Ryton. - Marsh is away, but the Abercrombies and Gibson are staying at his house on Monday. Abercrombie is booked to read at the Poetry Bookshop (address given) on Monday evening.
Pension Palumbo, Ravello. - There is not sufficient paper in the hotel to answer her long letter as it deserves. Strange that he is not inspired to write Bessie love-poetry, but says he is 'not good at putting difficult and elaborate and wonderful thoughts into verse', which would be needed; will try one day. Sorry that Gredel [Guije] failed. Since he sometimes misses out words in his letters, Bessie need never be shocked by his 'wicked opinions' but can add 'nots' when she pleases and 'convert the sense to please [her] fancy'. Glad she is re-reading [Joseph Henry Shorthouse's] "John Inglesant". Sends her kisses "blown through the ether like waves of light or electricity'. Continues the letter next morning, copying out an extract about Shorthouse from a piece of paper in Mrs Reid's book an extract from a letter from Isabel Balfour; this recalls what his brother [George?] has heard about Shorthouse. The book reminds Bob of Pater's "Marius the Epicurean"; thinks one must have influenced the other; also thinks "Marius" the better book on the whole. Asks his waiter to settle their dispute about Italian grammar, which he does in Bob's favour. Returns to the letter in the afternoon: old Palumbo died this morning, and since his wife did not want Bob to leave, he is staying in a separate part of the house where he is 'quite out of the way'. News has just come that the Cappuccini hotel at Amalfi 'has subsided on a great part of it' and some people have been killed. Writes again in the evening having gone to see the landslip, which was as bad as the rumours; seven or eight people died, and 'part of the end of the hotel had gone'. The people say it is St. Francis' doing, "angry because his monastery had been put to base uses". Had never been to Amalfi before, though this is his third visit; not much to see 'except the people and the beggars', and the Cathedral is 'spoilt by restoring'. Palumbo was dying about the same time as the landslip, and the proprietor of the Cappuccini, a friend, was here comforting Madame Palumbo when the news about the hotel came. 'They say he almost fainted... [and] will probably be ruined, as no one will dare come to his hotel now'. Bob exerted himself greatly on the journey down to Amalfi and back and 'sweeted (in Grandmont language' despite the bitter cold.
Originally enclosing a 'charming letter from [Eddie] Marsh'; his 'first Cambridge friend' who works in the Colonial office 'though, like many there, he does not like the war'; gives a brief character sketch. Has also heard from [Goldsworthy Lowes] Dickinson. Has not heard from [Bernard] Berenson, but has from [Mary] Costelloe, whom he just asked Berenson to tell; 'rather annoying', as he 'care[s] for Berenson very much, and dislike Mrs C.', though it was a 'perfectly proper letter'. Is very troubled by [Lina] Duff Gordon's letter: her wish for his happiness is 'unmistakeably sincere', as she always is, but her reply to his wish for them to remain as good friends is that since he told her nothing about this when he saw her 'constantly' in London last October, things can never be quite the same. It would have been very difficult to tell her, but feels that perhaps he should have done, not because she was an 'intimate friend' - the only one of his friends he told, 'for special reasons', was Fry - but because Mrs Costelloe had been spreading rumours that she was in love with him. Perhaps this was true, and he should have realised, although he does not think he gave her reason to believe he was in love with her; it is possible that Mrs Costelloe has stirred up trouble, as 'she has a great influence over Miss D. G.' and he believes her 'really to be a bad woman, though with many good qualities'. Is going to see Palumbo's funeral start for Naples. Writes again in the evening, after writing at 'my cliff, the Cembrone [Cimbrone]'. Quotes from a letter from Tom Moore: Moore thinks he will 'make a good husband' but spoil all his children. Has received Bessie's next letter, but not the photographs. He can skate, but not very well. Does not think Buller's defeat will make much difference to British attitudes to the [Second Boer] war; discussion of the war; does not think it would be good if all of South Africa were governed by the Dutch, would not object to 'an independent Dutch South Africa if it were well governed, and the natives treated properly' which currently happens in the Cape but not in the Transvaal. Methuen and probably Buller are not equal to the people against them, but this does not mean the English have fought badly; however, she need not worry that he is 'becoming Jingo'. Sorry Bessie has missed Tonina [van Riemsdijk]'s violin; when one good enough becomes available, will get it for her. They must visit Ravello together; Madame asked if they would come here on their honeymoon, which they will have to discuss; she intends to keep the hotel for some years at least.
Monk's House, Rodmell, Lewes. - Returns Percy Lubbock ["Earlham", see 17/88] with thanks. Cannot make out why 'in spite of every appearance to the contrary' and Logan [Pearsall Smith?]'s recommendation, she thinks it 'a thoroughly bad book'. Percy is 'obviously intelligent, scrupulous [a long list of his virtues follows]' and his style is 'by no means despicable [another list of virtues follows]'. Suspects there is 'something hopelessly prosaic, timid, tepid, in his goal. The spirit of Earlham is undoubtedly the family butler'; detects a 'conspiracy to misrepresent the human soul in the interests of respectability and... of the defunct Henry James' and wonders why Percy, 'who is comparatively young' has ended it; it makes her 'long for glaring suburbs, brass bands - Brighton Piers'. Acknowledges she exaggerates, but it is strange how good and bad the book is; wonders whether 'Percy himself is corrupt'; has just met him. She and Leonard return to Richmond on Monday, and hopes Bob and Bessie will soon visit; wants to discuss his Aeschylus [translation of the "Oresteia"]; accepts his spelling of 'quire'. Would not 'yield to Logan. If he thinks "Earlham" a masterpiece, he is not to be trusted about the letter K'. Hopes Robert is writing a poem; is 'dipping into "Georgian Poetry [1920-] 1922"' [edited by Eddie Marsh] and getting 'bored to death with apple trees and acorns'. Notes in a postscript that she and 'Bertha Ruck' are now 'great friends' [Berta Ruck was offended by Virginia's near-use of her name on a tombstone in "Jacob's Room"]; 'Tom Gaze [a typing error for Tom Gage, another tombstone name?] turned out to be Lytton [Strachey]-Carrington'.
Brooks's, St. James's Street, S.W.1; 'as from' Dene House, Boar's Hill, Oxford. - Has enjoyed Bob's "Windfalls" very much: it is 'a really beautiful book, & a joy for ever... the pure essence of you'. Regrets that the edition is so small, and 'rather a waste of Desmond [MacCarthy]'s for once 'selling' notice!'. Disagreed only with Bob counting the sight of a tree-felling amongst his "Pleasures", and wonders how someone who can write about trees as Bob can could feel so; adds that crystals are also straight lines which appear in nature; further to Bob's comment that 'Milton's simile's never forget their illustrative purposes', he suggests that the comparison of the angelic phalanxes to a field of corn at the end of the fourth book of "Paradise Lost" does this when the doubts of the ploughman as to whether the sheaves might 'prove chaff' could 'imply in Gabriel a want of confidence in his troops'. Has just left Cambridge, and is going next Saturday to live for a while at the Boar's Hill address he gives. Notes in a postscript that he has not yet seen [Bob's translation of Virgil's "Eclogues and] Georgics" announced.
Letter of acceptance for the 1905 Apostles' dinner.
5 Raymond Buildings, Grays Inn. - Supposes it is Bob who has sent him the "Bride of D[ionysus]", and thanks him if so; had already got it and read it yesterday. Hopes he will 'live to see the opera'; thinks Bob has given Donald [Tovey] 'splendid chances'. Likes it a lot as a play, especially the last act, especially Ariadne's dream. Does not 'always follow [Bob's] vers libres', but blames his 'own stupidity'. Saw Bob the other day at D[onald]'s concert, but was in the middle of a row so couldn't get to him. They might meet at one of the other concerts, but the dates are not good for him; thinks he will be 'away with Winston [Churchill] in the yacht for most of them'. Asks Bob if he will write his poem 'Proud mayst though be...' ["For a Fan"] in the book which Marsh has started a collection of autograph poems. Hopes they will meet soon for a talk; has 'got lots of new pictures' since Bob was last here.,
Was 'surprised' to see the "Annual [of New Poetry]" described as edited by himself in the "Supplement" of this week's "Nation". This is a 'rather serious mistake': though Constable & Co. have been doing business with Trevelyan rather than all the contributors, that does not make him the editor, since contributors are free to send whatever they choose for publication, and his opinion as to who should contribute does not count more than the others'. The other contributors 'would have a perfect right to object very strongly' if they thought he was claiming to be editor, and if reviewers thought the book was his selection, 'as "G[eorgian] P[oetry]" was E.H.M [Edward Howard Marsh]'s', this could be 'disastrous both for the book and for [Trevelyan]'. Is worried in case the book might have been described elsewhere in the same way; thinks Kyllmann will agree that steps should be taken at once to stop this happening again. Asks for a correction to be put into the next number of the "Nation" if possible; would like to know if his name appeared as editor in the "Times" or elsewhere and whether the mistake could be put right if so.
Brooks's, St. James's Street, S.W.1. - Is 'most delighted' with Bob's Christmas present ["From the Shiffolds"], the poems are pure joy, in their mellow music & wisdom'. Particularly likes "Old Aeschylus" and sympathises with Bob's frame of mind [about modern poetry] except that he would not 'be so positive about the fault being in [himself]'; "An Age of Horses" is 'truly delicious'. Will not go on as they are 'all beautiful'. Mrs Stephen Gooden, 'wife of the great engraver' is 'compiling an anthology of cat poems', and Bob's "Pusska" should 'certainly appear'; has already made a copy and asks Bob if he may send it to her.
Veronica, Silverdale, nr Carnforth. - Thanks Bob for sending his "New Parsifal"; will get him to write his name in it when he comes north. Read it with much 'zest and enjoyment' as if he had never done so before; thinks it has all 'come quite fresh and delightful'. Sure it is 'first rate and... will last a long time'; eager to see what the reviewers say, as soon as Bob has a 'bundle of cuttings' he can spare'. The 'Chiswicks [Chiswick Press] have managed the cover very well'; the 'arrangement with Bickers' [printers and booksellers] sounds good, and will probably be 'more efficient' than Longmans or 'liitle [Charles Elkin?] Matthews'. Will remember all this for "Mrs Lear" [his forthcoming "King Lear's Wife"], but thinks he should try Heinemann first as Bob suggests. Thanks Bob for taking the trouble to see [Edward] Marsh and writing; will follow up this opening as soon as he can; unfortunately the typescript [of "King Lear's Wife"] is not yet ready, since he has had a 'few bed-days', and there is an 'Old-Man-of-the-Sea of a plumber here' who makes work 'impossible'. The house is ready to move into; they are going to Allithwaite on Friday, on to Well Knowe for a fortnight, then 'back here for ever. This is a 'damned place, full of old maids collecting for the provision of woollen comforters for deep sea fishermen'.; mentions the suggestion in the local directory that Silverdale is named after 'Soever', a 'hardy Norseman'. Promises Bob that 'Mrs Lear' will be his 'Lenten task', and to get the typescript to Marsh by Easter.
Had a letter from [John] Drinkwater three weeks ago, who said he had seen Bob, and also asked for the 'refusal' of 'Mrs Lear'; have therefore promised to send him a typescript too. Drinkwater sent his [play] "[Oliver] Cromwell....."; Bottomley at length replied he was 'on his side about King Oliver', but that Drinkwater should not 'write poetry like a partisan'. Ernest Newman was 'offensive and vulgar' about [Wagner's] "Parsifal"; loathed' him as Bob did. Wishes he could have seen the opera with Bob. As it has just gone out of copyright, has bought a cheap score; expected it to be 'good but vegetarian and flabby' so was glad to see it 'so much huger' than expected; thinks 'the Amfortas... more moving than anything else in Wagner'. Has got hold of a Bohn edition of the Grimm "Fairy Tales" 'just like' Bob's, and now he and his wife read them out loud in the evening. Very glad that Julian is better: 'suppressed influenza' seems to have been a great danger for children recently, and Lady A[lice] Egerton says her little niece almost died of it. Hopes Sir George is also better. Adds a postscript to say that the French musical review S. I. M. ["Société internationale de musique"] for 1 January has a 'good portrait' of R[alph] Vaughan Williams and a piece on "Les Post-Elgariens" by Marcel Boulestin.
Casa Boccaccio, Thursday. - Glad to hear that Trevelyan got home safe. Waterfield has not yet seen the Mothersills. Has not yet heard from Wilfrid [Gibson] but presumes he is married and gone to the Gallows. The Abercrombies start from home on Monday and go straight to Grange [over Sands] on Wednesday; Marsh has asked them to lunch but there may not be time. "La Julia Grassa" has not returned, for which they are grateful, the "real Julia is doing admirably for us". This trip to Italy seems to have been even better than the last [in 1911]: very kind of Waterfield to have them at Aulla; the drive from Fivizzano to Castlenuovo was "glorious"; they liked Lucca too but the "zanzare" [mosquitos] plagued them; excellence of the wine provided by Will [Arnold-Forster] at Montefiano. Cannot sufficiently express their gratitude to Trevelyan. Sends love to Trevelyan, his family, and the Bottomleys. His wife asks for the name and address of Grant Watson's mother-to-be at Grange, as they have a book to return.
Feels there should be a contract between him and the other contributors if he is to act on their behalf. Comments on: copyright; the title, which was 'arrived at by [Gordon] Bottomley, [Michael] Sadler' and Trevelyan himself; the price. Extended discussion on whether the publishers would be able to refuse republication of poems in other anthologies; Sadler is 'very jealous of G[eorgian] P[oetry]', and Trevelyan has had to make it clear that from the beginning of the scheme the poets were agreed that their plan 'should not prejudice G. P., and that [Eddie] Marsh should have the right of selection' from the "Annual". Marsh seemed to accept this, but said it should be made clear in correspondence, as [Otto] Kyllmann would 'take the strict publisher's view'. Trevelyan agrees that Marsh should ask leave, and the poets should have the right to refuse, but does not think Sadler should be able to do so 'unreasonably'; this would be a 'simple enough' matter if it were not for Sadler's 'jealousy... and his anger at losing "Mrs Lear" [Bottomley's play "King Lear's Wife"] for the "Annual"'; Marsh seems 'quite friendly' towards the "Annual" at present. Comments on proof and division of profits. Does not think they should let Sadler ask for money to republish. There are seven contributors, and [Lascelles Abercrombie?] is an associate, so the free copies provided should be in multiples of eight.
c/o Mrs Askew, Esplanade, Grange over Sands. - Glad Trevelyan will be in London on the 29th, the date of Abercrombie's reading at the P.B.S. [Poetry Bookshop]. Possible arrangements. Would have liked to see Moore, but Hampstead is rather far.
End House, Chiltern Road, Chesham Bois. - Was 'charming' of Trevelyan to send her his 'Christmas book of poems' ["From the Shiffolds"]; will 'put him next to "Aftermath" & "Leopardi"'. Wishes she could have included "Pusska" in her anthology ["The Poet's Cat"], but it 'went to the printers last September & has not been heard of since', though she had hoped it could come out for Christmas. If she can add a 'supplement', would like to have "Pusska" as well as the Tessimond poem ["Cats"] she has just found in the Bozman and Church "Everyman" anthology ["Poems of Our Time"]; if not they will 'certainly go in a 2nd edition'. Has indeed included "Pangur Ban" which, along with du Bellay's "Epitaphe d'un Chat' gave her the idea for the collection. Admires Trevelyan's translations: thinks he, Sir Eddie Marsh and Mrs Cornford are a 'wonderful trio'; much appreciates his "Leopardi", and as she does not speak Italian would 'never have known his strange melancholy' but for Trevelyan. Sends regards to Mrs Trevelyan if she still remembers her.
40 Well Walk, Hampstead, NW. - Is 'pleased and honoured' that Bob, [Gordon] Bottomley, [Lascelles] Abercrombie and [Wilfrid] Gibson want to include him in their scheme for a Poetry Annual; thinks such a publication is 'needed' and would be glad to contribute. However, does not understand some of the suggestions, and has 'doubts about the wisdom of others': thinks it would not be possible to have a 'non-poet editor' who can hold a poem over for the next year, as the same poem is unlikely to be available in two successive years; also asks if contributors would be restricted to publishing in the "Annual", as he thinks this would be impossible'. Thinks [Marsh's] "Georgian Poetry" did better than "New Numbers" as it was more catholic; would like the Annual to be 'even more so'. Thinks they should form a committee of between three and five poets to decide the price and size of the Annual on financial grounds then offer an equal number of pages to, say: [John] Masefield, [W. B.] Yeats, [Laurence] Binyon, Abercrombie, [W. H.] Davies, [Walter] de la Mare, [Ralph] Hodgson, Gibson, Bottomley, himself, Trevelyan, and another. For the next number, the committee should be the only ones with a right to a place. Any untaken pages should be offered to 'people like [Robert] Bridges and H.D. the best of the Imagists for opposite reasons'; discusses how extra pages should be allocated. Thinks it important to invite 'all well known men' like [Henry] Newbolt, Rudyard Kipling, [Thomas] Hardy and [Maurice] Hewlett, 'whatever one thinks of their work' though not every year; some would refuse but 'that is their fault'. Should also invite 'as many as possible from enemy cliques' and those who have been well reviewed. Profits should be shared out by page. The committee should not 'judge of merit', except in choice of contributors, which would 'insure much more variety and a wider circulation'. The book must not seem bulky, so recommends using the 'very beautiful thin papers' available now used for bibles and the classics. Would like to 'rule out [Robert] Frost from the first list as not being a British subject'; thinks he and other Americans could be allocated a few pages but 'never be on the committee'. Discusses possible role of the publisher.
Asks Bob if in March, April or May there is 'any quantity of fallen leaves under Olive trees', and what the correct adjective formed from 'Medusa' would be. Sends love to the Trevelyans. Offers in a postscript to take responsibility for the 'physical appearance' of the Annual for no payment. Twelve may be too large a number for the 'inner list' but well-known names outside their set should be included; Yeats would be 'safe' as he would never want much space; dividing profits by number of pages would give Abercrombie & Gibson and others 'with a tendancy to metrical diarrhea [sic]' a chance of getting as much money as by the other plan. Expects to be here on the 22nd and 23rd and will be glad to see Bob; cannot invite him to the house yet as the children are ill and they have 'servant troubles to boot'.
Hôtel Floresta, Taormina [headed notepaper]:- Will return to England at the end of the month: would like to join some friends - Marsh, Barran, and Childers - and possibly Charlie, who are going for a few days’ walking tour in Yorkshire. May stop a day or two at Rome, but does not mean to stay anywhere long. Was ‘very glad to learn that C[harlie] had been coopted’ - understands that he has not been elected ‘by a constituency. It shows that they must think a lot of him’. Met an ‘acquaintance’ of Charlie’s the other day, a Miss [Lena] Milman, who writes and translates Dostoevsky; she met Charlie at Lord Crewe’s, and ‘chiefly remembers him as an enthusiast for Jane Austen’. Supposes Georgie will be back [from Madeira] around the same time he returns, having been ‘further afield in this “grand terraqueous spectacle” [Wordsworth] than any of the family than Papa’, since he does not remember their mother having ‘ever ventured beyond Naples or Vienna’.
The Italians ‘have had a terrible disaster [the great defeat by the Ethiopians at Adwa] and there is some talk of the throne having received a dangerous jar’: it is too soon to tell, but certainly many Italians ‘especially in the North are republicans at heart’; Crispi [the Prime Minister] has resigned. Hopes ‘Uncle Sam will stick to his guns about Cuba. That will be so much better than having a senseless shindy with us’. Is ‘anxious’ to hear how the news sounds to her in England: ‘out here they are mere shadows of events, for it is only when history can be talked about and over hauled in conversation that it becomes real’.
The weather has not always been brilliant, though they ‘have not been siroccoed for a week on end again’; is finding it ‘very easy to catch a chill’, as nights can be cold and ‘there are no such things as fires’; still, it is easy to get rid of chills, and he is ‘keeping quite well’. Has discovered something ‘about Papist priests. They dispense with fasting when at an hotel, because table d’hôte does not provide them with a sufficiency of good fish and vegetables’. Also, they are ‘passing fond of Madeira’. Is ‘quite priest-ridden’, though the two in his hotel are ‘the only two of any intelligence and conversation’, and he is ‘deadly sick of watching “The fat and greasy citizens sweep in / To sate their sordid souls at table-d’hôte”’. This is a quotation from ‘a sonnet built out of quotations’ which he and Bertram ‘architected for the Westminster two years ago on the Wengen (?) Alp’.
5 Raymond Buildings, Gray's Inn WC1. - Asks Bob for a copy of his translation of Lucretius ["Lucretius on Death"], and also to send a copy to Mrs [Alberta?] Montgomery, Grey Abbey, Ireland; encloses payment for these. Notes that he sent a postal order for the "Pterodamozels" [see 19/48] but has not received his copy; asks whether the order arrived. The book 'sounded very jolly from the "Times".
Postmarked London W. C. - Thanks Bob for his letter; will tell Gordon [Bottomley] he is sure E[dmund] G[osse] would only be pleased to hear from him [15/284]. Wilfrid [Gibson] expects to hear from Lascelles [Abercrombie] about the "Annual [of New Poetry]", but nothing had come when Eddie left yesterday.
22 Willow Road, Hampstead. - Is glad Trevelyan is back: the Frys will be at the Carfax Gallery around 2.30 but it will be best for him to come round to dinner to see the house. Hopes he will be able to see Fry's show [at the Carfax]: Marsh and Lytton [Strachey, or Sir Neville Bulwer-Lytton?] have bought many things; hopes his friends do not think the show is 'a polite form of passing round the hat'. Greets Bessie. Is sad not to be near the Trevelyans: perhaps the Frys will persuade them to move to Hampstead.
5 Raymond Buildings, Gray's Inn WC1. - Asks Bob to send him a copy of "Pterodamozels"; payment originally included.
Greenway, Ledbury. - Had dinner with [Harold] Monro last night [corrected to 'week', with initials 'R.C.T.' who urged him to bring out a "Georgian Poetry" at Christmas as 'the market is quite healthy' and it should do well. His own circumstances having changed a great deal [a reference to Winston Churchill, whose Private Secretary he had been, leaving Government?], and he had practically decided what would go in a second anthology last year; is 'greatly inclined to do it'. Fears this would 'interfere badly' with Bob's "Annual [of New Poetry" as he would 'have to have Gordon [Bottomley]'s play ["King Lear's Wife"]'; Gordon wrote last week of his own accord saying that his offer held good, his letter the day after the dinner with Monro. Asks Bob if it would be a 'smashing blow' if he kept the play. Has not finally made up his mind, as he needs to look again at his planned list of contents, which is at home; returns there tomorrow. Has been staying a few days with Wilfrid Gibson, who is 'strongly in favour' of there being another "Georgian Poetry". Tells Bob in a postscript to reply to Raymond B[uilding]s.
Northampton House, Salisbury. - Thanks Trevelyan for his letter; afraid he has little material which could be possible contributions to the "Annual [of New Poetry", but will be home soon and will then look through what he has. "Modern Poetry" as a title sets out 'rather a large field', but a restrictive title would be no good; will let Trevelyan know if he thinks of anything. Thinks Trevelyan says that [Edward] Marsh was in favour of the project, but it 'does to some extent narrow the possibility of a 3rd "Georgian Poetry"'.
Is sending a copy of the agreement [with Constables for the publication of the "Annual of New Poetry"], which has not yet been signed; has had the advice of [Lascelles] Abercrombie and [Gordon] Bottomley during negotiations, but all the contributors must approve the contract before Trevelyan signs it. For convenience, the contract is between Trevelyan and Constables; there should strictly be another contract between Trevelyan and the contributors showing that he holds the copyright only in trust and receives profits for distribution, but Abercrombie and Bottomley advised this is not necessary; is quite willing to have one if any of the other contributors wish. Discusses points in the contract: the comment on Clause 8 that it 'will allow [Eddie Marsh's] "G[eorgian] P[oetry]' to have the poems after a year has been crossed through. Asks for Drinkwater's opinion of the contract; alterations are still possible, but they are 'anxious if possible to get the "Annual" started this Autumn'. Plenty of time to send an alternative contribution if he wishes.
Emmanuel College, Cambridge [Headed notepaper; address underlined and exclamation marks added]. - Glad Bob's '"Experience as a lawyer"' will allow him to visit next Sunday. Everyone is cheerful, 'flourishing on [their] old lines', but they 'expect "a sop"' such as Bob to be thrown them once a week: 'this week's sops were [Bertrand] Russell and his brother [Frank]'. Saw [Nathaniel] Wedd this morning for breakfast and a walk, who was 'quite all [George] had hoped or expected'. Has decided not to speak again at the Union, which is 'an inexpressible relief'. 'Great revolutions' here this term: there was 'a lady at MacT[aggart]'s "Wednesday evening" last week', and an exhibition [scholarship] has been started for history at Trinity; this is important as previously there have only been third year scholarships, which do not attract the best students; in the exams last May everyone in both years got thirds; the college have received a gift of two thousand pounds from Lord Derby. Inberg{??] has come up and is "flourishing"; [Frank?] Elliott is 'developing into the most delightful of fellows". Notes in postscript that he has 'found the kettle holder'; gives an account of the battle [of toy soldiers]; lists 'our table' as consisting of [Edward?] Marsh, [Maurice] Amos. [Ralph] Wedgwood, [Ralph] V[aughan]-Williams, [George] Moore, [Henry Graham] Dakyns, [Harry] Watkins, George himself, and his Harrow friend [Charles] Buxton.
1, Wellington Place, Tunbridge Wells:- Thanks his mother for her letter, which arrived yesterday. Is staying the night at Tunbridge Wells; his hosts [his aunt Anna Maria Philips and Sophie Wicksteed] are 'both in good spirits, and Sophie certainly not ill'. Is going for a few days next week to Failand near Bristol, the 'country house of Roger [Fry]'s family'. Will then go on to Welcombe, he thinks taking the places of the Webbs [Sidney and Beatrice, friends of his brother Charles?], 'for we have to wait our turn like aspirants for office'. Will be glad to get away from London, where he has been leading 'a miserable bus-riding rattle-of-bus-fretted existence since September'.
Thinks it will become a 'downright cruel winter' soon, as it is quickly getting colder 'after a long merciful delay'; if it does, London will be 'uninhabitable for a season, at least to work in', and he does not expect he will return. Will not come to his parents in Rome, as it 'would be absurd' not to see the sights which she 'describe[s] so temptingly' on his first visit, and this would 'not fall in with' his intention to work. Believes [Edward] Marsh is in Rome, or 'will be soon', since Robert 'just missed him in London'.
Will send the Pageant [magazine recently published by Ricketts and Shannon, see 46/38] if she likes, 'though there is much bad in it'. For him, its 'chief value' is that it has 'several old [D. G.] Rossettis and Mi[l]ais', as well as Rickett's Oedipus. Shannon's drawings have 'both been badly reproduced, and are by no means his best work'; in fact several contributors, such as Swinburne, Bridges, and Robert's friend [T.S.] Moore 'have not done themselves justice'. Does not know if his mother has 'ever tasted of Maeterlinck's strange vintage before'; he himself 'neither scoff[s] nor adore[s]' but the play in the Pageant is 'fairly typical' of him; thinks his poem, as well as Verlaine's, good. The Pageant should 'amuse [her] as decadent in an extreme though not particularly offensive form'.
The 'American affair is deplorable': fears it 'may lead to real trouble', though the general view in England, both among individuals and newspapers is that 'Jonathan will begin to see in a few days that he is making an exhibition of himself ['Uncle' is written before 'Jonathan' then crossed out: perhaps Robert Trevelyan confused 'Brother Jonathan', a representative figure of New England sometimes used to stand for the entire United States, with Uncle Sam - or was about to use the latter term then changed his mind]'. Glad she finds Italian politics interesting; he 'used to read the political articles in the Sera and Tribuna' to 'pick up a little of what was going on'.
Grimsby Farm, Long Lane, Coldash, Newbury. - Since, 'like Alice [in Wonderland]' he always takes 'a great interest in questions of eating and drinking', he is worried that Trevy is under-eating, unless risotto is 'very comprehensive and satisfying', like the dish described [in Aristophanes' "Ecclesiazusae/Assemblywomen" in a long compound word of which he quotes the beginning. Other than that Trevy seems to be having a 'perfect time', much better than he is himself. Wants very much to see Trevy's work; tells him to 'leave Paul as he is' [see 15/274] or just change the name so he will not recognise him; expects the book will be 'uncommon good'. Oswald [Sickert] nearly finished his book at Christmas, but did nothing more between then and Easter, as he was too busy with "Beautiful B[retain": published by the Werner Company]; he says a great deal work needs still to be done on it. [Stanley] Makower's book ["The Mirror of Music"] should be out soon after Easter. The 'great literary event' has been [Arthur] Verrall's "Euripides the Rationalist"; does not think he has ever read 'anything so clever'; will not say anything about it as it would spoil it, and it seems 'perfectly convincing'. Has been 'getting on very well with [Robert] Bridges': went with him to Oxford for a day last week; he seems 'the biggest man I've ever known anything of, perhaps equal with [William Gunion?] Rutherford'; cannot think of anyone else so 'thoroughly serious, thoroughly humorous, and thoroughly consistent', except perhaps Sickert who does not seem to be 'exactly "great" at present', though may be at forty. Bridges is bringing out an edition of Keats soon which will, for example see 'plain "Endymion" as an allegory". They went to the Bodleian, which is 'a delightful place'; Lady Shelley has recently given them 'a fine collection of Shelley MSS etc'. Roger [Fry] is coming to Yattendon soon after Easter, but unfortunately Marsh will have left by then. The 'great thing about Maeterlinck is the sound'; "L'Intruse" was a 'complete failure on the stage'; "Pelléas et Mélisande" 'delightful to listen to'; afraid the 'beautiful M. Lugné Poë' 'is gone for good, and won't come back, the theatre was so dreadfully empty' though the 'decent critics' were all in favour has not seen [William] Archer's articles, but Shaw 'praised the company highly' who has been in Fiesole, will soon go 'for a sail down the Adriatic', and return to England at the end of April. Asks if Trevy has seen the reports of Russell's brother [Frank]'s case; believes it will be settled on Tuesday week; thinks [Russell's wife] 'the Countess and her mother exposed themselves pretty fully'.
Heard from 'dear [Arthur] Shipley this morning, he's in solitary splendour at Cambridge'. Asks if Shipley is Trevy's 'idea of Horace', as he is Marsh's own, both physically and in character. Has also had a 'very gay letter from T. T. [Phelps?], furious' with Trevy for writing twice to Marsh and not to him. Has heard from 'the Seatollerites': George [Trevelyan] and [George] Moore both wrote last Sunday and the party seems to have been a success up to then. Has been 'working very hard' himself, but does not think he is getting on and worries about his Tripos [examinations]; the only reading he is doing apart from revision is de Quincey, of whom he is becoming 'very fond'. Thought the murder Trevy told him about at Wallington, '[William] Winter's murder [i.e., that committed by Winter]' was in "Murder as a Fine Art [de Quincey's "Murder Considered as one of the Fine Arts"]', but read that this morning and there is nothing about it there; asks where Trevy 'got all the details'.
Grimsby Farm, Long Lane, Coldash, Newbury. - Hopes Trevy has received the letter he wrote to Naples, otherwise he will think Marsh 'rather a beast'. Glad Corpo di Cava was not snowed under, since it has turned out to be 'so delightful'; he himself would have 'preferred Capri for the sake of Tiberius' [see 15/318]. Has just got away from London and finished his first day of work here; his 'flesh crept to such a degree' when he woke on Monday night and started to think about his tripos [examinations] that it 'must have moved on about an inch all round'. Stayed in London a little longer than he should have done because of a 'superior French company' who performed [Ibsen's] "Rosmersholm" and "Master Builder" and a play by Maeterlinck under the direction of M. [Aurélien-François-Marie] Lugné -Poé who 'seems to be a descendant of Edgar Poe'. He is 'a very beautiful man with a pale face & black hair', and reminds Marsh of a 'portrait of some poet', perhaps Poe himself; he 'acts very respectably' and played the Master Builder as 'an American with a straggling beard & a drunken complexion' and 'quite revolutionized' Marsh's idea of the part, since 'the rather vulgar arrogant manner he put on in certain parts' made the character seem more consistent than 'the suavity of Lewis Waller'. Asks if Trevy has ever read Maeterlinck, as it is 'useless to try and explain what he's like' if not; in the 'mixture of great simplicity with an entire rejection of realism' he thinks it goes back to 'the Burne Jones & Morris kind of thing'. Sat next to William Archer, who was 'very nice' to him. Saw many friends at the Ibsen plays: [Erskine] Childers, Crompton [Llewelyn Davies], Gerald Duckworth, J[ohn] Waldegrave, 'the Babe' [William Haynes Smith?] etc. Thinks the Independent Theatre must be 'the worst managed concern in the world': the performances usually begin late 'after the curtain has gone up two or three times, to encourage the audience. You're never safe from the irruption of a cat in the most moving scenes', the actors miss their cues, or the curtain does not go down at the end of the act. The man who is called the Acting Manager [Charles Hoppe] is 'the greatest crook [he] ever met with in a responsible position', who seems unable to sell tickets without asking for assistance and did not even know how many acts there were in "Rosmersholm". Marsh took the Verralls to that play; comments on Arthur Verrall's reaction to theatre: 'he never is, or lays himself out to be, in the least moved by a play' but responds to 'the cleverness or stupidity with which it is written'.
Very glad that George [Trevelyan] got his scholarship, though there was no doubt he and Buxton would; 'very hard luck on [Ralph] Wedgwood. Went to see [Charles] Sanger yesterday in his new rooms at Hare Court. No-one has heard 'anything of [Bertrand] Russell for some time'. Only saw Oswald [Sickert], who had influenza, not serious, once; he has just got 'free from the Werner Company, which has used up the Beauties of Britain, & gone on to Paris [ie, finished publishing "Beautiful Britain]'; hopes he will have time for his novel now. [Maurice] Baring took Marsh to supper with Edmund Gosse on Sunday: a 'most amusing man', whose conversation is 'described in Stevenson's essay on conversation ["Talk and Talkers"] under the name of Purcell. He was in the teakettle mood'. Met [Henry] Harland, the editor of the "Yellow Book" there; thought him 'an awful little man', but 'on getting accustomed to his manner' next day he thought him 'like-able on the whole'. Hopes to go to supper next Sunday with 'the even more distinguished [Robert] Bridges', though he has not read his recent works so 'feels rather ill-equipped'. Met John Davidson briefly recently; he 'seemed a genial and light hearted little man, with a nice Scotch accent'.
86 Walton St, S.W.3. - Thanks Bob for his "Translations [from Latin Poetry]"; thinks Bob's "Michael Angelo" is 'very fine', as is "The Setting of the Moon'; thinks he likes the Propertius best of the translations, and 'Ovid comes off very well'. Remembers Bob's 'retraction' in Eddie's favour of his 'dictum that the Odes were untranslatable', and wishes he could say Bob had changed his own mind about Catullus; afraid he still thinks him 'quite uncapturable', though Bob's "Sirmio" [Catullus 31] is 'charming'. Is 'rather baffled' by Bob's Lucretian hexameters: he seems to 'have coquetted rather half-heartedly with [Robert] Bridges' "Quantities"'. Tiberianus must be an 'enchanting poet'; had never heard of him before. Is sending Bob a 'little book' he 'brought out under duress' the year before last ["Minima", see 15/316], which is 'beautifully produced, but far too expensive'; has just 'salvaged a few copies of the huge "remainder" to give away'. Is proud of his Milton imitations, but the 'rest are nugatory'.
Holly Lodge, Richmond Park, S.W. - Does not think he would be able to come to Wallington, as he has to go Scotland a few days earlier than he intended to at first. Yesterday was 'delightful': it poured with rain so he read 'all day without stopping': '"Vita Nuova", [Brooke Foss?] Westcott, Montaigne, "Sir Charles Grandison" and the life of F. W. Robertson'. Asks whether Bob has read the last: it is worth it for Robertson's letters; 'the life part, by Stopford Brooke' is 'quite well done'. Got an 1818 edition of Montaigne in five volumes at his mother's shop, 'not so nice in some was as Quaritchs', but still very nice' and is reading it with 'delight'; also got Leighton's Rabelais, which 'gave great satisfaction'. He and [Desmond] MacCarthy went to see the "Sign of the Cross" on Saturday; found it 'much more amusing than the Alhambra', which he thinks 'dealt the final blow to [his] curiosity about Music Halls'. Asks 'Am I not saucy?... (this is all exactly in the style of Harriet Byron [in "Sir Charles Grandison"]. His mother says 'she is as well as she ever was', and does seem to be, but she has also agreed 'to take care of herself' so he hopes 'all will be well'.