A commercially-produced print, captioned on the image, ‘Cambridge. 15519 J.V.’ The view shows, among other things, in the foreground, the Round Church, the Union building, and part of Sidney Street, and in the distance, All Saints’ Church.
Of a similar date to the print on f. 2r.
Notes of reports made to a public official of the district of Lisieux on 21, 24, and 25 Pluviôse (10, 13, and 14 Feb.) about presumed attacks of the Chouans against republicans from the commune Mesnil-Simon.
(Headed ‘Notes’. Certified by Lévêque as a true copy.)
Two ballads on one sheet.
A commercially-produced print, captioned on the image, ‘Cambridge. 15519 J.V.’ The view shows, among other things, in the foreground, the Round Church, the Union building, and part of Sidney Street, and in the distance, All Saints’ Church.
Of a similar date to the print on f. 2r.
(Engraved by Michael Burghers.)
Dated at Richmond. Numbered 18.
‘Κακοπάδησον.’ (2 Timothy ii. 3.) Dated at Halle. Numbered 133.
(Two messages, dated respectively on 25 and 26 Dec. 1751.)
A commercially-produced print, captioned on the image, ‘Clare College from the Bridge, Cambridge. 6154. J.V.’
Of a similar date to the print on f. 2r.
First line: ‘From easing females in their pain’. The title refers to the knighting of the queen’s physician David Hamilton in 1703.
Humphrey Shelton, auditor of the Receipt, has worked diligently in his reckonings with the tellers, and they are now brought to ‘good and perfecte order’. It has come to light that one annuity of £40 a year, granted by the house of St John of Jerusalem for thirty years to Thomas Hennage, gentleman, has been paid for 4½ years after the end of the term, and that another annuity of £20 a year granted by Queen Mary to Edmund Beningfild, gentleman, for the term of his life, has been paid for three years after his death. A total of £240 is therefore to be paid back to the Queen. In consideration of these discoveries and of Shelton’s diligence and service they have allowed him £60. Stanley is to pay Shelton this sum and obtain a quittance in return.
(In the hand of an amanuensis. Signed by Winchester and Mildmay.)
Two ballads on one sheet.
Notes on the identity and meeting-places of Chouans, with a description of the republicans’ plan to mobilise four squads of armed men to capture all the Chouans in the canton of Livarot.
(The first section is headed, ‘Les Maisons de rassemblement sous canton de St Julien’; the second, ‘Canton de Livarot’. Certified by Lévêque as a true copy.)
In consideration of £12 15s. A assigns to B a fifteenth part of the copyright in Magnae Britanniae Notitia (by Edward and John Chamberlayne) and a sixth part of the copyright in Love Letters between a Nobleman and his Sister (by Aphra Behn), rights which he purchased from Benjamin Motte, deceased. Sealed and delivered in the presence of Somerset Draper and George Hall.
No caption or date. From the fifth volume of Jackson’s New and Complete Newgate Calendar (1795), where this illustration faces p. 278 and is captioned ‘John Hartley, James Deane, and their accomplices in the House of Mr Clewin, at Finchley, where they committed a Burglary’. The names of the criminals in the caption are wrong, this burglary having been confused with one committed by James Bean (sic), John Hartley, and Lambert Smith, an account of which appears on pp. 305–7 of the same volume.
(Transcribed from a printed document countermarked (contremarqué) by hand by the administrator of the canton of Creuly on 17 June 1796 (1 Messidor, an 4) and signed by several others. Certified by Lévêque as a true copy.)
A empowers B to sell the copyright in certain books written by A. Witnessed by Thomas Church and William Kirke. The docket refers to the case of Knaplock and others v. Curll.
Engraved by Auguste Sandoz from a drawing by François Bonneville. Captioned ‘Jean Paul Marat, Né à Genève L’an 1743. Député du Dépt. de Paris, à la Convention Nationale.’ This impression lacks the printer’s address which appears on the British Museum impression, but it may have been cropped.
Acknowledges the receipt of £10 10s. for Walthoe’s share in the copyright of Spenser’s Works, as last printed in folio.
Acknowledges the receipt of £10 10s. for Friendship in Death (by Elizabeth Rowe).
(The names are cited as ‘E. Young’ and ‘Mr Worrall’.)
A commercially-produced print, captioned on the image, ‘The Ante Chapel, Trinity College, Cambridge. 3448. G.W.W.’
Of a similar date to the print on f. 2r.
Acknowledges the receipt of £10 10s. for Browne’s share in the copyright of Spenser’s Works, as last printed in folio.