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MCKW/A/1/4 · Item · 25 Apr. 1902
Part of Papers of R. B. McKerrow

Park Lodge, (Wimbledon).—Sends the first volume of the Variorum edition of Beaumont and Fletcher, and discusses The Elder Brother.

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Transcript

Park Lodge
Apr. 25. 02.

Dear McKerrow

Here is the first vol of the Beaumont & Fletcher. {1} Bullen has had my work ever since Tuesday week. {2} I saw him yesterday when he said he was just going to go through it.

Thanks for note about “blanket”. {3}

The you-ye figures are not quite so striking in the Elder Brother but are still noteworthy. I have had to divide the ye’s into “pure” & “contracted” i.e. used in contractions such as y’are, t’ye, t’ee, ’ee etc. These latter are not unfrequent in the more colloquial parts of Massinger. My results are

[The first three numbers after each name below are arranged in columns headed you, ye, and y’. The numbers in brackets are the sums of the amounts in the last two columns.]

Totals

Massinger. 129 | 3 | 12 | (15)
Fletcher. 189 | 45 | 26 | (71)

Percentage

Massinger 89·5 | 2·1 | 8·4 | (10·5)
Fletcher 72·7 | 17·3 | 10· | (27·3)

From this it would appear that the real distinction lies in the use of unelided ye. It is necessary of course to have a considerable basis of observation for the figures to be of any use. I have also got some noticeable figures regarding ’em & them.

[The first two numbers in the entries below are arranged in columns headed ’em and them.]

Totals

Massinger 5 | 25
Fletcher 25 | 9

Percentage

Massinger 29·4 | 70·6 | = 100
Fletcher 73·5 | 26·5 | = 100

I have not got the figures for any other play of Massingers.

I enclose a photo {4} I came across the other day (I dont want [it] back) which seems to show that at that time there was no such wall in the chancel as you were speaking of at Melrose.

I was in the B.M. the Monday & Tuesday after we came home {5} & hoped to meet you but didnt. I was also in for a bit yesterday.

Hoping to see you some time soon

Yours ever
Walter W. Greg

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Vertical lines have been supplied to separate the numbers in the tables.

{1} A preliminary version, perhaps a proof, of the first volume of the variorum edition of The Works of Francis Beaumont and John Fletcher published by G. Bell & Sons and A. H. Bullen in 1904. It contained The Maid’s Tragedy, Philaster, A King and No King, The Scornful Lady, and The Custom of the Country, the first two plays edited by P. A. Daniel, the rest by R. Warwick Bond. The second volume, published in 1905, contained Greg’s edition of The Elder Brother, together with The Spanish Curate and Wit Without Money edited by McKerrow, Beggars’ Bush edited by P. A. Daniel, and The Humorous Lieutenant edited by R. Warwick Bond. In his introduction to The Elder Brother Greg discussed and applied various tests that had been suggested to determine which parts of the play were written by Fletcher and which by Massinger. These included an examination of the relative frequency of the forms you and ye, suggested by McKerrow, and of the forms ’em and them, as proposed by A. H. Thorndike in The Influence of Beaumont and Fletcher on Shakspere (1901). The first table in the present letter was reprinted in the introduction, and the totals in the second table were quoted.

{2} 15 April.

{3} Cf. Greg’s note on The Elder Brother, IV. iii. 194 (Works of Beaumont and Fletcher, ii. 76).

{4} There is a faint transfer of the image on the letter.

{5} The reference to Melrose in the previous sentence suggests that Greg and McKerrow had recently been to Scotland together.

TRER/46/299 · Item · 13 Mar 1923
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Casa Boccaccio, Settignano, Florence [on headed notepaper for I Tatti]. - Thanks his parents for their letters. Will start for home next Monday, as he wishes to go to Edinburgh for Saturday the 24th as 'Professor [Donald] Tovey is doing a part of our opera [The Bride of Dionysus] at one of his concerts'. Bessie will return around the same time; she 'seems to be having a very enjoyable time in Holland'.

George and Janet were here last week; Robert saw them at the de Filippis' and at the Berensons'; was a 'great pleasure to see something of them'. Mary [Trevelyan] is coming some time this week to the de Filippis'; they are Robert's neighbours, so he hopes to see her. She 'has developed a great deal' since Robert last saw her, and 'seems remarkably intelligent. The Berensons liked her very much', and want her to visit them while she is at the de Filippis.

The weather is 'very cold, though fine now. There is a north wind, and... a great deal of snow on the Appennines over which it blows'. Has had a 'very good review' of his Aeschylus [his translation of the Oresteia] in the Times [Literary] Supplement : 'as good a review in fact as anyone could wish to have'. Symonds' remarks on Euripides [see 12/350] are 'very good, and the comparison with Beaumont and Fletcher illuminating, if not pressed too far; for after all, Euripides is divine, not always, but quite often' but Robert thinks Beaumont and Fletcher are 'never' divine 'delightful as they often maybe: and the difference is essential'. Sends love to his mother; will write to her soon.

TRER/46/282 · Item · 1 Nov 1921
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

The Shiffolds, Holmbury, St. Mary, Dorking. - Hopes his parents have a good journey to Welcombe. The 'summer seems scarcely over here, and the oaks have most of their leaves still'. Bessie went to London yesterday, and Robert will join her this afternoon for a few days while their 'cesspool is cleaned out, which is a considerable operation'. Is going to tea with Lady Russell [Elizabeth von Arnim], who 'has just written a very clever but disagreeable book, Vera, based upon her recent marriage experience'; this union was 'bound to be a failure, for Earl Russell, though a clever man, is an impossible egotist'. Hopes her next book will have a 'more pleasant subject, for she has a great talent for novel-writing'.

Has been reading Beaumont and Fletcher's The Maid's Tragedy, as there will be a performance this month with Sybil Thorndike, whom he believes to be 'our finest English actress', as Evadne; had forgotten what a 'wonderful play' it was. A 'pity that Fletcher did not die young, rather than Fletcher' as Beaumont seems to have been 'far the greatest of the two'. Sends love to his mother, and thanks for her letter.