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Notebook

Prose narrative about Coryat's visit to the 'guest-killing mosque at Rai', which shifts to dramatic form for Coryat's encounter with a Stranger who may be Death; story of Coryat continued in pencil, describing his encounter with an old Chinese man and their discussion of will and the spirit.

Two lines of a poetic epistle to Roger [Fry] written after Fry's death; draft account of Helen Fry and her relationship with Roger, probably written to aid Virginia Woolf with her biography of Fry [published in 1940; see also 17/95, 17/96, and 17/97], this includes some unpublished details of Helen Fry's illness such as her fear of her doctor, and the effect of Hubert Crackanthorpe's suicide.

Notebook also used from the other end in: draft verse; another version of Coryat's discussion with the old Chinese man; draft of introduction to the second volume of Trevelyan's "Collected Works", his verse plays; continuation of the 'Coryat' piece, in which the young man is introduced by the Old Man to 'B.R', a 'philosopher and a sceptic' [a hardly disguised Bertrand Russell?, and then reminisces about his childhood friendship with his cousin Miranda; translation of Horace "Satires" 2.3.39-62 and 23 to the end; essay on "Solitude"; essay on Robert Browning; essay on "Juvenilia", which begins by quoting Trevelyan's childhood poem "Oh Hector, I do love thee" [see 23/121/14]; notes for "Simple Pleasures"; notes on bees; short sections of verse, some perhaps translations.

List entitled 'My Friends' on flyleaf, including 'Roger[Fry], Goldie [Lowes Dickinson] and Desmond [MacCarthy]'; list of autobiographical topics written around it and on the inside cover.

TRER/13/4 · Item · 15 Mar 1896
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

29 Beaufort St., Chelsea, S.W. - Asks when Bob is going to return from 'the fields of Enna' [Sicily] and sing 'songs of Persephone to fit my picture'. Jokingly objects to Bob's 'monstrous insinuations about the girls school' [see 13/1] and says he has been 'practicing fencing every day' to avenge the insult and get exercise. Fences with Hubert Crackanthorpe who has moved in nearby; has decorated the house 'with infinite care' but the way Crackanthorpe has furnished it has 'destroy[ed] all my schemes of colour'. Has a pupil three mornings a week: [Charles] Lacoste is 'quite ignorant but with much talent for a queer type of imaginative design'; thinks he has illustrated Baudelaire very well. Has therefore done little painting himself, only 'drawing with the pupil'; thinks this is good for him and is getting keener than ever on it. Asks how Bob's poetry is going; hopes he 'won't write one in 22 thousand lines like the Indian'. Has been thinking about metre; tells Bob to 'keep [his] hair on', as he begins to see why he is 'so furious about [Robert] Bridges'; tells him not to stay away 'for fear of having to talk about this'.