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Found in pocket of Macaulay's account book for 1858-1859. Banker's draft: Messrs Drummond to receive £25 from Lord Macaulay per Williams Deacon & Co to the credit of Henry Thornton Holland. Receipt from Drummonds dated 26 Dec. 1859.

33 Garden Row, Lambeth.

Letters to Babington Smith; copies of letters from Babington Smith to others.

Including several references to Ralph Waldo Emerson.

9: 18 Mar 1899, with enclosure: letter from Dorothy Smith, afterwards Gillum, to Henry Babington Smith, 18 Mar 1899.
10: 16 Jul 1899, with additional note from Anne's husband Charles Stewart Smith to his brother Henry.
16: 27 Oct 1907, with additional note from Anne's husband Charles Stewart Smith to his brother Henry.

Notes on family history, politics, religion, art, society etc. Includes draft account of visit to experimental farm belonging to Anthony Huxtable.

26: With a letter, and a note that this is the last letter Margaret Holland received from Macaulay.

Including material on Richard Monckton Milnes' US tour, 1875.

29 ff. of cuttings relating to 'Five Finger Exercise', with ff. 1-13 relating to the London production at the Comedy Theatre, and ff. 14-29 relating to the New York production at the Music Box Theatre.

Material relating to the London production includes two handbills, a programme and 19 cuttings of theatre reviews, including "Changing Fashions in the English Theatre" by John Bowen in 'The Listener', "Eating People is Wrong" by Alan Brien in 'The Spectator', "An Author and Actor" by Harold Hobson in 'The Sunday Times' (July 27 1958), and "Peter Shaffer Calls for Magic and Mystery" by R. B. Marriott in 'The Stage' (July 13, 1958); other cuttings are from the 'Cambridge Daily News', 'Daily Express', 'Daily Mail', 'Daily Telegraph', 'Evening News', 'Financial Times', 'The Illustrated London News', 'New Statesman', 'News of the World', 'The Stage', 'The Star', 'The Times', and 'The Times Literary Supplement'.
Material relating to the New York production includes the cover of 'Playbill' and 11 cuttings of theatre reviews and advertisements for the New York production. The cuttings are taken from 'Life Magazine', 'The New Yorker', and other unidentified newspapers, and include two articles by Brooks Atkinson in 'The New York Times', and Richard Watts Jr.'s 'A Powerful New Play from England' (in an unidentfied newspaper), as well as two articles by Peter Shaffer: "labels aren't for playwrights", in 'Theatre Arts', Feb. 1960, and "The Cannibal Theatre" in the 'Atlantic Monthly'.

11: Letter from Palgrave to Annabella Hungerford Milnes.