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Press cuttings, frequently in duplicate with one copy sent to Trevelyan by Durrant's Press Cuttings agency:

relating to "Translations from Horace, Juvenal and Montaigne", from: "Public Opinion" (an extract from Trevelyans "Imaginary Conversation" between Horace and Tibullus); the "Sunday Times" (Desmond MacCarthy with some 'suggestions for book-buyers; subsequent review, also by McCarthy, concentrating on Trevelyan's book); the "Guardian" ("Reading for Christmas"; second article with review); "Times Literary Supplement" (three copies, one with 'By G. G. Loane" in Trevelyan's hand at the top); the "Library"; "Poetry Review"; "John O' London's Weekly"; the "Spectator" (by C. Day Lewis); the "Scotsman"; "Greece and Rome"; "News Chronicle" (by Robert Lynd); "Liverpool Daily Post" (by J. F. Mountford); "Adelphi"; "New Statesman and Nation" (also reviewing Edward Marsh's translation of Horace's "Odes"); "Oxford Magazine"; "Journal of Education"; "Modern Language Review! (by J. F. Lockwood).

relating to "Translations from Leopardi", from: "Public Opinion" (quoting Trevelyan's translation of Leopardi's "Idyll" in full); the "Times"; the "Observer" (by Basil de Sélincourt); the "Manchester Guardian" ('New Poetry, by Wilfrid Gibson' written by hand); the "New Statesman and Nation) (also reviewing other poets' work); "Sunday Times" (by Desmond McCarthy); the "Guardian", and the "Oxford Magazine".

Also a letter, 4 Mar 1942, from C. Colleer Abbot to R. C. Trevelyan. 7 Church Street, Durham. - apologises for not sending his thanks for Trevelyan's Leopardi translation before ; it arrived just as term was beginning and he wanted to read it through as a whole. Has never read Leopardi before, however, so cannot judge'. Likes Trevelyan's recreation of Leopardi's 'plangent melancholy'; mentions particular favourites. Criticises Cambridge University Press for the binding, which he calls 'horrid', but expects they are 'repentant'. Gordon Bottomley wrote to him 'happily' recently; the x-rays had not been 'helpful, but he sounded better'. Hopes that Trevelyan is well, and not as 'oppressed by snow' as they have been.

Press cuttings with reviews of Trevelyan's translation of Theocritus' idylls, most sent to Trevelyan by Durrant's Press Cuttings agency, from: "Poetry Review"; "John O' London's Weekly" ("What's the Use of Latin" by W. H. D. Rouse, also reviewing "Roman Panorama" by Grose-Hodge); the "Guardian"; "Church Times"; "Oxford Magazine"; "Times Literary Supplement"; "New Statesman and Nation" (by Louis MacNeice, comparing Trevelyan's translation to C. Day Lewis's earlier version of the "Georgics"); "Cambridge Review" (by N. C. Joliffe).

Most sent on by Durrant's Press Cuttings, St Andrew's House, 32-34 Holborn Viaduct, E.C.1 and 3 St Andrew Street, Holborn Circus, E.C.1.

1) from the "Dublin Evening Mail", 28 Apr 1932.
2) from "The Listener", 4 May 1932, "Overhauling Pegasus"; also includes discussion of collections by William Plomer and Alan Mulgan.
3) from the "Northern Echo", 4 May 1932, "New Verse"; also includes discussion of collections by Plomer, Sir Leo Chiozza Money, and Dorothy Wellesley
4) from the "Spectator", 14 May 1932, "Poetry-Lovers, Prosody and Poetry", by F. R. Leavis; also discusses collections by Ann Page, Mulgan, Anna de Bary, Wellesley, William Jeffrey, A[braham] Abrahams, Julian Huxley and Plomer
5) from "Country Life", 14 May 1932, by V. H. Friedlaender; also discusses collections by John Lehmann and Plomer, and the Hogarth Press's anthology "New Signatures"
6) from the "Aberdeen Press and Journal", 18 May 1932
7) from the "Bedfordshire Times", 24 May 1932, "A Book for the Poet-Technician"
8) from "Granta", 27 May 1932, "Tomes of Pomes"; also discusses collections by Plomer and Philip Henderson.
9) from the "London Mercury, June 1932, by Alan Pryce-Jones; also discusses collection by Henderson
10) from "Life and Letters", June 1932, by Austin Clarke; also discusses works by A.E. [George William Russell], Thomas Sturge Moore, "New Signatures", Huxley, Plomer, and Sherard Vines's anthology "Whips and Scorpions"
11) from the "Manchester Guardian", 1 Jun 1932, "Mr. Trevelyan's Verse".
12) from the "Scotsman". 1 Jun 1932;, "New Verse Forms" also discusses works by Plomer, Dorothy Matthews, Abrahams, Chiozza Money, and Horace Horsnell
13) from the "Oxford Magazine", 2 June 1932, "Poetry and Tradition".
14) from the "Scots Observer", 9 June 1932; also includes discussions of works by Mulgan, Rosamond Langbridge and Lorna de' Lucchi
15) from the "Buxton Advertiser", 2 July 1932
16) from the "Times Literary Supplement", 14 July 1932; also another copy, not sent by Durrnants
17) from the "Glasgow Herald", 20 July 1932 "On a Classical Model"
18) from the "New Statesman and Nation", 3 Sept 1932, "Some Poets"; also involves discussion of works by Laurence Whistler, George Villiers, Arthur Legge, Charles Davies, de' Lucchi, Geoffrey Johnson, Norah Nisbet and Mulgan.
19) from the "Sunday Times", 9 Oct 1932, by Dilys Powel, "Scholars and Poets"; also discusses works by Geoffrey Scott, Whistler, Davies, Geoffrey Lapage, Villiers, and Eden Phillpotts
20) "Rhythm and Rhyme. Mr R. C. Trevelyan's Notes on Metre"; perhaps from the "Birmingham Daily Mail" of 28 Apr 1932, as there is a spare Durrant's label which has become detached from its review
21) from the "Observer", 6 Nov 1932, "New Poetry", by Humbert Wolfe. Not sent by Durrants; also discussion of works by Clifford Bax. W. H. Davies, Gordon Bottomley, Edmund Blunden, Wilfrid Gibson, and Richard Church
22) from the "Japan Chronicle", 15 July 1932, "Poets of a Transitional Period"; also discusses works by Plomer, Easdale, Lehmann, C. Day Leis. and "New Signatures"
23) from "The Bookman", Sept 1932, "The ''Georgian Poets', or Twenty Years After", by Wilfrid Gibson. Not a review of "Rimeless Numbers", but a discussion of Edward Marsh's anthologies

Wadham College, Oxford.—Apologises for not writing sooner. Has been busy preparing for the prelims in March, which include a paper on Latin, two on Anglo-Saxon, and three on tragedy—Greek, Shakespearean, and neo-classical. Is unsure whether he likes Anglo-Saxon, and suspects they only learn it to ‘keep the dons at work’. His present tutors are [George] Forrest, [Alan] Ward, and [John] Bamborough; later this term they will have Humphry House for the Poetics. Five people are taking prelims in English at Wadham this year. Refers to the college’s connections with twentieth-century literature through C. Day Lewis, Rex Warner, and Humbert Wolfe, and discusses lectures he has been attending by Miss [Pamela] Gradon, Dorothy Whitelock, House, Helen Gardner, and Lord David Cecil. Describes his rooms and gives his impressions of the college. Has joined three clubs: the English Club, the Poetry Society, and University Critical Club. The English Club engages people like James Laver (on Huysmans), Angus Wilson, Richard Church, and Louis Macneice to talk or read poems. The last talk, by J. I. M. Stewart on ‘Literature and the New Psychology’, was very bad. The Poetry Society is an ‘Art-y affair, favouring the modern romantic verse’. Their first meeting, featuring readings by Clifford Dyment and his wife, was ‘frightful’. ‘We also have Patrick [sic] Dickinson, Day Lewis and a production of Macneice’s Eclogues (with music) besides other things to come.’ The Critical Society is ‘a somewhat elusive organization’ sponsored by F. W. Bateson. Has only attended one of their meetings so far, a talk by Leavis on Yeats’s Byzantium poems, which was excellent. ‘The other two talks this term are D. W. Harding on Shelley, and Wilson Knight re-interpreting the Scholar Gipsy, which should be interesting. There are also two discussion groups on William Faulkner’s “Sanctuary” and Langland.’ Refers to some recent book bargains. Is reading Coningsby, which is disappointing. Asks how Smith’s lectures on the Nineties are proceeding and whether his promised assistance has come. There is a revival of interest in Ezra Pound. Will try to describe some of the ‘fancy-waistcoated gentlemen themselves’ in his next letter. Asks whether Smith did any travelling this summer, as planned.