I Tatti, Settignano, Florence. - Starting South this afternoon after ten days with the Berensons; B.B. is anxious and not sleeping well, but seems more cheerful since their arrival; his wife also seems to be in poor health and when she returns B.B. hopes to go to Sicily for a holiday. Asks whether Fry will be in Italy in March, the probable time of their own return, and whether Daniel will accompany him. Glad Fry's watercolours were successful and that he likes the [Band of Hope] banner. He must not forget his picture of H[elen] and J[ulian], and Helen her 'Bronzino infant'. Has seen Moore's young brother [Bertie] who paints in Italy; hopes Fry might be able to give him advice. Has heard about 'Lina's artist' [Aubrey Waterfield] from her, the K[err] Lawsons, and Moore who knew him at the Slade: tends to think that Lina is right about Waterfield, 'the Oxford manner' makes him a little difficult at first but he is fundamentally decent, and that [Lina's aunt] Mrs Ross has treated her very badly; Berenson is also 'perfectly silly' about it. However, Lina is being sensible and they will marry in a year or so. According to Moore, Tonks thought highly of Waterfield's drawings. B.B. 'nicer than ever' himself but much more intolerant of others (not Fry). Is sorry about the book [problems with the reproduction of Fry's illustrations for Trevelyan's "Polyphemus and Other Poems"] but it was not Fry's fault and his illustrations are much appreciated by all there. Bessie sends regards to all.
29 Beaufort Str[eet], Chelsea. - Hears that Marsh has done well [in his civil service exams] but not 'what particular function' - colonial, military, or financial, he will choose; hopes he is 'satisfied and happy'. Sorry that Marsh could not come to Wallington, and hopes he has good hunting and fishing in Scotland. Asks what he thinks of the Czar; would like to meet 'a live deer-stalking tyrant'. Has taken Copse Cottage, near Friday's Hill [home of the Pearsall Smiths]; Bertie and Alys [Russell] left for America today, and Logan is soon leaving for Italy, so Bob will be glad of occasional company. Intends to hire a piano for Marsh and [G.E.] Moore; has four bedrooms, three sitting rooms and four sculleries. Tells Marsh to return from Scotland 'not too religious, and... without loosing [sic] your artistic instinct' as he is 'required as a patron and lover of young art to guarantee a guinea of the... fund for Roger [Fry's] exhibition at Cambridge, which will include works by Conder, Ricket[t]s, Shannon, Steer, W[alter] Sickert, Rothenstein, Maccoll, Savage, Houseman and Tonks [emphasised]. Also wants Marsh to get [Desmond] MacCarthy and [? Francis] Balfour, for whom he himself does not have addeses, to contribute; promises to do so should be sent to A[rthur] E[verett] Shipley at Christs [College Cambridge]. Has been writing letters all morning, imagining what he will look like in the new frock-coat which he is having made for the wedding of Roger [Fry] and Helen [Coombe], at which he is to be best man.
9 letters from various people making suggestions of portrait artists to be used in making portraits of Trinity Fellows under of the scheme funded by the Memorials Committee. The letters are from P. & D. Colnaghi & Co., W. R. M. Lamb, Henry M. Hake, A. M. Hind, C. J. Holmes, Henry Tonks, Edward Maufe, David, the Earl of Crawford and Balcarres, and W. J. W. B. Artists discussed include G. L. Brockhurst, Francis Dodd, Paul Drury, Eric Gill, R. Gleadowe, Eric Kennington, Winifrede Knight, Henry Lamb, W. Rothenstein, F. E. Jackson, A. K. Lawrence, T. W. Monnington, Randolph Schwabe, and Leon Underwood. Accompanied by two sheets of notes.
Trinity College Memorials Committee