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Marked on the back, ‘P. Clare | Aug. 14-16, 1888’.

A colour print of a painting by D. Warren. Below the illustration are the words ‘In proud and loving memory of’, in capitals, followed by a blank space. Copyright by Landeker & Brown Ltd, London, E.C.2.

From a drawing. Captioned, in capitals, ‘Clergy School : Cambridge :’ and ‘Grayson & Ould Architects | Liverpool : June : 1898 :'.

Only the top half is present. For a complete example see the copy inserted after f. 23.

The name and address of the photographers, ‘Elliott & Fry’, ‘55, Baker Street, W’, are printed on the mount, and between them is written ‘R. Appleton, Septbr. 1892.’ The name of the photographers also appears on the back of the mount, with an indistinct number in pencil.

Perhaps the photograph shows Richard Appleton in his rooms at Trinity, but the subject and the location of the room have not been identified.

The photograph shows a small boy, probably in a studio setting, sitting on an ornate chair with a small open cardboard box beside him. The name of the publishers, ‘E Day & Son Bournemouth’, is written on the mount. Since the firm did not acquire this name till 1873, the boy cannot be Richard Appleton.

The name and addresses of the publishers, ‘Barrauds Limited, 263, Oxford St., London, & 92, Bold St., Liverpool’, are printed on the mount.

There is no date in the booklet, but the book referred to, which was published in 1897, is described in the heading as ‘now ready’.

The letter includes a photograph of the interior of the church, and is subscribed by J. Gilbert Dixon, vicar, and Arthur Barrett and Arthur Rutter, churchwardens. At the foot has been added by hand, ‘Upwards of of £50 have already been subscribed’.

The heading is, in capitals, ‘The Stained Glass of the Great West Window, King’s College Chapel, Cambridge, by John R. Clayton and Alfred Bell.’

Probably a commercially-produced print. Captioned below by hand, ‘North Side VIII. | Worthies of Trinity College.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘South Side VII. | Worthies of the College.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘North Side VII. | University & College Worthies.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘North Side VI. | Founders & Benefactors of the University & College.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘South Side VI. | The English Reformation.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘North Side V. | English Ecclesiastical Life before the Reformation.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘South Side V. | English National Life before the Reformation.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘North Side IV. | Latin Christianity.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘South Side IV. | The Anglo-Saxon Church.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘North Side III. | The Western Church.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘South Side III. | The Eastern Church.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘North Side II. | The Ante-Nicene Church.’

Of a similar date to the photograph on f. 2r.

Probably a commercially-produced print. Captioned below by hand, ‘South Side II. | The Church of the First Days.’

Of a similar date to the photograph on f. 2r.