Pièce 23 - Letter from Marie Busch to R. C. Trevelyan

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19 Kensington Park Road, W.11. - Yes, she is trying to keep to Trevelyan's divisions of the lines [in his play "The Bride of Dionysus"] as much as possible, except when it would sound completely senseless in German: she wants it to make it 'as good poetry & good German' as she can and her first version, 'before its wings got clipped everywhere', is best in that respect. Asks if she should send [Max?] Reinhardt Trevelyan's work, telling him of her translation and asking if it could possibly be performed at his theatre; supposes Tovey would have no objection. Thanks Trevelyan for sending Tovey's letter, which she returns; his 'anxious and passionate hopefulness' [about his wife] is pitiful; hopes 'he may do her good, but it sounds a difficult case', and the worry cannot be good for his work. Enjoyed the Schubert and Debussy concerts, and is looking forward to the d'Aranyis. Wonders if Trevelyan has read Hayden Brown's book [Haydn Brown, "Advanced Suggestion: Neuroinduction" ?] and what he thought of it.