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EDDN/B/3/12 · Stuk · [1938?]
Part of Papers of Sir Arthur Eddington

§ 1. Relation between quantum theory and relativity theory.
§ 2. The standard of length.
§ 3. The two ways of representing energy.
§ 4. Representation of energy by curvature.
§ 5. Representation of energy by waves.
§ 6. Wave analysis of the uranoid.
§ 7. The specified particles.
§ 8. Determination of m/m0.
§ 9. Degeneracy pressure.
§ 10. The cosmical constants.
§ 11. The relation E/V=3P.
§ 12. The time-periodicity of wave functions.
§ 13. Nuclear physics.

(This appears to be the English original of a paper given by Eddington at Warsaw in 1938 and printed as ‘Applications cosmologiques de la théorie des quanta’ in Les nouvelles théories de la physique (Institut International de Coopération Intellectuelle, Paris, 1939).)

Add. MS b/74/14/12 · Stuk · 3 June 1885
Part of Additional Manuscripts b

(Cambridge.)—Discusses the word ‘Cipres’.

(Undated. Postmarked at Cambridge on 3 June 1885.)

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Transcript

Cipres {1}: I read a few notes on it lately, & tried to make it = crespe. On the whole, I failed. I now conclude, with you, that it means “stuff of Cyprus”. The best is, it is far older than you (or I) have said. For it is in P. Plowman all the while! see the glossary: where Tartarina = stuff of Tartary. The line in P. Pl. is not in Wright’s edition.

N.B. I do not think I have brought you an extra copy of last part of P. Pl. yet. But I will do so {2}.

Yrs
W W Skeat

[Direction:] W. Aldis Wright Esq: | Trinity College | Cambridge

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Postmarked at Cambridge on 3 July 1885.

{1} Cf. Twelfth Night, III. i. 123.

{2} This may be Trinity College Library, 208.c.88.123, vol. 2.

EPST/F/3/12 · Bestanddeel · 1983–1984
Part of Papers of Sir Anthony Epstein

Thompson, J. L., Epstein, M. A., Achong, B. G., & Chen, J. J. (1983). A culture method giving substantial yields of normal nasopharyngeal epithelial cells for work with Epstein-Barr virus. Journal of Virological Methods, 6(6), 319–328.

TRER/9/12 · Stuk · [20? Nov 1899]
Part of Papers of Robert Calverley Trevelyan and Elizabeth Trevelyan

10 Prinsegracht, The Hague. - Addresses Bob as 'Dearest'. Has been re-reading the Plato they read this morning and now understands it much more; wishes he were here to discuss it; seems very strange him not being here for dinner yet when he was here continually it seemed 'so unreal'. Hopes he will have a good time in Brussels. Has been out for a walk in the rain with her aunt, spent a 'tedious hour at the dressmaker'. Sets the letter aside for dinner, but returns to send Bob 'a most spiritual kiss', telling him to dream of her. Continues the letter the following day, saying she has forwarded a postcard to him, and looked for a 'suitable frame' for his portrait; the shopkeeper admired the portrait greatly, being 'particularly struck' by Bob's eyes. Has had her hair washed and it is now drying; soon 'the wonderful Lorelei' will sit on her rock (the little stool by the fire) and comb her hair, thinking of how just seven days ago she and Bob declared their love to each other. Teases him by saying that since he has gone to seek 'distractions in foreign countries... poor Loreley is left to pull out her hair in despair... [and] is approaching baldness'. Returns to finish the letter in the evening; asks if Bob has written to his mother or if he is waiting till he hears again. Her 'abilities as a housekeeper' would have impressed him if he had seen her folding the clean sheets with the new housemaid; this is one of the 'very few things' she can do in that line.

Envelope labelled with contents by Trevelyan: 'Early drafts of Quern songs in Mallow and Asphodel; [early drafts of] Polyphemus; Sketches of Ariadne libretto for Emmanuel Moore [sic] 1898-9; Sketches of Epimetheus (Mallow & A)".

One small sheet, one larger bifolium plus single sheet, with drafts of "Neobulé" [from "Mallow and Asphodel"] with additions/corrections in pencil; some on the bifolium may be in another hand. Twelve sheets with drafts from "Epimetheus", plus two sheets of verse in the same metre but not appearing in the published text. Four pages from the seventh volume of the 1868 Tauchnitz edition of Shakespeare's works, with draft verse in pencil by Trevelyan around the printed text. Four bifolia and one single sheet with draft of dialogue between Theseus, Aegeus and Medea. Two sheets with drafts from "Polyphemus". Five bifolia and two single sheets with drafts of "Songs of Trojan captives grinding at a quern in the palace of Menelaus". One bifolium with drafts from both "Quern Songs" and "Archilochus on a Lemnian Trireme".

Prose note on 'religious and aesthetic emotions'. Verse, 'This love disease is a delicious/delightful trouble'. Translations by Trevelyan of the "Homeric Hymn to Demeter", fragments from tragedies by Sophocles, Euripides, and Aeschylus, an extract from Virgil ["Aeneid"] Book VI, Leopardi's "To his Lady" and "Canticle of the Wild Cock", Simonides 37, an extract from [Homer's] "Iliad" Book 24. Draft essay on aging and desire. Notes, in the style of Trevelyan's "Simple Pleasures". Autobiographical piece about a reading party at Blackgang Chine almost fifty years ago, with Cambridge friends such as Lytton Strachey, Roger Fry, Desmond MacCarthy and George Moore. Draft of "On Inspiration", published in "Windfalls". Translations of Catullus 2, 7, 12, and 50, Tibullus I.1, and Montaigne III.11 and III.6. Dialogue between 'Child' and 'Father'. Note on Saint Augustine's "Confessions". List of contents for the 1948 "From the Shiffolds" pamphlet. Notes for topic 'What does England mean to me?' and on old age.

Notebook used from other end in: list of books including [Beerbohm's] "Zuleika Dobson" and Ransome's "Great Northern?". Draft letter regarding the [re?] printing of Trevelyan's "Collected Works". Passage headed 'p. 15'; since this is followed by a review of Judson's "Life of Spenser", it may be an extract from that book. List of titles of essays, prefaces for translations, biographical pieces (Donald Tovey and C[lifford] A[llen], etc; perhaps future projects for Trevelyan. Draft piece on poets and poetry. Dialogue on the subject of translating poetry; piece "On Translating Greek Poetry", with notes on individual authors and quotations of passages. Pieces on translating Lucretius and the Greek Anthology; notes on translating Homer and Catullus; observations on a 'friendly critic' pointing out that 'too many' of Trevelyan's poems and essays begin with a scene of someone, usually the poet, 'walking meditatively in a wood' or lying beneath a tree. Translation of Tibullus III.19. Draft essay on Trevelyan's feelings about spiders, insects and other small creatures, and snakes; includes mention of a 'great philosopher' [Bertrand Russell or G. E. Moore?] disliking ants immensely.