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Continues his discussion of their love and issues of separation, Peter's anguish and his sense of guilt and inadequacy; is with Frances [Whyte], which requires readjustment and he is unsure of marriage; is practising [music] again, playing tennis; the program is useful and it is good to have a semblance of a routine again, discusses a possible job in Paris and plans he had to meet Bruce [Hunt?] in Winchester. In a postscript, he asks him to stop writing him in care of Frances as he is in full residence there, asks where the letter from Ruth [?] might have gone; identifies the actress PS liked in 'Gentleman's Agreement' as Celeste 'Cissie' Holmes [recte Holm].

Is still in Southampton, hasn't heard from his contact in Paris; went to the Isle of Wight in stormy weather; maybe she [Celeste Holm?] is like that in real life, given her compassionate Ado Annie; would really like to see Olivier and Richardson do 'Othello' at the Old Vic if that comes to pass; has given up on [getting a job in] Germany; is glad to hear PS's tone of semi-resignation, thinks PS will get over him in the 'giddy round of hardly quiet fun' that awaits him in Cambridge; they've said what needs saying 'as to the sexual fears', and has faith in their ability to get past this; is thrilled at the sound of the latest 'undertaking' [unidentified]; describes meeting on a ferry Dave Calhoun, the son of his professor at Yale who is going to Cambridge, will be a Henry Fellow like Dud Towne was (who he describes), thinks Dave will make Brian [Shaffer] a good friend, as someone with common interests and 'sharp enough to stay with him'; saw the Olivier 'Pride and Prejudice', 'like a good symphony being butchered'. The letter continues the next day, arranges a time for PS to call; the news from the [Frances] Whyte-Diamond front is good: 'you'll be much relieved to see us getting on so beautifully', part of which is an active sex life.