First line: ‘Fine Women are delicate things’.
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Transcript
A Dialogue between two Brothers
Fine Women are delicate things
The Comfort and Joy of Man’s Life
Companions for Nobles and Kings,
Then who would but have a good Wife
Brother Billy O what do you mean?
Are not Women the Authors of Strife,
Many desperate Snares have I seen.
Then who would be plagu’d with a Wife?
When a Man’s incumber’d with Care
She’ll help for to Nourish his Life:
And part of the Burthen she’ll bear.
Then who would but have a good Wife
But they’ll plunder my silver and Gold
And ramble abroad to the life
Besides they are give to Scold,
Then who would be plagued with a Wife
Oh! why do you covet your wealth
It will bring you to sorrow and Strife
When you came of a Woman yourself
Then why should you hate a good Wife
I hate not a Woman he cryed
But O the sad Name of a Wife
I cannot endured† to be tyed
To Sorrow all Days of my life
Besides they have flattering tongues
They’ll Cousin a Man out of his Life
Ah! and Cuckold us when we are young
The[n] who would be plagued with a Wife
‘Nihil agendum quod actum nollemus novissime.’ Dated at Leiden.
The sketch is captioned ‘This is what is called the “Groom”’.
Acknowledges the receipt of forty guineas for the copyright of a poem (by Philips) entitled Cyder, in two books. A memorandum by Tonson dated the same day records that ‘Mr Phillips is to have ten Guineas more upon a Second Edition’.
Information on most of the seniors added in MS notes beside the pasted-in sheet. 'The Master' is written, rather than Thompson's proper name.
Probably a commercially-produced print. Captioned below by hand, ‘South Side I. | Evangelists & Teachers.’
Of a similar date to the photograph on f. 2r.
(Dated ‘[th]e Aug Fridy 1875’ (sic) and postmarked 21 Aug. Docketed ‘Aug[u]st [th]e 18–75’.)
‘Thiologi, non Theologi, quorum sensa, verba et facta ὁ τοῦ Θεοῦ λόγος per fidem inhabitans vivaci influxu non animat.’ Dated at Amsterdam. Numbered 79.
The sketch is captioned ‘A certain specific against quaking flopping snoring smelling & all other canine diseases’.
(Dated ‘March [th]e 1753 [sic] | Wendsday Night 9 cClock’. Two messages, the second of which was added as a postcript.)
Acknowledges that Jacob and Richard Tonson are entitled to one moiety of the copyrights of Dr Parnell’s Poems and a play called Chit-Chat, by Killigrew, which have previously been printed with Lintot’s name alone as proprietor; and promises that the Tonsons' names will appear as proprietors in future editions. ‘The Battle of the Frogs and Mice’ he claims as entirely his own, except when it is printed with the rest of Parnell’s Poems.
The sketch is captioned ‘The Brigands who attacked Tyndall & Huxley at Langdale.’
‘In foraminis Petræ quiesco.’ Dated at Nuremberg.
(For the identity of the author see W. C. Newsam and J. Holland, The Poets of Yorkshire (1845), pp. 121–2.)
The sketch is captioned ‘Singular amusement of a certain learned professor.’
(Dated ‘March [th]e 1753 [sic] | Wendsday Night 9 cClock’. Two messages, the second of which was added as a postcript.)
A model of this balloon was exhibited by Luntley at the Great Exhibition of 1851 (see the Official Descriptive and Illustrated Catalogue, ii. 435: Class 10, No. 237). This print has no caption, but the copy in the Library of Congress is captioned ‘ROTARY BALLOON. Model exhibited in Class X, No. 137 [sic]. By J. Luntley.’
Re money going missing from a letter sent by Ann Sutton, a woman in Rising's service.