A group of seven men closely gathered, with Jesson's tentative identification of three men: H. G. Hewlett's father, Hewlett, and Hayward, and two more men identified as Bowen and Farrar.

Two men, identified as Charles Thompson, corrected to R. E. Thompson by a later hand.

Six men, four of them identified by Jesson, and two by a later hand. A photograph below this on the page with the caption "Pembroke College" has been removed, before acquisition, as part of the caption is written in the space that would have been occupied by the photograph.

Photograph of five men includes J. W. Clark, J. Kempthorne, and Thomas Henry Burn[?]. The photograph of three men identifies one man as "? S'r Butler."

A group of six men, unidentified.

Three men are identified: Wigram, Prof. Hughes, and W. Jones.

Oval photograph with Mayland's name at left.

Oval photograph with Mayland's name at left.

Oval photograph with Mayland's name at left.

Oval photograph with Mayland's name at left.

Oval photograph with Mayland's name at left.

Oval photograph.

Oval photograph. The other two men are identified as possibly brothers of J. W. Gedge.

Ink date of Feb. 1871 on verso, and pencil identification [Mr Somerset?].

Letter of donation tipped in to the front of the album. Most portraits have pencil captions, but the accompanying letter does indicate that some of the identifications are guesses. It is not clear whether Jesson owned the album initially, as he appears to have been from a slightly different generation at Trinity.

View with Clare College and King's College in centre foreground, Trinity at left and the rest of the city beyond. The Erasmus building at Queens' is shown as a building site.

Three photographs from the same time period, probably commercially produced, with captions in white lettering at the bottom. The Great Gate is captioned "Henry's[?] Gateway Trinity College Cambridge", and shows the gateway with two lamp posts outside, and one visible in Great Court. The fountain is captioned "Fountain Trinity College Cambridge," and carries the number 15321. J.V. A figure is facing the camera across the court under the Great Gate arch, and a wheelbarrow is parked by the sundial, while lamp posts are present. The photograph of the bridge shows punts in the foreground with seats in back with scrollwork, people in boats in the distance and people on a blanket on the St. John's bank of the river.

Photographs of the interior of Trinity College Hall set for the May Balls, signed at bottom by Turner & Sons, Cambridge and Bruce, Cambridge.

Eight photographs and one photocopy, most of them lacking captions and identifications. Includes a portrait photograph of twins [Peter and Anthony] at about one year of age, photograph by Messrs. Burrell & Hardman, Liverpool, a photograph labelled 'Daddy' which may include Peter and Brian Shaffer, and a photograph of Peter's mother Reka Shaffer at the Venice Lido in July 1962.

15 photographs accompanied by a verse by Malcolm Diamond on Peter's 22nd birthday. The photographs depict Shaffer and two other men individually and in pairs. The photographs are not captioned, but are taken at the fountain and sundial in Great Court, on Trinity Street outside Whewell's Court, and on the Backs by the Cam. Accompanied by 16 negatives, some of which are not represented by photographs here.

Eleven photographs, including one of Shaffer with Peter O'Toole, one image from a holiday in Mallorca and two from a holiday in Morocco.

12 photographs accompanying an undated note from Victor Spinetti, with images from a trip to Morocco[?], and three other images of Spinetti.

Proofs from a photo session in Peter's apartment[?], with one larger format image. Stamped on the verso 'Roddy McDowall, copyright 1988, Harlequin Enter. Ltd.'

10 candid photographs of Peter alone and with friends, not all of them identified, including one with Robert Leonard and one with Zubin Mehta.