the Marshall Plan Personal Director, [Ed] McMenamin, in Paris, and his journey there to see about a job, is distressed to learn they've not heard of him; reflects on his love for Frances [Whyte]; hopes to hear from Peter on his return.

Is still in Southampton, hasn't heard from his contact in Paris; went to the Isle of Wight in stormy weather; maybe she [Celeste Holm?] is like that in real life, given her compassionate Ado Annie; would really like to see Olivier and Richardson do 'Othello' at the Old Vic if that comes to pass; has given up on [getting a job in] Germany; is glad to hear PS's tone of semi-resignation, thinks PS will get over him in the 'giddy round of hardly quiet fun' that awaits him in Cambridge; they've said what needs saying 'as to the sexual fears', and has faith in their ability to get past this; is thrilled at the sound of the latest 'undertaking' [unidentified]; describes meeting on a ferry Dave Calhoun, the son of his professor at Yale who is going to Cambridge, will be a Henry Fellow like Dud Towne was (who he describes), thinks Dave will make Brian [Shaffer] a good friend, as someone with common interests and 'sharp enough to stay with him'; saw the Olivier 'Pride and Prejudice', 'like a good symphony being butchered'. The letter continues the next day, arranges a time for PS to call; the news from the [Frances] Whyte-Diamond front is good: 'you'll be much relieved to see us getting on so beautifully', part of which is an active sex life.

Continues his discussion of their love and issues of separation, Peter's anguish and his sense of guilt and inadequacy; is with Frances [Whyte], which requires readjustment and he is unsure of marriage; is practising [music] again, playing tennis; the program is useful and it is good to have a semblance of a routine again, discusses a possible job in Paris and plans he had to meet Bruce [Hunt?] in Winchester. In a postscript, he asks him to stop writing him in care of Frances as he is in full residence there, asks where the letter from Ruth [?] might have gone; identifies the actress PS liked in 'Gentleman's Agreement' as Celeste 'Cissie' Holmes [recte Holm].

A letter written after a frank discussion of their feelings, declares his love and his miserable state and recognizes Peter's misery as well; after an initial joyful reunion with Frances [Whyte], he realises there's no 'magic'.

Is happy they will see each other soon in Cornwall, notes they both feel despair, Peter from isolation, Mal from overinvolvement; discusses matters of luggage, money owed for their Paris venture; thought his comments on 'Lord Jim' brilliant, still dismayed by his self-effacingness.

Image of the Roman Forum, Vespasiano's and Saturno's Temple - Is more impressed with classical ruins than the Baroque architecture.

Venice is primarily a resort compared to Florence, though they admire the Donatello John the Baptist in the [Basilica dei Frari]; tourists are still there but it is nothing like the 'frenzied assault' in Venice; it is the first anniversary of his first encounter with Frances [Whyte]. Continues on 4 July, recounts what he has seen: the chapel at San Lorenzo, the Medici Chapel, the Academy of Fine Arts, where he particularly admires the David; describes getting left behind by his train with Frances on it with his tickets.

Image of 'Firenze - Una Veduta dal Piazzale Michelangelo' - Gives his itinerary and promises a long letter soon.

Describes visiting Lake Leman in Switzerland, a short stop off in Milan to see the Cathedral, and on to Venice, had not realised that the whole city is built on water, thought the Canal was one river running through the middle of town, visited the Piazza San Marco and Bienniale; finds the city more expensive than Paris and food and wine not as good; shocked [Thomas] Dewey won the nomination at the Republican Convention; he and [Dopus? - Frances Whyte?] are getting on fine.

Mal writes that he and Frances [Whyte] haven't seen much of Paris; was defrauded of several thousand Francs by a black marketeer; saw '[Monsieur] Verdoux', thought the phony French background and the mood of the ending out of keeping with the rest of the movie. With three lines from Frances, who is looking forward to seeing Peter.

Note sending his love.

Note accompanying items no longer present, 'With hopes that you will not be alone enough to get through all these'.