12 Pembroke Gardens, Kensington, W. - Saw Helen yesterday and today; took her Bob's book ["Mallow and Asphodel"], in which 'I forged yr. initials & her name in yr. handwriting', thinking this would make it 'more valuable to her'. Upset at first to find how ill she was, and 'how hopeless it seemed to arrive at her real self at all', but spent several hours with her; Edith Coombe [Helen's sister] was there throughout. Towards the end Helen woke up, asked questions about her friends and the harpsichord [which she is decorating for Dolmetsch] and seemed much pleased by the book, responding to Fry's prompts about Bob's reading to them at Taormina; also discussed a picture by Fry hanging in her room. This was all an improvement and 'quite astonished Dr Chambers'; she was quieter today but seemed easier with him; hopes he will be able to do her some good and will visit every day unless it excites her too much; very hard to 'keep up a one sided conversation for 3 hrs' and feels quite drained at the end. Asks Bob to help by writing to Helen, talking of 'simple things & yr. fondness for her - everything which gives her an idea of her own importance & helpfulness to others is good', and by giving Fry 'interesting & amusing things about people & books' to talk about with her. Is finding his writing very hard, since Helen 'seems all important' and he cannot bring himself to care 'a tuppenny damn' about 'the date of Bissolo's death', but it is a good distraction. Knows Bob will help.
22 Willow Road, Hampstead. - Is writing to Bob's mother to say he will do the pastel, but not until the autumn; he and Helen hope to get to Oxford on Thursday to stay with Mrs [Christiana] Herringham and Mrs Flower if Helen is well; she has been 'very seedy' following a miscarriage but is 'wonderfully well in mind'. Has had 'another beastly summer' and cannot leave if she is not allowed to, as Edith [Helen's sister] will leave for her holiday soon. Is starting his article for the "Independent [Review?]" but wishes he had not promised it. Bob's story about Millais is lovely. Etching originally enclosed; 'a first attempt without any lesson so it was all guesswork', but means to return to it later, and to do the picture for Bob this year. Yes, the [book on] Titian is by 'the same [Georg] Gronau'; it is very good but dull to read, and not as good as his later book on Leonardo; is reviewing it [for the "Athenaeum", Sept 10 1904].
Has been to stay with [Neville] Lytton. States ironically that the [Royal] Academy has discovered that the Inquiry [by a Select Committee of the House of Lords into the Academy's administration of the Chantrey Trust] is really intended 'to advertise Lytton's drawings'. His own evidence was not printed in the papers, and lasted only half an hour; Lord Carlisle tried to catch him out 'by quoting the Athenaeum' but did not succeed. The Royal Academicians 'are physically mentally & morally on the level of small tradesmen'. [Dugald] MacColl was 'wonderful': gave evidence 'for 4 hrs without a slip' and would have 'made his fortune at the bar'.
22 Willow Road, Hampstead. - Finds it hard to write what he feels about the suggestion put to him by [John?] Withers: Bob's 'constant and affectionate interest' is 'one of the most precious things' in his life; if it were necessary he would accept [the offer of help], which he cannot imagine doing from someone like Bob; expresses his gratitude and 'the sense of perfect reliance and affection'. His father has given him some help, and B.B. [Bernard Berenson] has managed to sell the Venetians; Fry has also nearly finished three restorations. When he has done so, and written some reviews, he intends to get to work on Bob's 'rabbits' picture [see 13/17]. Helen is not quite recovered, but nearly; the nurse has gone and she is taking an interest in household things; Edith [her sister] is making sure everything runs smoothly.
The Old Masters [exhibition at the Royal Academy] are 'the chief interest in now' London; disagrees with the attribution of a picture in it to Dürer, but [Charles] Holmes 'committed the Athenaeum' to it while Fry was away. Bob might like to join the new Arundel Club, fpr the reproduction of works of art in private collections. The "Burlington [Magazine]" is doing well and Holmes is showing 'infinite energy & business capacity' [as editor]. Relates a scandal created when [William Bell] Paterson asked Fry for his opinion on a painting, which Fry judged to be largely modern paint over the possible outline of a Giovanni Bellini; the painting turned out to have been sold by K[err] Lawson to Coates [unidentified] for a large sum; 'always feared that K.L. was not over scrupulous about his ascription of pictures' and thinks this may damage him 'considerably'; Kerr Lawson has 'sent his "Titian" as a Bonifazio [Veronese] to the Old Masters [exhibition] and ought to sell that.
Would be 'jolly' if Bob could write [Fry's sister] Margery's masque [for the opening of the new library at Somerville College, Oxford, see 4/55 and 4/104]; hope he has forgiven the suggestion he could 'polish it off quickly', as Fry likes to 'think of a poet as a perennial fount, bubbling up and overflowing with limpid words', and praises his skill with mythology. Has written 'an extravanganza on Blake for the Burlington' ["Three pictures in tempera by William Blake', Burl. Mag, Mar 1904 4 p 204]. Julian is very amusing, and has begun to sing a little; Edith has a cello here and Fry is accompanying her 'in very simple things' - tells Bob not to let his wife know - which Helen enjoys.