Identity area
Reference code
Title
Date(s)
- [1899] (Creation)
Level of description
Extent and medium
1 item
Context area
Name of creator
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Congratulates Trevy [on his engagement] and wishes him 'all happiness'; on hearing about it beforehand from [Charles] Holmes and [Laurence] Binyon, who had heard through [Sydney] Cockerell and Trevy's cousins the Fletchers, he had 'refused to believe it' due to what Trevy had told him about 'Mrs Costello[e] having tried to put about such stories'. However, when his sister heard the same from Miss [Bonté?] Amos, who said she had got the news from Trevy's mother, he 'had to allow it might be true'. Thinks Trevy will 'make a good husband', but that he will 'spoil all [his] children with indulgence' and thinks he should start being 'very stern' with himself so that he is able to look 'cross' enough at them; knows he is talking 'as if the little Homers and Aeschylluses [sic] and a Sappho or two were bound to turn up' and hopes they will. Keen to meet Trevy's fiancé; hopes she is not 'too like George' and suggests that the only indication which Trevy has given as to what she is like ''is very misleading and puts one deeper into darkness than total ignorance'. Asks how long Trevy has know her, and if she is 'connected with the admirers of the Dutch Milton [Vondel?]' whom he met at Taormina. Is to get a hundred pounds for editing Shakespeare [for the Vale Press] and fears it will take up a lot of time, so cannot promise to write an epithalamium. [Roger] Fry is 'of course quite wrong about Bellini', whom Moore admires as much as Fry does, but denies that he is 'characterised by passion by pathos or by Virgillian [sic] melancholy'; Bellini is a 'far greater master than Altdorfer' though Fry seemed to think he was comparing them. Sorry that Trevy is troubling to copy out Moore's "Danaë"; he could easily have got two copies made; hopes he will 'suggest how the hard sentences can be made easy, & the crooked straight, at the same time as pointing out their deficiency'. Hopes Trevy's fiancée 'will prove a Muse... though she is not going to enter the lists as a rival'.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical characteristics and technical requirements
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
- Trevelyan, Elizabeth (1875-1957), musician (Subject)
- Moore, Thomas Sturge (1870-1944) writer and wood engraver (Subject)
- Holmes, Sir Charles John (1868-1936) Knight, painter, art historian and museum director (Subject)
- Binyon, Robert Laurence (1869-1943) poet and art historian (Subject)
- Cockerell, Sir Sydney Carlyle (1867-1962), knight, museum director and book collector (Subject)
- Fletcher, Mary (1873-1965) librarian (Subject)
- Longman, Dorothy Marriott (1875-1940) wife of Robert Guy Longman (Subject)
- Berenson, Mary (1864-1945), art historian (Subject)
- Elgood, Cornelia Bonté Sheldon Amos (1874-1960) physician (Subject)
- Trevelyan, Caroline (c. 1847-1928), wife of Sir George Otto Trevelyan, 2nd Baronet (Subject)
- Vondel, Joost van den (1587-1679) poet, writer and playwright (Subject)
- Shakespeare, William (1564-1616), playwright and poet (Subject)
- Vale Press (1894-1904) (Subject)
- Fry, Roger Eliot (1866-1934), art historian, critic, and painter (Subject)