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66 Holly Walk, Leamington Spa.—Marius [Bewley] is living in New York with a man who illustrates children’s books [Garry MacKenzie]. Is sorry that he and his wife saw so little of Smith in Cambridge. Hopes his sinus trouble has gone. Is suffering from a fever.

66 Holly Walk, Leamington Spa.—Was prompted to write by hearing that Preston had sent Smith a copy of his ‘Four Quartets’ Rehearsed. Leavis says that Smith is ‘very fit’. Asks what his plans are. Enright himself has got married and is waiting to be released from conscripted labour. Nominally this ought to happen in July, but he doubts whether the National Service Office will release him so soon. Is hoping to get a minor post in a minor university. Commends Preston’s commentary. His own commentary on Goethe’s Faust has been rejected by fourteen publishers. Morley has had a daughter, to add to his two stepsons. Bewley ‘appears to have fallen among charlatans—the artistic set in New York’, though he seems happier of late. Wilfrid [Mellers]—who is, he thinks, now free of farm work, though still in the country—has a book on ‘Music & Society’ in the press. Morley recently became senior English master at Warwick. Enright and his friends often used to reflect on what they owe to Smith’s supervisions. Hopes to meet him soon and introduce him to his wife, who is teaching at various local schools.

Excelsior Springs, Missouri.—Refers to the interruption in their correspondence and explains why he has not written. Expresses his discontent with the Church, which he supposes is connected to his hatred of the war, and discusses his objection to his friend ‘Sergius’ [John] Farrelly’s decision to join the merchant marines in the hope of achieving a ‘personal catharsis’. Has just returned from Santa Fe, where he spent a year painting, while living in an adobe house in the orchard of the painter Olive Rush. Has had an exhibition, but will probably not paint much more, as his main object was to familiarise himself with the medium in order to become a better critic. Explains why he thinks that, with the possible exception of Eliot, the greatest artistic achievements today must be in painting rather than literature, contrasting Rouault with Mauriac and Picasso with Hemingway, and discusses his view of literature as ‘the most human of the arts’, with reference to Timon of Athens and Koestler’s Darkness at Noon. Reflects that this unplanned digression on literature was perhaps prompted by the memory of their conversations together, which nothing has replaced, except perhaps his friendship with Farrelly, whose qualities he reiterates. He himself will probably have to go into a conscientious objectors’ project soon, a prospect he does not look forward to. Dennis, who is no longer living with Wilfrid and Vera [Mellers], is engaged to a girl ‘with the incredible name of Daisy Chainy [sic]’. Gordon is in Egypt, Edward Morley and Remi Preston are teaching, and Birch Moody is in Africa. Urges him to write.