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Album of cuttings
FRAZ/26/1 · Item · 1932-1938
Part of Papers of Sir James Frazer

Album containing 119 cuttings of newspaper and magazine articles mentioning Sir James and Lilly Frazer, including reviews of 'Aftermath', 'Creation and Evolution of Primitive Cosmogonies', 'Essais et souvenirs', 'Totemica', 'Greece and Rome: a Selection from the Works of Sir James George Frazer', 'Pasha the Pom', 'A Bibliography of Sir James Frazer', and 'The Fear of the Dead in Primitive Religion', including reviews by Raymond Firth of 'Totemica' for both 'The Spectator', Nov. 1937 (page 19) and for 'Life and Letters To-Day', Winter 1937 (page 27); and by Ruth Benedict of 'The Fear of the Dead in Primitive Religion' Vol. III in 'The New York Herald Tribune' of Sept. 1936 (page 52). A photograph of James and Lilly from the 'Weekly Illustrated London' of 2 Jan. 1937 appears on page 6.

FRAZ/27/36 · Item · 1930-1937
Part of Papers of Sir James Frazer

Bound album of 72 cuttings and offprints, primarily reviews of 'The Fear of the Dead in Primitive Religion' and 'Aftermath'.

Reviews of 'The Fear of the Dead' include a presentation offprint of a review in 'Revue de Synthèse' signed by André Varagnac (possibly originally with his letter to Sir James and Lady Frazer dated 18 Sept. 1935, housed as FRAZ 33/433); other reviewers include Ruth Benedict ('New York Herald Tribune'), Warren Dawson ('Folklore'), E. Dhorme ('Revue de l'Histoire des Religions') and Paul Valéry ('Revue de France'). Reviews of 'Aftermath' include those by E. N. Fallaize ('Manchester Guardian'), R. R. Marett ('The Observer'), E. E. Kellett ('News Chronicle'), Sir Alexander G. Cardew ('Literary Guide'), E. H. Blakeney ('Record'), A. L. Morton ('Criterion'), and H. J. Rose ('Man'). There are also several miscellaneous cuttings, including the announcement of William Wyse's estate bequests, with a description of the bequest in support of social anthropology; and Frazer's poem 'Trumpet Call of Peace' printed in the 'Times' 17 Oct. 1935, and a manuscript translation of the poem into French in an unidentified hand.