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One letter from William Wyse expressing his doubts about being able to travel to have his portrait done, and three letters from Eric Gill concerning arrangements and the mount for the drawing.

Frisch met Evan Gill in Liverpool (see What little I remember, p.140) and they remained life-long friends. The correspondence includes several references to the work of Eric Gill, brother of Evan.

Two letters to A. S. F. Gow from Fortescue, including one in which he hopes the artist (Eric Gill) "is not a conceited & confident young man because, for some reason which I cannot divine, I am a difficult subject..." With two letters from Eric Gill to Gow dated 18 Dec. 1926 and 26 Feb. 1927, the second mentioning that while he was drawing Fortescue was reading proofs and Gill thinks "the expression of the eye rather convey the critical look of a proof reader."

9 letters from various people making suggestions of portrait artists to be used in making portraits of Trinity Fellows under of the scheme funded by the Memorials Committee. The letters are from P. & D. Colnaghi & Co., W. R. M. Lamb, Henry M. Hake, A. M. Hind, C. J. Holmes, Henry Tonks, Edward Maufe, David, the Earl of Crawford and Balcarres, and W. J. W. B. Artists discussed include G. L. Brockhurst, Francis Dodd, Paul Drury, Eric Gill, R. Gleadowe, Eric Kennington, Winifrede Knight, Henry Lamb, W. Rothenstein, F. E. Jackson, A. K. Lawrence, T. W. Monnington, Randolph Schwabe, and Leon Underwood. Accompanied by two sheets of notes.

[St Paul Seminary, St Paul, Minnesota.]—Has learnt that Smith was given a civic reception on his arrival in Venezuela. Birch [Moody] has been transferred to Africa, Wilfrid and Dennis have become firefighters, and Illingworth is training as a mental nurse for soldiers. Remi Preston reviewed 'The Pool of Vishnu' [by L. H. Myers] unfavourably in the 'Dublin Review'. Wilfrid is happy about his marriage and is thinking of buying a pony and trap to transport fertiliser to his farm near the Malvern Hills. Harding is to publish an answer to Bewley’s note on Coleridge. Three of Queenie’s relatives have died [in an air-raid]. Daniel Rowe is a physical training teacher in the army. Dennis is ‘cultivating (perhaps even romantically) the acquaintance of a young Irish painter named Maureen’. Wilfrid’s new protegé is a sculptor named Walter Ritchie, a former student of Eric Gill who is going to prison shortly for conscientious objection. Leavis and Eliot have been reconciled after the former’s defence of 'East Coker' in the 'Times Literary Supplement'. The foundations of his spirituality have been shaken rather than built up at the seminary, but he cannot conceive any alternative except the horror of being ‘turned out’ in America again. Is eager to hear of any possibility of ‘anything in the East’. Is having the 'Catholic Worker' sent to Smith, though his interest in it has declined. Finds it difficult to speak to the other seminarians, except Henri Dulac, who is exceptionally intelligent. Is encouraged by recalling how he survived a previous emotional crisis at Cambridge and by the positive change in Illingworth’s fortunes.