Has just received his newly-printed copy of "The New Parsifal" and thanks Trevelyan very much; will write again when he has read it. Was sad not to see [Eddie] Marsh the other day - asks whether Marsh wants to buy one of his drawings, and says he ought to - as he wants to interest him in his work. Would like to bring it out under the title of 'Georgian Art' and get Marsh to launch it, as Trevelyan suggested, following on from the success of the "Georgian Poetry" books; sends therefore a set of prospectuses, which he asks Trevelyan to return, and a suggested list of names, but does really want an introduction to Marsh. Is now at the Omega: on his first day, copied a design for a cushion of a man embracing a fish, then painted a candlestick, then had a talk with 'or rather from' [Roger] Fry. Thinks he will enjoy the work very much, and Fry pays him well; he is also to help restore [Mantegna's "Triumph of Caesar"] at Hampton Court, through which he will learn tempera painting, be paid more, and oblige Fry. Thanks Trevelyan very much for getting him into the Omega: 'you seem to help us all in turn, Rosalind and Rupert [Lee] sing a grateful hymn the day long'.
Elton Hall, Peterborough. - Is attracted by Trevelyan's Rothbury plan and will join in if he can, but there are factors which may prevent him. Miss Weisse went to Germany the Sunday before the British declaration of war; the Noordewiers [Aaltje and Michiel], who have just returned to Holland, heard from her a week ago and she is safe in Hanover. She can get money from the Streckers at Mainz there, and he has 'no special cause for anxiety' at the moment. His brother [Duncan] is in the London Scottish Regiment and has just left on active service, so his family at Worplesdon may want help. He also left all his opera score at the Shiffolds. Whatever his own prospects, and whatever becomes of Fritz Busch, he has to try to work as if nothing has changed. It is 'awful' working on his symphony, 'every note of which is Fritz's private property' but if Fritz comes through the war he could not face him unless the work were perfect. He and Trevelyan must also carry on with the opera: 'German translation & all'. Must not let himself merely subside into his Edinburgh professorship, but must also make 'a striking and solid success' of his first term's work there. Will have a few 'rather vulgar sham-organization-&-efficiency bullies' to cope with, and needs to win the support of people of 'real culture' through efficiency. His timetable is in print in the University calendar; has decided to get a secretary for office-work, and asks if Trevelyan knows of a candidate, though he must be 'an Edinburgh sort of librarian's bottle-washer' and it wouldn't be a good move for Rupert Leigh [Rupert Lee?].
Thinks it best to complete his time at Elton Hall: 'Victor [Hely-Hutchinson]'s talent is a thing of immense importance' and he must be saved 'from the appalling bad musical taste of his people'; they are not 'bad and vulgar' but 'good and kind, in spite of many British limitations that are beyond caricature' and their 'impenetrable satisfaction with the precise stage of culture they happen to have drifted into', which makes things difficult, but he thinks he will succeed. Hal Goodhart-Rendel is an example of 'what bad feeding can do for the finest material in the world': both he and Victor had 'more talent, better health & stronger brains' than Tovey had. His sister [Natalie] must had had a quite useful talent and her violin-playing could have been useful to Victor, but 'it is now so unspeakably bad' and she plays 'such vile stuff' to the delight of her relations that it is bad for Victor to play with her. So Tovey feels he should stay until the other tutor comes on the 20th.
Would be an 'honour & delight' to meet Trevelyan's parents again, and sees it would be good for Trevelyan to be north; however, it may be better for Tovey to be near Northlands, Worplesdon and the Shiffolds. Leaves the decision to Trevelyan.