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Newspaper cuttings with reviews, many sent to Trevelyan by the press cuttings agencies Durrant's and Romeike & Curtice; some duplicates. From: the "Times Literary Supplement"; "Aberdeen Press and Journal" [also reviewing works by Charlotte Eliot and Douglas Ainslie]; "Scotsman" [also reviewing works by C. S. Sherrington, Charlotte Eliot; Douglas Ainslie, Edna Clarke Hall and the Earl of Sandwich]; "Glasgow Herald" [also reviewing Ainslee]; "Morning Post"; "Birmingham Post"; "Yorkshire Post" [also reviewing work by Richard Hughes]; "Observer" [three copies, one with manuscript annotation at the bottom: '...I suppose B. has seen this already? Squire, I think']; "Manchester Guardian"; "Christian Science Monitor" [by Thomas Moult]; "Nation and Athenaeum" [also reviewing works by Squire, Carl Sandburg, and Humbert Wolfe]; "Spectator" [also reviewing works by Arthur Clutton-Brock and Alan E. Mulgan]; "Time and Tide" [by Thomas Moult; repeats the review of Trevelyan's work from the "Christian Science Monitor", adding reviews of work by Amy Lowell, Evarts S. Scudder, Ian Dall, Lady Ashmore and folk songs from Italy translated by Grace Warrack]; "Poetry"; and another review by 'B. S.' with no indication as to source. Also present, a clipping from "Vogue" with a photograph of Trevelyan, and a discussion of the Censor forbidding the production of Marc Connelly's "Green Pastures" from the "New Statesman", 7 Dec 1930, by Desmond MacCarthy, which quotes appreciatively from Trevelyan's "The Deluge".