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TRER/20/28 · Item · [1916?]
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

34 Percy Street, Liverpool. - Does not often have both leisure and a 'lucid mind' these days; is too tired at the end of the day [after munitions work] and is ever more respectful of Germany as 'only a very great nation could have so managed the affairs of Europe' as to get him out of bed at 6.30 every morning. Managed to give his attention to the agreement [proposed by Constables for the publication of "An Annual of New Poetry] on Sunday; Bob seems to agree with him on the main points. He and the others have 'no right' to ask Bob to act as their representative, but it would be 'an enormous convenience in every way' if he did; Bob must decide only on personal grounds and not consider the rest of them, as he has 'better work than niggling with publishers'. Promises not to sue him if he does act as go-between. Is sure the contract 'must not be signed as it stands' and needs to be 'radically' altered; the problems may be due to 'barefaced swindling, or... unbusiness-like stupidity' and since they are dealing with a publisher 'either is probable', but the root is that the contract does not make any allowances for the 'special nature of the publication' as an annual magazine containing material that is to be republished in future. Might be wise to consult the Society of Authors; is a member himself and could do this for Bob. Bob should get advice from Gordon [Bottomley] and J[ohn] Drinkwater as they are 'clear headed people', while Wilfrid [Gibson] is also good at dealing with publishers; otherwise, does not think it necessary to share the contract around once it is 'fairly settled', since the poets already know the sorts of terms they are getting. Does not feel that a contract between Bob and the other poets is necessary. The first thing to do is to get the contract amended to give the publishers a 'licence to publish our poems in this form for a certain period' which then expires and returns all rights to the authors automatically. Returns Bob's "Remarks" [20/59?], in case he wishes to send them to someone else; has pencilled some suggestions on the contract and adds further comments in the letter, numbered by relevant point in the contract: these include rights of quotation; what would happen if an "Annual" poem appeared in [Marsh's] "Georgian Poetry"; proportion of profits paid to the poets; authors' copies; sections of the contract which should be altered or omitted. He and his family hope the Trevelyans are all well; they themselves are 'fairly so - or fairly so-so'. Grateful for the intervention, 'so promptly & efficaciously', with the Italian Red Cross on behalf of [John Yates of Blackburn, see 1/67? In this case the intervention probably by Bob's brother George].

[Draft letter by R. C. Trevelyan in pencil on the back of the first two sheets]. Trevelyan tells [Otto] Kyllmann that Mr [Michael] Sadler has asked him to write to Kyllmann in future regarding the "Annual". Discussion of the draft contract with Constables: the division of profits should be returned to the original 60% for the poets; Mr Sadler now agrees that the contributors should have the right to republish after, say, a year, but says that Constables should be free to reprint the "Annual" for as long as they wish, which the poets object to; payments should also be made sooner than suggested.

TRER/4/37 · Item · [June? 1901]
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Leeds. - Definitely thinks that [Johnson] is acting unfairly over the publication of the book [Trevelyan's "Polyphemus and Other Poems", with illustrations by Roger Fry]. Will go and see him on his return; meanwhile Trevelyan could have the contract seen by the Authors' Society. Glasgow very full [for the Glasgow International Exhibition] - Fry ended up sleeping at a 'coffee room' - but extremely interesting: the Municipal Gallery [Kelvingrove] is fine; Fry does not believe it's a Giorgione. Also saw Newbattle [Abbey] though due to a storm he could only see the Piero di Cosimo ["Vulcan and Aeolus"] by gas light. Goes tomorrow to Liverpool, then to Gloucester to take B.B. [Berenson] to Sir H[ubert] Parry's house before returning to Dorking. Is sorry to have been unsympathetic about Trevelyan's 'Indian play' ["The Pearl-Tree"?].

TRER/ADD/61 · Item · 3 Mar 1945
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

W[est] H[ackhurst]. - Bessie ‘cannot imagine how consoling’ her letter was, ‘nor Bob how well placed his flounce. The whole thing was done without my knowledge [the adaptation and broadcast of his story The Eternal Moment], and the first news he had of it was ‘the ghastly sketch in the Radio Times’. As she may imagine, ‘rows are in progress’: with his publishers, who gave permission without consulting him, as they are bound to do by the terms of the contract; and with the producer [Howard Rose] ‘for his discourtesy in ignoring me, and for supposing that an author doesn’t know anything [crossed through] can’t help over his own book’.

The contrast between ‘this insensitive hack’ and Leonard Cottrell, producer of The Celestial Omnibus, is ‘extraordinary’; Cottrell consulted him throughout, and invited him to Manchester for the rehearsal. Will let her see the letters if she likes. Is ‘taking it all to the Society of Authors’, and then will ‘ask for an interview with someone in the B.B.C., as this sort of thing must be stopped’. Notes that they acted legally [in obtaining permission from his publishers].

Looks forward to visiting soon. The cold has been ‘terrible’, and they are ‘still not feeling the better for it’. Chi’en was ‘nice’, but Forster criticises his English: ‘I once ventured to Chi’en that his lectures were becoming difficult to follow. He beamed and continues to deteriorate. Something is wrong with the Chinese after all, I fancy’. Went to Cambridge last week ‘to speak to Indians’; did not see Bertie [Bertrand Russell], but his lectures ‘continue a huge success, and the other dons are most critical: - jealousy partly, partly the uneasy knowledge that he upholds humanism in a community which has betrayed it’. His mother sends her love.