Pensione Palumbo, Ravello, prov. di Salerno. - Explains how the rumour of Fry's death [see also 4/46 and 4/47] spread: it originated from [William] Sharp who told the Grandmonts at Taormina that he had seen an obituary; they then wrote to Helen [Fry], and to Bessie who wired to the Enticknaps who replied this morning that the Frys were both well, and only then told Trevelyan. Hopes the obituary was not that of Fry's brother, cousin [Lewis George Fry] the painter or any other near relation. Has finished the first act of his new play, on a mediaeval theme. His "Cecilia Gonzaga" is coming out in a month or two. Johnson has been bothering him over the £10 Trevelyan would not pay [for printing “Polyphemus and Other Poems”], claiming it is Fry's fee, which Trevelyan does not think has been paid. Does not want to quarrel with Johnson as he has the remainder of the edition but thinks he is trying to swindle them. Asks whether the Frys have changed houses; also whether he has done anything on their Claude, whether the Bellinis [works by Jacopo Bellini discovered by Fry in Venice which he hoped would be bought by the National Gallery] will come, and about 'the Cosimo and your petition to the Balfours'. News from Ravello about ‘the Kershaw’, Madam Palumbo, Tufti, Francesca and Mrs Reid. Fry’s portrait of ‘Old Pal. [Pasquale Palumbo]’ is much treasured by Madam Palumbo. They are reading [Richardson's] "Clarissa". Going to Palermo in about a month, and hope to see Lina. Berenson is in good humour with Fry; Trevelyan has been correcting some of his proofs.