Item 47 - Letter from R. C. Trevelyan to Caroline Trevelyan

Identity area

Reference code

TRER/46/47

Title

Letter from R. C. Trevelyan to Caroline Trevelyan

Date(s)

  • 16 Mar 1895 (Creation)

Level of description

Item

Extent and medium

1 item

Context area

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

Hotel Bristol, Corso Vittorio Emanuele, Naples:- Has spent a day in Naples and is now going to Capri for a while; [Corpo di] Cava ‘seems a little risky at present, as the weather is exceptionally backward this year’, but he will probably go on there if it becomes hotter. She can send letters to the Hotel Bristol for the time being, as he is unsure exactly where he will be staying. Has not seen Pompeii, or been up Vesuvius, having ‘limited… sight-seeing to the Museum’, where he spent most of today. Will ‘keep Pompeii as a prospective reward for labour’. Calls the Museum ‘very wonderful, especially the frescoes’; did not have time to look at the bronzes properly, and did not see the medieval pictures at all.

Is well, though tired after ‘so much travelling’; will write a better, longer letter when he reaches Capri, but after a day seeing Naples will ‘confine [himself] to saying that everything is as it should be’ and she need not be anxious about him. As further reassurance, if he goes ‘up into the hills’ he will ‘buy a strong sufficient basic knife, armed with which [he] may safely defy any brigand or band of brigands [he] may chance to meet’. Asks if C[harles] is ‘going to have a fight soon at Lambeth’. Hopes his father is well, and that G[eorge] is ‘fit for his exam’.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Physical characteristics and technical requirements

      Finding aids

      Allied materials area

      Existence and location of originals

      Existence and location of copies

      Related units of description

      Related descriptions

      Notes area

      Alternative identifier(s)

      Access points

      Subject access points

      Place access points

      Genre access points

      Description identifier

      Institution identifier

      Rules and/or conventions used

      Status

      Level of detail

      Dates of creation revision deletion

      Language(s)

        Script(s)

          Sources

          Accession area