Hopes Julian 'escaped flooding by the high tide today'; is writing to ask if Julian and Ursula would like any tickets for the Glyndebourne operas next year as they are selling quickly. Thinks they do [Mozart's] "Entführung" and "Cosi Fan Tutte" very well, but the "Magic Flute" less well, since [Fritz] Busch leaves it to others to 'conduct and even rehearse'. Lists possible dates. A 'terrible thing' has happened: Constance Vaughan Williams has been run over by a motorist.
Originally enclosing the Glyndebourne tickets for [Mozart's "Marriage of] Figaro" and "Zauberflöte", as well as the libretto for "Figaro" and a German "Zauberflöte". Roy Randal[l] was at his reading yesterday, the 'only human being there' at what was a 'very seedy hole-in-the-corner affair'. Randall seemed to be expecting Julian and Ursula for the weekend, which 'seems inconsistent' with them coming to the Shiffolds on Saturday, but they would be glad to see them.
10 Prinsegracht, the Hague; addressed to Bob at the Mill House, Westcott, Dorking, Surrey. - Is drying her hair by the fire. Has been to the oculist to discuss her spectacles. Received Bob's letter enclosing the note from his aunt [Margaret Price]; will ask her sister Mien for advice on a piano when she comes tonight for [her husband] Rontgen's concert; it is a very kind present; agrees that they ought to get an upright. Has finished "Villette" and enjoyed it very much, more than "Jane Eyre" and "Shirley"; discusses it briefly; has now got "Wuthering Heights" from the library. Had a very nice letter from Booa [Mary Prestwich], saying it was a pleasure to see Bob 'really in love'. Asks for the measurements of Bob's dining table and the door of her 'little room'. Returns to the letter next morning after practising the violin. This afternoon Mr Kattendijke is coming to play a Mozart sonata with her and try the Brahms songs. The concert last night was 'delightful'; wishes Bob could have heard Messhaert sing; Röntgen was also very good. Sat with her sister and discussed Bob's aunt's offer of a piano; Mien said she knows Broadwood's are excellent pianos, and that Bob's aunts 'professional friend' could be trusted to choose an instrument; it is not like choosing a violin, where each instrument is an individual; Mien suggested they ask for an upright to be replaced by a grand when they have space, as one was offered, but does not know if they can ask Mrs Price for this. Glad Bob feels hopeful about the play. Saw the 'tall doctor of the Swedish Institute' last night at the concert; hadn't seen him since 'the time when his appearance always gave [her] a little thrill' but it did not make any impression on her at all.
Hotel Bristol, Wien. Glad to hear better news from Trevelyan, and hopes progress will be more rapid now. Should be back by the 5th. The two concerts Casals organised on 17 February and 2 March has rescued him from 'the dumper into which the musical parochialism of that pokey little provincial town London was plunging [him]'. Has also been able to do much work on Ariadne ["The Bride of Dionysus"] during the train journey, and hopes to get to 'the threshold of the finale' on his return journey. Mentions a few small alterations to the text which he would like to make. Is surprised by how much change there has been to the music since his initial stages: even 'Ariadne's despair is very importantly different' and she is not 'perfectly furious'. Hopes Dionysus is good; it makes Tovey 'howl like anything to work at his discourses'.. Saw a goof version of "Meistersinger [von Nurnberg]" here: comments on its length out of 'professional interest' to himself and Trevelyan. Vienna would definitely be the place for Ariadne, and the chorus quite good enough. Also saw a performance of Goethe's Faust Part I yesterday: compares his effectiveness with Gounod and Berlioz, and discusses generally, the ways in which things on stage 'can be infinitely more moving without music'. Talks about Goethe's stagecraft, having just read 'a very jolly book about Shakespeare written with a strong American accent'. Discusses Mozart's "Idomeneo". His belief that 'perfection of form', though desirable and attainable (as by Bach, Palestrina, Beethoven, Mozart and Brahms) is 'never historically or aesthetically prior to rhetorical fitness'.
Bessie shall have ‘the first two penny half penny letter’ he which writes; wonders why two and a half pence was ‘once a term of abuse’, they ‘must now speak of the sum with awe’. Gets home tomorrow or Friday, and hopes they can meet soon. Has just been for a weekend near Birmingham, and lunched with George [Derwent?] Thomson.
Agrees that, like Bessie, he is ‘courageous by fits and starts’. Reminds himself periodically of ‘two helpful truths’: ‘that everything is very interesting, and that one can usually be of a little use to someone’, but does not think that either is ‘a truth of the highest water. You can’t promote civilisation either by staring about you at the mess or by lending an occasional neighbourly hand to others who are involved in it’. Also, ‘endurance is not an adequate substitute for hope’.
Reads a good deal, which his illness had previously put him off doing. The Ministry of Information want him to write a pamphlet, and the B.B.C. want him to ‘talk about books to India’. Is ‘gladder to have written that Daily Telegraph letter [on ‘Nazism and Morals: Dangers of “Gestapo” Methods’, published on 16 Apr 1940]’, and very glad that Bessie liked it. Augustus Daniel ‘chaffed me gaily about it on the steps of the National Gallery yesterday’, thinks he was ‘actually a bit shocked’. Forster was on his way to hear three Mozart violin sonatas, ‘one very boring, another (in E flat) with a marvellous slow movement’.
Glad to get Julian's telegraph [from Egypt] yesterday. One word could not be made out: in the description of his pastimes as 'painting, goffinping, and dancing', should the second word be golfing, 'driving your ball over the back of the Sphinx, or getting it bunkered between its paws?'. Expects the weather is hotter than here: today is the first day of spring weather, but 'everything is backward', with no sign of bluebells and cuckoos and 'the very primroses smaller than usual'. Has just had his new book published, and sent it to Ursula; Julian knows almost all of the contents; has become 'un vrai prosateur', as 'Flaubert used to call himself', writing 'nothing but Essays': has just finished one 'on (or rather against) books'. His Simple Pleasures was recently broadcast on the [BBC] Forces Programme; it was 'really rather awful, as they tried to poetize [sic] it, though [he] had meant it to be flatter-than-pancake prose', but he got his five guineas. Tom and Marie [Sturge Moore] are here - Marie unwell in bed but recovering - Tet Htoot is also here for a few days, as 'he too was unwell and wanted cheering up'. Bessie seems quite well, though will go to London on Tuesday to see [Dr Karl] Bluth. Supposes he should write Julian a 'Horatian verse Epistle', but cannot compose it in time for this post; if he does write one will have to send it to Julian on his return; it will 'of course be largely about Egypt, Cleopatra, Amenophis [Amenhotep] and Ramesis, but not Tutenkamen [Tutankhamun]' whom he does not approve of, though 'his predecessor Aknaton [Akhenaten] was an interesting failure'. Hopes Julian will ensure that the 'Memnon statue is camouflaged very carefully'. Seems a pity that now the Nile has only two mouths, lists the names of the seven which 'every school-boy once knew'. Is reading [Lytton] Strachey's Queen Victoria aloud, which is 'really very amusing'; amazing how much easier it is to read a well-written book aloud than a badly-written one. Tet Htoot is reading the first volume of Gibbon, while he himself reads the second; is just coming to the chapter on the Christians, where he knows 'one will have some fun, especially in the notes'. Went with John Luce, with 'a party of Waleys, Joan and Polly [Allen] etc' to quite a good production of the Magic Flute at Sadler's Wells, for which they 'tried, not very successfully, to make the scenery Egyptian'. John is being sent abroad next week, but does not know where; they hope his father [Gordon] is coming home. Mossot [sic: Julian's cat Maszat] has had just one kitten, 'a sad falling off'; is told all cats in Egypt are mummified as divine.
9 Stanhope Place, Hyde Park. - Re Pole's work on Mozart and colour-blindness, as well as Edward FitzGerald's comments on music.