Postmarked Mainz. - Has just played through some of Act I and Act II [of "The Bride of Dionysus"] for Herr Geheimrat [Strecker], who 'has none of the doubts he had a year ago' and thinks that they should risk five acts due to the contrast in atmosphere between the prison and Labyrinth scenes. Is feeling 'more encouraged' than he has for some time, and feels that if he can get the instrumentation of the duet right he will be 'out of the wood'. Asks for permission for an omission and an insertion. Has recently realised the necessity of making an emotional point of the words 'Against my bridal day'.
Contains: "Poetry in Wartime America" by John Holmes; poem, "Crocuses", by Celia Lanyon Lanyon; poem, "Man-Woman, You and I", by Christmas Humphreys; poem, "To Memory", by Geoffrey Bosanquet; "From a London Diary" by S. S. [Sylvia Sprigge]; poem, "First Light", by Ida Procter.
Meeting No.38
Agenda, Minutes.
Meeting No.39, 24 April 1963.
Minutes.
Meeting No.40, 23 July 1963.
Minutes.
Itchenstoke - RCT apologises for his unceremonious leavetaking at Trinity Lodge last week, but he felt he should make room for late comers. He has been informed by the Bishop of Oxford, 'a few days since, of the purpose of Government to issue such a Commission [into the universities] as you have alluded to. Indeed he spoke of it, & apparently with knowledge, as already issued. He did not think that Ministers had any purpose of again attempting to compel the universities to admit Dissenters - but that the expressed purpose of the commission would be to enquire whether the universities could not be made, as regarded the members of the Church, more adequate to the needs of the present time. I am not aware whether the Bishop knew who the members of the commission were or would be. He only stated that no one concerned with the University Education would have any place on it - & that it would contain a good number of sufficiently unfriendly names'.
Extensive notes and calculations, some in ten bundles as kept by Thomson, others as loose pages.
Feverish illness of Henry Bickersteth, prescription for a child with a thorn in its eye: Kirkby Lonsdale
Incomplete.
Thanks WW for sending him the Supplement [probably 'The Influence of the History of Science upon Intelectual Education', 1854]: 'I find myself deep in Ethics and Metaphysics I feel as if I had got back into my youth - for many years are gone since I read anything in that line'. He is pleased to hear that Cordelia Whewell's health is improving.
George Green and EB are grateful to WW for all his help with the printing and distribution of GG's memoir. Sends WW another memoir to WW by GG: 'the Cambridge Transactions ought to lead all others in mathematics. I am convinced that the want of them is deemed an affectation - You are right about practical analysis - the age of the Warings, the Quixotic Chivalry of science is gone for ever'. George Peacock's algebra - '(to use a comparison) he still begins the Differential Calculus from Velocities'. Richard Jones 'is certainly a very able man - his idea of the labouring Classes gradually coming under the domain of Capitalists, is striking and true'. The 'moral machinery' of industrialisation 'has not kept pace with the population'. WW's Bridgewater Treatise 'is very striking - It certainly places the whole affair on a new and solid foundation'. For EB 'the Belief of a Deity from a view of nature is a matter of impression - what brings direct conviction to my own mind would appear absurd to another, and I never could announce it without hesitating'.
In bed with flu.
Maura, Dean Park Road, Bournemouth. Dated 21 March, 1896 - Congratulates him on his engagement; assures him there has been no coldness this term or ever, he has been busy: his brother Arthur died in December and he has been caught up in matters of his estate, and that of his father-in-law [Francis Vansittart Thornton], who died nearly a year ago.
Written from Rome.
Has abstained from taking any part in the town and gown disturbance, two Fellow Commoners of Trinity injured by police and Bruce of Jesus is dangerously ill in town
Patras - Has travelled through Greece with his Pausanias at his side; notes that the spring Aganippe no longer gushes from the wall near the ancient monastery.
Is a sculptor, and went to 'Amadeus' as another night out, but found it profoundly illuminated her own experience as an artist constantly tangled by the labyrinths of administrators, and the power games played, particularly towards her as a woman: 'Salieri, so skilfully highlighted upon that stage, underlined just why power games are so serious to the players'; she left the theatre with 'eight years of social ambiguity and frustration ... succinctly brought into focus'.