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Archival description
Crewe MS/21/f. 18 · Part · 30 June 1738
Part of Crewe Manuscripts

The items assigned are as follows: the copyright of ‘The Modern Practice of the Court of Exchequer in Prosecutions relating to his Majesty’s Revenue of the Customs’, with 95 books (lot 12); the copyright of ‘a Vindication of Providence or a True Estimate of Human Life, in which the Passions are Considered in a New Light [etc.]’, by Edward Young, with 820 books (lot 17); the copyright of ‘Friendship in Death [etc.]’, by Elizabeth Singer ‘since Rowe’ (lots 53–6); and the copyright in ‘the Ocean, a Poem’ by Edward Young and ‘a Sermon called, an Apology for Princes’ (lot 60). Consideration, £212 10s. 6d. Witnessed by John Worrall and Francis Gosling.

O./13.1/No. 110 · Part · 9 Dec. 1799
Part of Manuscripts in Wren Class O

Transcript

Yarmouth;
Monday, 9 Dec[embe]r 1799.

Sir Herbert Croft returns Mr Bush {1} the vol. of Johnson containing the life of Young, {2} with many thanks. He will thank Mr B. to say to Mr Turner, the banker, that, from what he has heard of him in different quarters here, it w[oul]d afford Sir H. C. much pleasure to have the honour of making the acquaintance of Mr Turner, & to show him something that he is writing. But he, first, wishes Mr Turner to look at a book he publish’d on the continent; that he may see, by that & by the french dedication at the end to Sir H. C., how he has employ’d his time abroad; &, by the copy of Bishop Douglas’s letter at the beginning, that he has no occasion to blush for what drove him abroad. {3}—On account of his situation (w[hic]h he trusts will end very shortly, when Lord & Lady Dysart & Lady Croft come from the Isle of Wight to Helmingham in Suffolk), {4} Sir H. C. wishes the liberty he has thus taken with Mr Turner not to be known; especially, too, as the jealousy of others, here, might take offence.

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Letters missing from words abbreviated by superscript letters have been supplied in square brackets.

{1} Frederick Bush, a Yarmouth bookseller, who reprinted Croft’s Chatterton and ‘Love and Madness’ in 1800.

{2} The life of Edward Young in Johnson’s Lives of the Poets was written by Croft himself. Croft’s Letter from Germany (see below) contains an epigraph from Young’s sixth Satire. It may be that he was obliged to borrow a copy of the book because his library had been sold in 1797 to defray some of his debts.

{3} The book referred to, a copy of which appears to have accompanied the present letter, was probably A Letter from Germany to the Princess Royal of England on the English and German Languages, which Croft published at Hamburg in 1797. This does not contain a letter from Bishop Douglas or a French dedication but it is possible that those items were copied in by hand. According to Gilbert Burgess (Introduction to The Love Letters of Miss H and Mr R, 1775-1779), there is a letter in the British Museum (Egerton MSS 2185) from Croft to Bishop Douglas, ‘in which he complains of having been cold-shouldered by Pitt, whose favour he had tried to gain by offering to insert verses in favour of that politician in book he was writing’, and another (Egerton MSS 2186, ff. 88-93) to Bishop Douglas’s son, the Rev. W. Douglas, ‘written from Exeter Gaol, “the common prison—pudet hoc opprobria!” as Croft says, where he was imprisoned for a debt of £40, which he hopes Mr Douglas will send at once.’

{4} Lady Dysart and Lady Croft were sisters. Lady Dysart’s husband Wilbraham had succeeded to the earldom earlier in the year (on 20 February), and Helmingham Hall was one of the properties he inherited.

Add. MS a/355/3/11 · Item · 24 Dec. 1926
Part of Additional Manuscripts a

(Oxford?)—Suggests examples of books before 1750 containing illustrations, for the bibliography.

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Transcript

Bibliography slip 32

Illustrations before 1750:

Portraits of course, e.g. in:
Drummond’s Works Paris {1} 1709
Pope’s Works 1717
etc. etc.

Fancy Pictures. Rape of the Lock 1714.
Thomson 1730—the four Seasons
Young Night Thoughts 1742—one plate
Pope’s Works Vol. II 1735—tailpieces etc. by Kent
Gay’s Poems 1720
[Gay's] {2} Shepherd’s Week 
Philip’s Cyder
[The preceding three lines are braced on the right to:] all rustic subjects | Gay’s Fables!
Rowe’s Quean {1} I think has an allegorical frontispiece.

This is from memory—I think you must modify.

24:12:26 RWC

RBMcK

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{1} Reading uncertain.

{2} Represented by a ditto mark in the original.