(On the sheet used as a wrapper is a list of ‘Arrangements suggested by the members of the Bachelor’s Table [in the Hall at Trinity College] for regulating the introduction of Guests’, also in Clifford’s hand.)
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Transcript
1. The club shall be called the republican club.
2. Republicanism shall be taken to mean hostility to the hereditary principle as exemplified in monarchical and aristocratic institutions and to all social and political privileges depending upon difference of sex.
3. The profession of republican opinions shall be the only qualification for membership.
4. The club shall meet at dinner at 7 on three Wednesdays in the October and Lent terms, and on one in the May term.
Resolved The first dinner shall be held on Wednesday 23 Nov 1870.
5. At the beginning of every Oct Term a secretary shall be elected by ballot.
6. The sec. shall give at least 4 days notice of the place of the next dinner.
7. Each member shall be required to inform the secretary 2 days before the dinner whether he intends to be present. If he neglect to give notice of his intentions he shall be fined 5/-.
8. The secretary shall have the power of giving notice of subjects for discussion after the dinner. The discussion shall be carried on in a conversational manner, and must refer to some social or political subject.
9. Smoking shall be allowed after 10.
10. The secretary shall have the power at the request of three members, to invite a stranger sympathising with the objects of the club to the dinner.
11. No undergraduate shall be admitted to the club either as a member or as a stranger.
12. The club shall consist of [blank] original members. Candidates hereafter proposed at one meeting of the club shall be ballotted for at the next, and to be elected must be voted for by three-fourths of those present. The secretary shall give notice of the names of candidates for election.
13. Each member shall pay an annual subsc. of 5/–.
14. Any proposed alteration of the rules shall be given notice of at the previous meeting, to be carried must be voted for by a majority of the club.
Original Members {1}
Prof. Fawcett
H. Jackson
C H Pearson
G R Crotch
P T Main
W K Clifford—secretary
John Hatcher Moulton
[Written on the back of the wrapper:]
Arrangements suggested by the members of the Bachelors’ Table for regulating the introduction of Guests.
1. Every bachelor desirous of introducing a guest shall give notice to the Senior bachelor not later than at hall the day before.
2. The senior bachelor shall admit, according to priority of application, so many guests as, upon the testimony of the hall butler, there shall be room for.
3. The cook’s and combination butlers† account for the dinner of each guest shall be charged to the bachelor introducing him.
[Manicule.] It is proposed that the charge from the table for each guest be 2/6 on ordinary days and 3/ on feast days; notice of these being given by the senior bachelor as at present.
4. No members of Trinity College shall be introduced as Guests.
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The wrapper is docketed ‘WKC | Dft rules | Cambridge | Republican Club | (1870) | &c’.
{1} The names of Jackson and Pearson are each followed by a black mark. Moulton’s name was added in a different hand.
† Sic.
Sent to Milnes at Casa Ricasoli, S[ancta] Trinità, Florence, 'kindly conveyed by Honble Mr Noel'. -
Photographs of Paul Scofield, Simon Callow, Felicity Kendal, Andrew Cruickshank, Basil Henson, and Nicholas Selby.
Photocopy of a combination of typescript pages heavily revised in manuscript and manuscript pages, heavily revised, with a manuscript title page, with "Tchaikovsky Play" crossed out and "Bezique" added in pencil.
Corrected typescript.
Outline is accompanied by two pages of notes for the film version of 'White Liars,' both in Shaffer's hand, and a set of alternative lyrics to "It's Delovely" written in an unidentified hand.
Programme for the Cambridge Arts Theatre 30 June - 5 July 1958 and the Comedy Theatre from 16 July 1958. Playbill programme dated 18 Apr. 1960.
Inscribed to Peter "with love and grateful thanks" by Bryant.
Sans titreTypescript draft with emendations in Shaffer's hand, lacking the first few pages of Act I. The last page includes five lines of shorthand at the bottom.
Typescript, with emendations in Shaffer's hand throughout, of an early draft of the play. With a title sheet [written later?] in Shaffer's hand, "The Public Eye, A Play in One Act by Peter Shaffer."
Loose sheets with cover page in Shaffer's hand "Royal Hunt M.S.S.," typed pages with revisions in Shaffer's hand throughout. At the front, inside the front card or cover, is a copy of French's Acting Edition of the play with the note on cover "2nd version Done for the Prospect Production (mainly emendations to Pizarro) P.S." with 12 sheets of revisions typed and in Shaffer's hand.
The last quarter of the MS appears to have been turned around and has been left that way as the MS has no pagination. Near the end of the MS there are two sheets of an introduction, and at the beginning of the turned pages is a one page review of "Cosi fan tutte" at Glyndebourne (incomplete). At the front is a card or a cover with a drawing of the sun.
Two programmes for the production at the Old Vic Theatre with Colin Blakely and Robert Stephens, with two cast lists, one of them a duplicated version signed by Kenneth Mackintosh, who played Fray Marcos de Nizza. Accompanied by a programme with a cutting from the New York Herald Tribune from 18 Dec. 1864.
Thanks him for a wonderful evening - everyone seems to like 'Black Comedy.'
Programme from the Chichester Festival Theatre production featuring Derek Jacobi, Louise Purnell, and Maggie Smith; a programme with cast list from the National Theatre in which 'Black Comedy' was paired with 'Miss Julie' with revisions in Shaffer's hand and featuring the same actors; a programme from the National Theatre in which 'Black Comedy' was paired with 'A Bond Honoured.'
Comments on a play of Peter's that he has read, thinks it would be a better opera.
Would like to meet him.
Is sure he will get rave reviews; sends best wishes for a great success.
Nearly 1300 letters arranged alphabetically by surname, with letters received on the announcement of his knighthood in a separate file at the end, followed by a file of letters from unidentified correspondents. Other correspondence relating directly to various plays may be found in the Works subseries under the title of the play.
Two letters include parts of letters written by Peter Shaffer: a letter from Elizabeth Cavendish, 29th September 1974 (C42) and
a typed letter from Costas Gianakaris 27 Sept. 2014 (G6) includes the draft of a love letter[?] on the back of the second sheet.
Would like to be back in touch with Peter.
Congratulations on debut [as an actress], likelihood of an opening in the Ceylon Co for Bertie.