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Add. MS a/232/14 · Item · 1920-21
Parte de Additional Manuscripts a

Six letters between Leggatt Brothers of London and John Burnaby from 1922, two letters from C. Gerald Agnew to A. S. F. Gow dated 1926, a report to Council from Gow dated May 25, 1929 enclosing letters from Morland Agnew, C. Gerald Agnew, A. Dyer of William Dyer & Sons, and R. Langton Douglas, with two further letters from Morland Agnew and A. Daniel dated July 1929. Accompanied by a sheet of information about the portrait.

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Letter from Lady Alicia Gordon to the Master of Trinity
O./11a.2/27 · Item · 6 Jan. 1845
Parte de Manuscripts in Wren Class O

Forwards a copy of a codicil to the will of Princess Sophia Matilda of Gloucester, leaving the Reynolds painting of her late brother William Frederick, Duke of Gloucester, as a boy to Trinity College, and asks how the Executors should proceed.

Letter from Lady Alicia Gordon to the Master of Trinity
O./11a.2/28 · Item · 21 Jan. [1845]
Parte de Manuscripts in Wren Class O

The Joshua Reynolds painting of William Frederick, Duke of Gloucester, left in a codicil to the will of Princess Sophia Matilda of Gloucester, to Trinity College, has been carefully packed and will leave London this day for Cambridge 'by Swan's Waggon'. Also being sent to Trinity is a 'Tin Box containing Papers & Correspondence of the late Duke of Gloucester & Edinburgh...'.

Letter from Lady Alicia Gordon to the Master of Trinity
O./11a.2/29 · Item · 8 Feb. 1945
Parte de Manuscripts in Wren Class O

Expresses the desire of the Executors that the Joshua Reynolds painting of William Frederick, Duke of Gloucester bequeathed to Trinity in a codicil to the will of Princess Sophia Matilda of Gloucester should hang in the Hall of the college, as Princess Sophia Matilda wished.

Add. MS a/232/5 · Item · 15 Oct. 1866
Parte de Additional Manuscripts a

Quotes from the will of Princess Sophia Matilda of Gloucester in which she bequeaths the portrait of her brother Prince William Frederick by Sir Joshua Reynolds to be hung in the Hall. Also makes a reference to the portrait of Coke being held by Rowe until orders were given regarding it.