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Excelsior Springs, Missouri.—Refers to the interruption in their correspondence and explains why he has not written. Expresses his discontent with the Church, which he supposes is connected to his hatred of the war, and discusses his objection to his friend ‘Sergius’ [John] Farrelly’s decision to join the merchant marines in the hope of achieving a ‘personal catharsis’. Has just returned from Santa Fe, where he spent a year painting, while living in an adobe house in the orchard of the painter Olive Rush. Has had an exhibition, but will probably not paint much more, as his main object was to familiarise himself with the medium in order to become a better critic. Explains why he thinks that, with the possible exception of Eliot, the greatest artistic achievements today must be in painting rather than literature, contrasting Rouault with Mauriac and Picasso with Hemingway, and discusses his view of literature as ‘the most human of the arts’, with reference to Timon of Athens and Koestler’s Darkness at Noon. Reflects that this unplanned digression on literature was perhaps prompted by the memory of their conversations together, which nothing has replaced, except perhaps his friendship with Farrelly, whose qualities he reiterates. He himself will probably have to go into a conscientious objectors’ project soon, a prospect he does not look forward to. Dennis, who is no longer living with Wilfrid and Vera [Mellers], is engaged to a girl ‘with the incredible name of Daisy Chainy [sic]’. Gordon is in Egypt, Edward Morley and Remi Preston are teaching, and Birch Moody is in Africa. Urges him to write.