Showing 2 results

Most sent on by Durrant's Press Cuttings, St Andrew's House, 32-34 Holborn Viaduct, E.C.1.

1) from the "Times Literary Supplement", 28 Mar 1942, "A Jovial Sage: Mr R. C. Trevelyan's Faith'; illustrated with the caricature of Trevelyan by Max Beerbohm.
2) from the "Manchester Guardian", 13 May 1942.
3) Discussion of "Aftermath" in "Tradition and Modernism in Recent Verse", in the May-June 1942 issue of the "Poetry Review", pp 155-158. Also discussion of Stephen Spender's "Ruins and Visions" and the Hogarth Press's third "Poets of Tomorrow", as well as an [incomplete?] review of Mary Winter Were's "To-morrow".
4) from "Time and Tide", 1 Aug 1942, Naomi Royde Smith "The Constant Muse"; also deals with "Lyra: a book of new lyric"; "Work in Hand" by Robert Graves, Norman Cameron and Alan Hodge, "Invitation and Warning" by Henry Treece, and "Dispersal Point" by John Pudney.
5) from the "National Review", Sept 1942. Also includes discussion of Walter de la Mare's "Collected Poems".
6) from "John O'London's Weekly", 11 Sept 1942, V. H. Friedlander, "Poetry, Youth and War"; also includes discussion of the third "Poets of Tomorrow", Work in Hand", and Dr David Ockman's "Time, Medicine and Deity".
7) from "Adelphi", Dec 1942, by A[ubrey] de Selincourt
8) another review of "Aftermath", not sent by Durrant's so lacking source and date.

Most sent on by Durrant's Press Cuttings, St Andrew's House, 32-34 Holborn Viaduct, E.C.1 and 3 St Andrew Street, Holborn Circus, E.C.1.

1) from the "Dublin Evening Mail", 28 Apr 1932.
2) from "The Listener", 4 May 1932, "Overhauling Pegasus"; also includes discussion of collections by William Plomer and Alan Mulgan.
3) from the "Northern Echo", 4 May 1932, "New Verse"; also includes discussion of collections by Plomer, Sir Leo Chiozza Money, and Dorothy Wellesley
4) from the "Spectator", 14 May 1932, "Poetry-Lovers, Prosody and Poetry", by F. R. Leavis; also discusses collections by Ann Page, Mulgan, Anna de Bary, Wellesley, William Jeffrey, A[braham] Abrahams, Julian Huxley and Plomer
5) from "Country Life", 14 May 1932, by V. H. Friedlaender; also discusses collections by John Lehmann and Plomer, and the Hogarth Press's anthology "New Signatures"
6) from the "Aberdeen Press and Journal", 18 May 1932
7) from the "Bedfordshire Times", 24 May 1932, "A Book for the Poet-Technician"
8) from "Granta", 27 May 1932, "Tomes of Pomes"; also discusses collections by Plomer and Philip Henderson.
9) from the "London Mercury, June 1932, by Alan Pryce-Jones; also discusses collection by Henderson
10) from "Life and Letters", June 1932, by Austin Clarke; also discusses works by A.E. [George William Russell], Thomas Sturge Moore, "New Signatures", Huxley, Plomer, and Sherard Vines's anthology "Whips and Scorpions"
11) from the "Manchester Guardian", 1 Jun 1932, "Mr. Trevelyan's Verse".
12) from the "Scotsman". 1 Jun 1932;, "New Verse Forms" also discusses works by Plomer, Dorothy Matthews, Abrahams, Chiozza Money, and Horace Horsnell
13) from the "Oxford Magazine", 2 June 1932, "Poetry and Tradition".
14) from the "Scots Observer", 9 June 1932; also includes discussions of works by Mulgan, Rosamond Langbridge and Lorna de' Lucchi
15) from the "Buxton Advertiser", 2 July 1932
16) from the "Times Literary Supplement", 14 July 1932; also another copy, not sent by Durrnants
17) from the "Glasgow Herald", 20 July 1932 "On a Classical Model"
18) from the "New Statesman and Nation", 3 Sept 1932, "Some Poets"; also involves discussion of works by Laurence Whistler, George Villiers, Arthur Legge, Charles Davies, de' Lucchi, Geoffrey Johnson, Norah Nisbet and Mulgan.
19) from the "Sunday Times", 9 Oct 1932, by Dilys Powel, "Scholars and Poets"; also discusses works by Geoffrey Scott, Whistler, Davies, Geoffrey Lapage, Villiers, and Eden Phillpotts
20) "Rhythm and Rhyme. Mr R. C. Trevelyan's Notes on Metre"; perhaps from the "Birmingham Daily Mail" of 28 Apr 1932, as there is a spare Durrant's label which has become detached from its review
21) from the "Observer", 6 Nov 1932, "New Poetry", by Humbert Wolfe. Not sent by Durrants; also discussion of works by Clifford Bax. W. H. Davies, Gordon Bottomley, Edmund Blunden, Wilfrid Gibson, and Richard Church
22) from the "Japan Chronicle", 15 July 1932, "Poets of a Transitional Period"; also discusses works by Plomer, Easdale, Lehmann, C. Day Leis. and "New Signatures"
23) from "The Bookman", Sept 1932, "The ''Georgian Poets', or Twenty Years After", by Wilfrid Gibson. Not a review of "Rimeless Numbers", but a discussion of Edward Marsh's anthologies