Documento 5 - Press cuttings relating to Aeschylus' "Oresteia", performed in R. C. Trevelyan's translation at the Cambridge Festival Theatre

Paper: thirty-three press cuttings.

Press cuttings, most sent to Trevelyan by Durrant's Press Cuttings, from: "Granta" (two articles); the "Morning Post" (four articles); the "Liverpool Post and Mercury"; the "Evening Standard"; the "Evening News"; the "Eastern Daily Press"; the "Daily Mail"; the "Westminster Gazette" (two articles); the "Daily News"; the "Cambridge Daily News"; the "Times" (two articles); the "Daily Express"; the "Daily Telegraph" (two articles); the "East Anglian Daily Times"; the "Yorkshire Post"; the "Stage"; the "Isis"; the "Oxford Magazine"; the "Manchester Guardian"; the "Bulletin and Scots Pictorial"; the "Cambridge Review" (note by J. T. S. [J. T. Sheppard) as well as a review by R. P. W.-I. [Winnington-Ingram]; the "Newcastle Daily Journal & North Star"; the "Sheffield Daily Telegraph"; the "Referee"; the "Sunday Herald" and the "Observer". Reviews variously mention Terence Gray (theatre owner and artistic director), Herbert Prentice (director), C. Harold Ridge (lighting), Donald Tovey and Gordon Jacob (music), Ninette de Valois (choreography), Hedley Briggs, Maurice Evans, Miriam Lewes, Doria Paston, Marion Prentice and Torin Thatcher (actors)