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Programmes
SHAF/B/11/5/11 · Item · 2006, 2008
Parte de Papers of Sir Peter Shaffer

Programme for a production at Wilton's Music Hall directed and designed by John Doyle and featuring Matthew Kelly and Jonathan Broadbent, and for a production of the Chicago Shakespeare Theatre (2 copies).

MONT II/A/3/26/11 · Item · 13 Jan. 1922
Parte de Papers of Edwin Montagu, Part II

The policy declared at the Congress at Ahmedabad is very serious. Moslem leaders were for complete independence, and though Gandhi hedged in his speeches in an attempt to gain the moderate vote, the resolution of the Working Committee, over which he presides, was more revolutionary. Lloyd and his Council believe that Gandhi should be prosecuted immediately and, in view of the necessary repercussions across India, they sought the Viceroy’s approval to do so, but the Viceroy would not give it. Lloyd has urged him to reconsider.

USA (1965)
EPST/D/19/11 · Documento · 29 Jan.–21 May 1965
Parte de Papers of Sir Anthony Epstein

Assembly of Scientists of the National Cancer Institute, 13 May 1965, Bethesda
Symposium on Human Leukemias, 5–6 April 1965, Wistar Institute, Philadelphia, Pennsylvania

Cancer Co-ordinating Committee and Council
EPST/D/22/11 · Documento · 29 July 1983–8 July 1996
Parte de Papers of Sir Anthony Epstein

Part 1: United Kingdom Co-ordinating Committee for Cancer Research. Sir Anthony was the MRC representative on the committee.
Part 2: International Co-ordinating Council for Cancer Research. Sir Anthony was a member of the International Scientific Advisory Board and the Board of Directors of the CCCR in Europe.

Letter from Donald Tovey to R. C. Trevelyan
TRER/7/11 · Item · 2 Oct 1907 [postmark]
Parte de Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Northlands, Englefield Green, Surrey. - Explains that musical emphasis is very different from that of prosody: though Tovey's music [for "The Bride of Dionysus"] may often retain Trevelyan's 'verse-rhythms'. it will not express 'verse-technique', and Tovey may often omit words in the more dramatic passages as he composes. Tovey's version of the text will only appear in the score, without comment, which would draw attention to these small differences to the text. More general comments on his objection to 'song-composers setting poetry to Wagnerian musical prose' due to the 'confusion between dramatic & lyric rhythm'. Sends 'respects to Sisyphus' [Trevelyan's poem "Sisyphus: an operatic fable"?] and encourages him to press on and not worry too much about the quality of jokes at the moment. A postscript notes that he will pencil some stage directions into Trevelyan's copy before he returns it; another asks if an addition can be made to Minos' first speech; a third suggests that Mercy might be called 'Daughter of Justice'.

Letter from R. C. Trevelyan to Caroline Trevelyan
TRER/46/11 · Item · 9 May [1892?]
Parte de Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Trinity [on headed notepaper for the Harrow Philathletic Club]:- Thanks his mother for her letter and the half sovereign. Is afraid the paper 'was not as good as it ought to have been, in fact it was very bad indeed'. It is 'bound to be a failure', as 'every sensible person' thought long before it came out. Sees Kipling has a new book of ballads out [Barrack-Room Ballads], which are 'said to be very good' and seem to be from what he has seen of them.

Will have to arrange a day soon to come and see Woodhouse [his dentist], who says after this visit Robert's teeth should be 'right for a very long time'. Does not think he will get Hurst's rooms, so will probably have to wait for Charlie's. Hopes his father is well, and 'will soon have the satisfaction of hearing that [the Liberals] have won North Hackney [in a by-election]'. Hopes G[eorgie] is well at Harrow.

Finds he knows so much about Waterloo that he thinks he will 'have to go to America to lecture on it'. Thinks that Aunt Alice is coming to the Myers' house next Sunday.

Reviews of "Meleager"
TRER/26/11 · Documento · 1927
Parte de Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Newspaper cuttings with reviews, many sent to Trevelyan by Durrant's Press Cuttings agency, other poets' work sometimes also reviewed from: the "Birmingham Post"; "Daily Telegraph"; "Scotsman"; "Sunday Times"; "Devon & Exeter Gazette"; "Aberdeen Press and Journal"; "Nation and Athenaeum"; "New Statesman"; "Irish Statesman"; "Southport Guardian"; "Spectator"; "Western Morning News & Mercury"; "Manchester Guardian" [a review, and a later article on "Verse in 1927" discussing Trevelyan's play amongst other pieces]; "Poetry"; "Saturday Review"; "Observer"."Empire Review"; "Inquirer"; "Bookman"

TRER/24/11 · Item · 10 Feb 1932
Parte de Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

Signed by Leonard Woolf for the Hogarth Press and by R. C. Trevelyan. Annotations by hand to clause 3, specifying a minimum commission of five pounds to be paid by the author to the publishers, and to clause 4, granting Trevelyan permission to include the work in any collected edition in future, as long as this is at least twelve months from the date of this agreement.

Letter from Gilbert Murray to R. C. Trevelyan
TRER/20/11 · Item · 30 Jan [1909?]
Parte de Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

131 Banbury Road, Oxford. - "Sisyphus" is 'delightful and extraordinary'; has only just read it as when it arrived he was about to leave for Italy and by mistake it did not go with him. Likes it better than anything else by Trevelyan he knows: 'so individual... has such a strange blend of grotesqueness and beauty running through it - very Aristophanic in some ways'. Though the 'queer broken-backed metres... bothered [him]' for a while, they fit the theme. Is a little disappointed in the 'Artemis-chastity point': even he 'would not have accepted such an oath, and Sisyphus had much more knowledge of the world than a don'. Wonders about performance: no doubt Trevelyan has music; to Murray's taste 'music will bedevil and ruin it' but others would not agree. Would be expensive if there is much music; if not, suggests sending it to Charles Strachey or to GBS [George Bernard Shaw] for the Stage Society. Does not know Trevelyan's address, so is sending it to his brother [George?].