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SHAF/B/16/2/1 · Stuk · [1981]
Part of Papers of Sir Peter Shaffer

Photocopies of articles relating to the scholarly argument concerning the circumstances of Tchaikovsky's death: an article in the New York Times by Donal Henahan ("Did Tchaikovsky Really Commit Suicide?"), articles in High Fidelity by Joel Spiegelman ("The Trial, Condemnation, and Death of Tchaikovsky"), and Nina Berberova ("Tchaikovsky's 'Suicide' Reconsidered: A Rebuttal"), including a typescript letter to the editor of by Spiegelman and accompanied by a typescript "Table of Comparison between Stories by Dr Lev B. Bertenson and Modeste I. Tchaikovsky regarding the illness and death of P. I. Tchaikovsky," and a copy of a translation of a letter, "On Tchaikovsky's death" from Alexandra Orlova, and her article in Music & Letters ("Tchaikovsky: the Last Chapter").

First draft, "Italian play"
SHAF/B/17/2/1 · Stuk · [20th cent.]
Part of Papers of Sir Peter Shaffer

Typescript draft revised in Shaffer's hand accompanied by a folder identifying it as the first draft; folder has a draft of a scene written on the front.

Follower Magazine
SHAF/B/18/1/1 · Stuk · Mar. 1950
Part of Papers of Sir Peter Shaffer

Volume One and Only, edited by Anthony Shaffer. Featuring two articles by Peter: "Trick Photography or the Real Thing?, signed 'Levine'" and "Catastrophozzi Castle by Mrs. Bannister, digested by Peter Shaffer". Accompanied by typescript carbon of "Catastrophozzi Castle" article.

Letter from Irene Handl
SHAF/B/7/1 · Stuk · 29 Dec. 1967
Part of Papers of Sir Peter Shaffer

Is very sorry not to be able to play Miss Furnival and Baroness Lemberg, reluctantly returns his scripts, as she finds they tend to be in short supply.

Letter from Brenda Dumaresq
SHAF/A/1/J/1 · Stuk · [24 Dec. 1947]
Part of Papers of Sir Peter Shaffer

Hopes he is not bored at Westgate; was 'picked up' by a man in London on her way to St Ives, describes people on the train, and bohemian types in St Ives itself.

SHAF/B/1/1 · Stuk · July 2002
Part of Papers of Sir Peter Shaffer

In a letter from Peter to Johnson he explains that he wrote 'The Woman In the Wardrobe' under a pseudonym because he and Anthony [Shaffer] wanted to write two more together under that name; provides a riddle to guess the pseudonym they used. This is accompanied by fax transmission sheet. The reply from Johnson apologises for misattributing 'The Woman in the Wardrobe' to Anthony Shaffer, and for getting the type of work wrong: a detective novel and not a play, and notes that Shaffer has not revealed what happened at the end, prolonging his 'agony'; thanks him for kind remarks about his column.

SHAF/B/6/2/1 · Stuk · 1965-c 1970
Part of Papers of Sir Peter Shaffer

Typescript pages with many revisions throughout beginning with a preliminary playscript lacking the opening of the play with unnumbered pages, with an envelope labelled and signed by Shaffer, "Black Comedy Original Manuscript 1965." The typescript is accompanied by more incomplete playscript pages, with edits for typed or published versions, and an alternative ending for theatres lacking a trap-door. Includes one sheet of a "Note" to appear at the front of the playscript for 'The White Liars.'