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22 Willow Road, Hampstead. - Is writing to Bob's mother to say he will do the pastel, but not until the autumn; he and Helen hope to get to Oxford on Thursday to stay with Mrs [Christiana] Herringham and Mrs Flower if Helen is well; she has been 'very seedy' following a miscarriage but is 'wonderfully well in mind'. Has had 'another beastly summer' and cannot leave if she is not allowed to, as Edith [Helen's sister] will leave for her holiday soon. Is starting his article for the "Independent [Review?]" but wishes he had not promised it. Bob's story about Millais is lovely. Etching originally enclosed; 'a first attempt without any lesson so it was all guesswork', but means to return to it later, and to do the picture for Bob this year. Yes, the [book on] Titian is by 'the same [Georg] Gronau'; it is very good but dull to read, and not as good as his later book on Leonardo; is reviewing it [for the "Athenaeum", Sept 10 1904].

Has been to stay with [Neville] Lytton. States ironically that the [Royal] Academy has discovered that the Inquiry [by a Select Committee of the House of Lords into the Academy's administration of the Chantrey Trust] is really intended 'to advertise Lytton's drawings'. His own evidence was not printed in the papers, and lasted only half an hour; Lord Carlisle tried to catch him out 'by quoting the Athenaeum' but did not succeed. The Royal Academicians 'are physically mentally & morally on the level of small tradesmen'. [Dugald] MacColl was 'wonderful': gave evidence 'for 4 hrs without a slip' and would have 'made his fortune at the bar'.

6 Racknitz Strasse, Dresden. - Bob's letter reached here before he and Helen did, as Berlin kept them much longer than they expected; all the galleries closed at 3 pm so the officials could have their 'mittags essen' [sic]; not dining properly in the evening is the 'only really uncivilized thing they do'. Liked [Georg?] Gronau, whom B.B. [Bernard Berenson] introduced to him, and who took him to see a fine private collection of drawings and sculptures. Dresden is much nicer than Berlin, 'full of fantastic Barocheries and Rocochoneries'; the Gallery is huge but there are 'very few primitives & lots of Rubens & Corregio & 17th century people' whom Fry likes to 'look at lazily'. Helen 'won't come round' to Correggio and doesn't like [Raphael's] "Sistine Madonna"; to Fry's great surprise he finds it 'simply glorious', and 'Raphael painting almost like Titian'; wonders what he would have done had he lived. He and Helen 'never shall agree on Raphael Correggio & Rubens'; is 'almost annoyed' that he always likes the great artists. [Nathaniel] Wedd's "Quarterly" is very interesting; agrees with Bob that it is a shame 'to make it directly polemical', but he does not 'quite know these logrolled Oxford men'; in art he thinks 'most reputations are logrolled so one gets to think it the normal way'. Helen is asleep; they have both been unwell recently due to German food, but are getting well since they 'are in a young ladies Pension & are fed on pap'. Amusing about Miss V. d. H [Elizabeth Van der Hoeven] guessing; thinks she is good at that; is also 'frightened of her a little because she always seems to be observing more than she shows'.