Unidad documental simple 102 - Letter from Hugh Keen to R. C. Trevelyan

Área de identidad

Código de referencia

TRER/21/102

Título

Letter from Hugh Keen to R. C. Trevelyan

Fecha(s)

  • 29 June [1924?] (Creación)

Nivel de descripción

Unidad documental simple

Volumen y soporte

1 letter

Área de contexto

Institución archivística

Historia archivística

Origen del ingreso o transferencia

Área de contenido y estructura

Alcance y contenido

Witham, Somerset. - Has been a 'shamefully long time' replying to Trevelyan's letter, and apologises: the letter reached him just before his exams, when he was working very hard and all his spare time was taken up with rehearsals [for the Balliol Players' tour of the "Curse of the House of Atreus", using Trevelyan's translation of the "Oresteia". Now has time for the first time to write, on the way from Wells to Corfe. Hopes that Trevelyan will be able to come and see them at Winchester; thinks they will be performing in the Warden's Garden; does not know the name of the agent, but if Trevelyan is in Winchester he will be sure to see their posters up. The performance in Wadham College, which he regrets was the only one in Oxford, was 'excellent'; they then travelled to Bath a week later. The lorry they had hired broke down at Chippenham, with three of the company: the others had already arrived in Bath and got everything ready, and it was not until the performance time had arrived and they were 'insane with anxiety & fury' that they received a telephone message letting them know what had happened. Explains how they managed to cut the play to perform it 'in flannel trousers and shirt sleeves'; coming on ;again & again in different parts, male & female'. The "Agamemnon" was 'most comic' since the 'poor man who was leading the chorus' could only remember 'about one speech in three' from when he had taken the part last year. The audience were very kind; some of them even came to Wells last night to see the performance done properly. It went very well there and at Glastonbury; the audience at Wells was over 300, though they had been told it was 'impossible' to get an audience there for anything, and the setting in the Bishop's Palace garden was 'perfect'. Is not playing Agamemnon this year as he is 'wanted in the chorus', but is still the lead Choephore as well as Apollo, which was 'thrust' on him at the last moment. The costumes are 'perfectly lovely', and the whole thing is 'infinitely better than last year'. The breeches arrived safely; thanks Trevelyan for sending them.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

Área de condiciones de acceso y uso

Condiciones de acceso

Condiciones

Idioma del material

    Escritura del material

      Notas sobre las lenguas y escrituras

      Características físicas y requisitos técnicos

      Instrumentos de descripción

      Área de materiales relacionados

      Existencia y localización de originales

      Existencia y localización de copias

      Unidades de descripción relacionadas

      Descripciones relacionadas

      Área de notas

      Notas

      Pencil annotation in [?] R. C. Trevelyan's hand: 'Oxford Players Oresteia performances'.

      Identificador/es alternativo(os)

      Puntos de acceso

      Puntos de acceso por materia

      Puntos de acceso por lugar

      Tipo de puntos de acceso

      Identificador de la descripción

      Identificador de la institución

      Reglas y/o convenciones usadas

      Estado de elaboración

      Nivel de detalle

      Fechas de creación revisión eliminación

      Idioma(s)

        Escritura(s)

          Fuentes

          Área de Ingreso