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Photographs found in an envelope with J. R. M. B.'s note that they are photographs of Harrow, Cambridge, and Scottish Horse. Three card photographs by Hills & Saunders, Harrow are signed by D. R. Brandt, R. Gorell Barnes, 1903, and R. O. Morris. Four photographs were taken in Cambridge: a card photograph identified on the verso as M.W.M.A. was taken by Messrs. Stearn, a card photograph taken by Scott & Wilkinson is identified as G. R. H., two photographs in folders were taken by Hills and Saunders, Cambridge: Ronald Deane Ross, and Christopher Bethell, taken at Christmas 1908. One card photograph by Hills & Saunders, Oxford is signed D. J. D.[?] Evans. These are accompanied by a Christmas card with two photographs from David [?], "Somewhere in Sicily" with the Allied Military Government, 15 Army Group, C. M. F.

Newspaper cuttings, many sent to Trevelyan by Durrant's Press Cuttings agency, some by Longmans & Co (some duplicates). Reviews of "Volume I. Poems" from: the "Sunday Times" [by Desmond MacCarthy]; "Oxford Magazine" [also reviewing work by Lord Gorell, Louis MacNeice, and Thomas Thornely; later notice on this volume alone]; "Scotsman"; "Times Literary Supplement"; "Manchester Guardian" [by Basil de Sélincourt]; "New Statesman and Nation" [by Stephen Spender, also reviewing an edition of Dante's "Inferno" by John D. Sinclair; and "Guardian". Reviews of "Volume II. Plays" from: "The Library"; "Birmingham Post"; "Manchester Guardian"; "Glasgow Herald"; and "Scotsman" [also reviewing collected works of Housman and Frost]. Review of both volumes from the "Day".

Newspaper cuttings with reviews, most sent to Trevelyan by Durrant's Press Cuttings Agency' from: the "New Statesman" [a brief laudatory mention in the "Spring List" by 'D. M.' - Desmond MacCarthy]; "Times Literary Supplement" [also reviewing a translation of Ferenc Békássy's poems]; "Nation and Athenaeum" [by Robert Graves; date not present but 2 May 1905; also reviewing works by Békássy, H. H. Abbott, Maurice Baring, Lord Gorell, Nancy Cunard, Emily Dickinson, and Edwin Muir]; "Observer" [also reviewing works by Cunard, Muir, and Norman Gale]; "Manchester Guardian"; "Daily News". Also a cutting from the "Daily Herald", 5 June 1923, in which a reader notes the common theme between Trevelyan's "Oaks and Caterpillars", printed in the paper three days earlier, and works by John Gay.