Most sent on by Durrant's Press Cuttings, St Andrew's House, 32-34 Holborn Viaduct, E.C.1.
1) from the "Times Literary Supplement", 28 Mar 1942, "A Jovial Sage: Mr R. C. Trevelyan's Faith'; illustrated with the caricature of Trevelyan by Max Beerbohm.
2)… read more
Most sent on by Durrant's Press Cuttings, St Andrew's House, 32-34 Holborn Viaduct, E.C.1.
1) from the "Times Literary Supplement", 28 Mar 1942, "A Jovial Sage: Mr R. C. Trevelyan's Faith'; illustrated with the caricature of Trevelyan by Max Beerbohm.
2) from the "Manchester Guardian", 13 May 1942.
3) Discussion of "Aftermath" in "Tradition and Modernism in Recent Verse", in the May-June 1942 issue of the "Poetry Review", pp 155-158. Also discussion of Stephen Spender's "Ruins and Visions" and the Hogarth Press's third "Poets of Tomorrow", as well as an [incomplete?] review of Mary Winter Were's "To-morrow".
4) from "Time and Tide", 1 Aug 1942, Naomi Royde Smith "The Constant Muse"; also deals with "Lyra: a book of new lyric"; "Work in Hand" by Robert Graves, Norman Cameron and Alan Hodge, "Invitation and Warning" by Henry Treece, and "Dispersal Point" by John Pudney.
5) from the "National Review", Sept 1942. Also includes discussion of Walter de la Mare's "Collected Poems".
6) from "John O'London's Weekly", 11 Sept 1942, V. H. Friedlander, "Poetry, Youth and War"; also includes discussion of the third "Poets of Tomorrow", Work in Hand", and Dr David Ockman's "Time, Medicine and Deity".
7) from "Adelphi", Dec 1942, by A[ubrey] de Selincourt
8) another review of "Aftermath", not sent by Durrant's so lacking source and date.
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