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Add. MS c/99/85 · Item · 6 Sep 1867
Part of Additional Manuscripts c

[Sent from Gower Street]:- Announces that he is again in London, 'intending to work and see anything that is to be seen in the way of mediums.' States that he may 'fly to Cambridge.' Remarks that there is now one there in London that he can see 'without wasting a great deal of time.' Reports that Hales is in London, but he feels that it would be premature to call on him. Declares that if he feels intolerably lonely 'after the pleasant society at Ffestiniog' he may be more inclined to go to Cambridge, but believes that he shall soon be too busy to do that. Describes the scenery of Ffestiniog, and his experiences there, including a climb up Moel Siabod.

Reports that he has not been able to pay his visit to [Charles Kegan] Paul as he did not feel that he had the time to spare. Claims that life is somewhat difficult for him at present, 'full of doubts and problems', and that solitude is good for him, 'though rather depressing'. Quotes some lines of Aubrey de Vere. Declares that he is reading English history, and is astonished to find 'what a want there is of a good history of England before the Tudors.' Claims that the best seems to be in German. Sends the letter to Wellington College, as his mother did not say in her last letter where she was going. Hopes that Mary is progressing as well as she could expect. Asks when Arthur is to return to Rugby, and when she intends to return there.

Forgets whether she has read Goldwin Smith's lectures; 'Three Statesmen or some such name.' Declares that the last lecture, which is on Pitt, seems to him better written than anything else of his. Asks after William.

Add. MS c/100/253 · Item · [4 Jun 1874]
Part of Additional Manuscripts c

Note. Reports just having received Myers' letter, for which he thanks him. Undertakes to send him 'a line again for [Myers] to forward to Annie [Marshall?], when there is really anything to say.' Includes the rhyme: 'Grief, joys in Time's strange dance/Interchangeably advance' [from The Search after Proserpine: Fountain Nymphs, by Aubrey de Vere]. Refers to 'an immense amount of business mixed in which the [poets] do not recognise, but which is perhaps useful as a diluent.'