Item 115 - Letter from Venetia Stanley to Edwin Montagu

Identity area

Reference code

MONT II/A/1/115

Title

Letter from Venetia Stanley to Edwin Montagu

Date(s)

  • 30 Apr. 1915 (Creation)

Level of description

Item

Extent and medium

2 folded sheets

Context area

Name of creator

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

In the train (from London to Alderley).—Is travelling with the Prime Minister, who is more cheerful now, but she does not think the party will be a success. Discusses Montagu’s behaviour and feelings towards her, and reflects on the prospects of their future together. Discusses arrangements for meeting.

—————

Transcript

April 30th 1915. In train {1}.

Darling I wish I felt the faintest inspiration, but this infernal train shakes so that I find it impossible to concentrate either my mind or my pen. Opposite me sits the P.M in a more cheerful frame of mind I think, but I’ve a feeling in my bones that this party isnt going to be a success, I feel I shall quarrel with Bongie, be odious to the P.M, & have to avoid Violets questions, if she bothers to ask them. Why were you so transparent? Diana & I settled last night that “if & when” we were ever engaged we would never, once it was announced, go out together, because one can so easily see how supremely ridiculous it makes people. I dont know what is the right attitude to adopt. What do you think? I saw Katharine this morning & she asked me if we’d had a good drive as she thought you were preparing to be rather crusty to me. So you were werent you, but we had great fun in spite of it. I think she was quite right to tell you that I was “queer”. I’m sure I am! & if we keep our minds fixed on that we shall be quite all right. But please darling dont be too ready at once to think that because I dont see you every day, & can contemplate going to Boulogne, that I dont any longer like you. I’ve told you over & over again that I’m no fun to be in love with, that my supply of emotion is a thin & meagre one, but such as it is, had in quantity & quality its yours.

And you mustnt always be examining it under a microscope or subjecting it to severe tests because it wont stand it!

We can have such fun together and are & I’m sure could be so really happy, & if that cant be made a good basis for marriage I dont know that I shall ever find a better. We’ve both I’m bound to say always put ourselves before the other in the most unprepossessing terms. You take every opportunity of telling me that nothing that I want will ever make you alter your mode of life, & I am always impressing on you the fact that I’m completely & cold bloodedly detached from all interest in my own life. It doesnt sound good on paper. And yet I’m simply longing for you to be here, & miss you horribly. Its again such a lovely day & we should have been so happy. I was an idiot not to make you come, & to risk you being cross with me because I talked too much to the P.M, & his thinking I was spending more time than I need with you.

Winston was much touched at yr letter, I’m glad you wrote. God how bored I feel, how glorious one’s life ought to be & how bloody it is. But I was happy yesterday thank you so much.

Lets have a Diana Raymond party on Friday {2}, arrange this with Diana, & I’ll dine with you Tuesday either alone or go to the Tree play {3}. But Friday we’ll have a buffy. I hope this isnt a horrible letter. I’m never sure.

Love
Venetia

—————

Letter-head of 8 Little College Street, Westminster, the home of Francis and Barbara McLaren, where Venetia had been staying.

{1} Venetia and the Prime Minister were travelling from London to Alderley for the weekend. Cf. H. H. Asquith: Letters to Venetia Stanley, p. 562.

{2} 7 May.

{3} The Right to Kill, a melodrama adapted from the French by Gilbert Cannan and Frances Keyzer, produced by Sir Herbert Tree at His Majesty’s Theatre on 4 May. Tree also took one of the leading parts. There appears to have only been one performance.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

Language of material

Script of material

Language and script notes

Physical characteristics and technical requirements

Finding aids

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Publication note

Partly printed in H. H. Asquith: Letters to Venetia Stanley, p. 579.

Notes area

Alternative identifier(s)

Access points

Subject access points

Place access points

Genre access points

Description control area

Description identifier

Institution identifier

Rules and/or conventions used

Status

Level of detail

Dates of creation revision deletion

Language(s)

Script(s)

Sources

Accession area