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HOUG/D/D/43/1 · Item · 15 May 1857
Part of Papers of Richard Monckton Milnes, Lord Houghton

17 Great Queen Street, Westminster. - Asks if Milnes has seen Woolner's fine bust of Tennyson, which was exhibited at Dickenson's in Bond Street and is now in Manchester; proposed presentation of bust to Trinity Library; Woolner will not part with original but can supply a copy for £100. Tom Taylor suggests subscribing for an extra copy for Tennyson himself. Invites Milnes to join Committee and encourages others to do so. Does not know Tennyson personally; subscription list 'ought to be wider than his intimate personal friends and narrower than his idolators'.

Notebook
TRER/29/1 · Item · 1890s-1900s?
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Lines copied out by Trevelyan from the 1833 publication of Tennyson’s “The Lotos Eaters” and “The Lady of Shalott” [perhaps comparing the differences with the 1842 edition?]. Draft verse addressed to Thanatos; prose about Meliance of Lys.
Notebook also used from opposite end in: draft prose narrative; notes on Wilson’s “Hindu Theatre” [Horace Hayman Wilson’s “Specimens of the Theatre of the Hindus” and [Charles Henry] Tawney’s translation of “Mālavikāgnimitra”; draft verse [or translation] on the Grail myth.

TRER/16/104 · Item · 7 Dec 1948
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Has already sent Flora Santayana's "Last of the Puritans" [sic; "The Last Puritan]; she need not rush to return it, and he will be interested to hear what she thinks; wonders if she will also read the life of Tennyson, which he and Bessie have read 'with great interest'. as well as a life of Sara Bernhardt by her grand-daughter [Lysiane Bernhardt], which they found 'great fun'. Used to 'delight in' Henry Sidgwick's life; Sidgwick was 'very kind' to him when he was an undergraduate. Must get Joan Allen to drive him over to see Flora soon. Will send a translation of a Homeric hymn as a Christmas card to her in a few days. Bessie is well, and sends her love. Saw Bertie [Russell] last week; he was 'very cheerful and full of talk, but looking rather older'.

TRER/21/109 · Item · 27 Oct 1949
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Cud Hill House, Upton-St-Leonards, Glos. - Has been unable and so was not able to write earlier to thank Bob for his translations ["Translations from Latin Poetry"]. Particularly enjoyed the Leopardi.: does not know the originals, but Bob has made very good poems of them; few people seem to be able to write such 'bell-like musical verse now' as he does, and Lodge misses it. Has been interested to read the new life of Tennyson by his grandson [Sir Charles Tennyson], which 'will do good to his legitimate fame'. Hopes Bob and 'dear Bessy' and their family are well, the 'dear Shiffolds flourishing, & all its woods'.

Add. MS c/99/111 · Item · 26 Dec [1869]
Part of Additional Manuscripts c

Announces that he intends to come to visit her 'from the 4th to the 11th'. Reports that he is up in Trinity College, working, and that he feels very well after a pleasant visit to Oxford. Reports that William seemed in very good spirits, and that he was sleeping 'very fairly' and hunts every other day. Desires to hear the Rugby news, and asks who are the five old Rugbeians. Reports that he wrote a letter to the Times, but that it was not published. Reports that he received a letter from his nephew Martin, which was 'very nicely written and with that curious mixture of childish and prematurely adult phraseology that one sees in a precocious child'. Asks her to tell him when Mary is going to visit her, and supposes that Edward will be very busy all the vacation.

Asks his mother's opinion on 'the new Tennyson'. States that they [in Trinity College] regard it 'as rather an imposition on the part of the publisher - republishing the Morte d'Arthur...and having so few lines in a page.' Complains that it is as bad as one of Victor Hugo's novels. Refers to a reading of the poem called The Higher Pantheism by Tennyson himself at a meeting of the Metaphysical Society, and to Tyndall's reaction to it. Remarks on 'how busy Death has been' during the previous six months among those whom he knows. Reports that he has just heard of the death of one of the Clifton Masters called Cay.

Add. MS a/244/122 · Item · 11 Dec. 1833
Part of Additional Manuscripts a

Cambridge - recovered from illness, [James] Spedding failed [Fellowship examination], College tutors, [Apostles] "grievously thinned", [John] Sterling's son may be apostolic, Spedding taking drawing lessons, [Richard Chenevix] Trench has preached in W. B. Donne's area, death of Arthur Hallam, Tennyson depressed, left some poems with him, George Farish "professes to read law and practices ... the smoking of cigars", Christopher Wordsworth full of modern Greek literature

Add. MS a/199/13 · Item · [? 1893]
Part of Additional Manuscripts a

Headed "Tennyson Memorial," circulated by a Committee of Residents in Freshwater with pledges to be made to the Rev. Dr Merriman or Lieut-Col. Will. The inner page contains a handwritten list of those who have pledged money for what would later be known as the Tennyson Monument.

HOUG/35/134-188 · Item · [1828]-4 Mar. [1834]
Part of Papers of Richard Monckton Milnes, Lord Houghton

144 and 152 endorsed by Henrietta Maria Milnes.
149: Includes letter from Hon. Elizabeth Mary Monckton to Robert Pemberton Milnes, [Jun. 1828].
155: Includes lines by Tennyson beginning 'Where are ye / Thrones...' [Timbuctoo], copied by MoncktonMilnes, Oct. 1829.
163: Includes letter from Hon. Elizabeth Mary Monckton to Robert Pemberton Milnes, 18 Jun. [1829]
183: Includes letter from Hon. Frances Jane Monckton to Robert Pemberton Milnes, [27 Apr. or later, 1830]

HOUG/37/135 · Item · [Apr. 1838?]
Part of Papers of Richard Monckton Milnes, Lord Houghton

Milnes's poetry belongs to the school of Tennyson; cannot help loving the style's 'quaint involutions of language into a wierd [sic] music, &... mystical suggestiveness of fancy and thought'. Names favourite verses. Restrictions of didactic element? She herself would create the perfect modern poet from 'Shelley's visionariness & Byron's intensity, admitting Wordsworth's magnanimity of simplicity, & Coleridge's [...". Thanks Kenyon for book; Mrs Hedley will be delighted to hear from him.

Central fragments and end missing.

Add. MS c/95/143 · Item · 3 July 1893
Part of Additional Manuscripts c

Thanks Sidgwick for his paper, which he says is 'deeply interesting'. Wishes to omit some sentences in relation to his father's beliefs in relation to the Incarnation, the Resurrection and the Trinity. Suggests an alternative for another sentence about a Gospel story. Remarks that it is difficult to explain in writing his meaning and asks Sidgwick to tear up the letter after he has considered the points outlined therein.

TRER/6/152 · Item · Date copy made unknown
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

36 Wilton Crescent, S.W. (on Wallington headed paper). - Is pleased that Lady Trevelyan likes his book ["Atalanta in Calydon"]; it was finished just after Landor's death which he much regrets. Much enjoyed the composition of the poem, which 'was very rapid and pleasant'; thinks it is 'pure Greek, and the first poem of the sort in modern times': feels that Shelley's "Prometheus [Unbound]", though 'magnificent', is 'un-Hellenic', and gathers from Lewes's life of Goethe that his "Iphigenia in Tauris" is also 'impregnated with modern morals and feeling"; also dismisses [Matthew] Arnold's "Merope". Is 'raging in silence' about the delayed publication of [Thomas] Carlyle's volumes: the subject [Frederick the Great] 'was always a hero' of Swinburne's who is impressed by his 'clear cold purity of pluck', which is not inspired by faith. Frederick seems free of 'perverse Puritan Christianity' on the one hand, and 'the knaveries and cutpurse rascalities' of the Buonapartes on the other; Swinburne can almost forgive him his bad poetry. Is very glad to hear good news of Sir Walter and the building projects; wishes she were in London for [Ford] Madox Brown's exhibition, which is 'superb'. Is currently staying at the house his father has taken in London for the winter, and is looking for rooms for himself; his father has completed the purchase of Holm Wood [Holmwood] in Oxfordshire. Feels that Tennyson should have made a better choice of his "Selections": feels that "Boadicea" should have 'served as prelude to the book'; thought Tennyson's 'volume of last summer' ["Enoch Arden"] a 'new triumph'.

TRER/8/156 · Item · 7 Sept 1905
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

The Shiffolds, Holmbury St. Mary, Dorking. - Thanks Everett for the 'kind and affectionate letter' about his book ["The Birth of Parsival"]; is very pleased with his praise, and interested in his criticisms; feels 'the prehistoric taste in poetry' is the best kind. Glad that Frimutel's character interested Everett; was worried he had made him 'too abstract'. Now sees 'many other faults in the play'. The story is 'not really in the Parsival myth at all', though Herzeloide as Parsival's mother is taken from Wolfram von Eschenbach, and there is 'a Frimutel who was a king of the Grail, and great-uncle of Parsival', so Trevelyan had to invent the story. Took the idea of 'the mother arguing that her child was not a prodigy' from the fragmentary "Melanippe" of Euripides; will have to stay closer to the myth if he ever continues the story and deals with Parsival himself. Has always disliked Tennyson's blank verse, but may possibly 'sometimes commit the same faults', though he argues that his 'irregularities come chiefly in parts that are lyrical, or semi-lyrical'. Defence of a line objected to by Everett. Admits the 'lyrical parts are certainly experimental'; though they please his own ear, cannot be sure they will please others, though he has 'tried to get the rhythm clear'. Expects the music which accompanied Greek irregular lyrical verse did this. Very kind of Everett to say he will buy "Cecilia Gonzaga", though fears he will be disappointed. Will send another early book of his ["Polyphemus and Other Poems"], illustrated by their 'brother' [Cambridge Apostle], Roger Fry; the illustrations 'were very badly reproduced', due to the publisher and printer, not Fry. Has just returned from 'a pleasant fortnight at Wallington'; his parents were both very well; his father 'hard at work at his "[History of the American] Revolution" and has just finished off Burgoyne'.

TRER/8/157 · Item · 26 Nov 1905
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

The Shiffolds, Holmbury St. Mary, Dorking. - Apologises for not replying sooner to Everett's letter; is very pleased that Everett is generally pleased with "Cecilia [Gonzaga]", and tends to agree with most of his criticisms: he too thinks Antonio's character could have been more effective and that Everett's suggested treatment would have made this possible, also that 'the transitions from verse to prose are not really successful'. Will not admit that what he has tried to do is 'artistically wrong', and could cite the scene between Iago and Cassio in Othello Act II - but that would prove only that 'a very great artist can solve... an apparently impossible problem', not that Trevelyan was right to try. 'A little more of [Count Vittorio] Alfieri's "fierceness" would indeed have done' the play good, but it was Trevelyan's first, rather timid, experiment in drama. May have weakened his verse too much by using tribrachs; they are 'quite legitimate' according to his theory of verse, but tend to 'reduce the dignity and solidity of blank verse' as in Ternnyson and in Euripides' iambics. Uses them less in his 'Parsival play' ["The Birth of Parsival"]; when his verse becomes irregular it is 'usually to produce some lyrical or quasi-lyrical effect' and even there is increasingly inclined 'to leave out unaccented syllables'. 'Doubtless' Polyphemus, in Trevelyan's poem, 'is very much sophisticated and sentimentalized' as is 'his friend the fawn', but he feels 'sophistication and modernization is legitimate, if it is done frankly'; 'the lost lines of Horace' which Everett 'quoted no doubt from a recently discovered papyrus' were however to the point and 'excellent for their own sakes'. His father has sent him Everett's translation of "Phaselus" [Catullus 4]; liked it very much, though still prefers his own as his 'unrhymed iambics' allowed him to 'preserve the movement of the original' more closely than Everett's couplets. Will try "Sabinus ille" ["Appendix Vergiliana", "Catalepton" 10] but does not think he will make much of it; will be very interested to see how Everett tackles. Encloses 'another very doubtful experiment made long ago from Catullus'; found the rhymes 'very hampering' [now not present].

Add. MS c/95/157 · Item · 5 Oct 1877
Part of Additional Manuscripts c

Writes to tell Sidgwick that, on referring to the London Review, he finds that he had misinformed him about the authorship of the article on Tennyson, and states that it is by J.S. Mill. Mentions that he misses some criticisms 'which existed in the article [John] Sterling did write.' Suggests that this article may be found in Blackwood [it is in fact in the Quarterly Review of September 1842]. States that it is not in the 'Edinbro' [Edinburgh Review], 'but in the LXXXVIIth vol of the blue and yellow [ie the E. R.] there is a very good article by Spedding [on] the two vols. which appeared 1842.' Claims that he should recognise Sterling's 'fine Roman hand' if he saw it, but has no collection of Blackwoods of this kind. Reports that he 'ran down [Saint] Simeon Stylites with his usual vehemence, and rather scoffed at the Ode to Memory, comparing it, unfairly, and of course unfavorably, with Wordsworth's Platonic Ode'.

Thompson, William Hepworth (1810-1886), college head
HOUG/D/C/3/8/16 · Item · 21 Dec. 1859
Part of Papers of Richard Monckton Milnes, Lord Houghton

Escrick. - Thanks for manuscript and gift; enjoyment of Milnes' poems; will accept offer of another book of poetry or literary biography; fond of Coleridge and Keats; Lady Wenlock unlikely to lend books as she has never spoken to Ripley. Will try to correct grammar and shorten poems, as Milnes suggests. Earning little as gardening is too strenuous for his chronic 'ossification of the heart'; pain of attacks and difficulty in breathing; would like a clerkship. Concludes with 'the workman's wish of the season, a Merry Christmas to you'.