Pièce 60 - Letter from Bache Matthews to W. W. Greg

Zone d'identification

Cote

GREG/1/60

Titre

Letter from Bache Matthews to W. W. Greg

Date(s)

  • 19 Mar. 1932 (Production)

Niveau de description

Pièce

Étendue matérielle et support

1 single sheet

Zone du contexte

Histoire archivistique

Source immédiate d'acquisition ou de transfert

Zone du contenu et de la structure

Portée et contenu

Flat 1, Milford House, 117 Hurst Street, Birmingham.—The terms ‘book’ and ‘plot’ are still used in technical senses in the theatre.

—————

Transcript

Flat 1, Milford House, 117 Hurst Street, Birmingham
19. 3. 32.

Dear Sir,

“Dramatic Documents from the Elizabethan Playhouses”.

On page 193 you say “Exactly how late the use of Book as a technical term survived is not very clear.” It occurs to me that you may be interested to know the† it is still used among actors. It is not written; the prompt copy is no longer headed “The Book of The Farmer’s Wife”, but it is nearly always referred to in the theatre as “the Book”. A nervous actor, uncertain of his part, will enquire anxiously “Who’s on the Book to-night?” And a stage manager will instruct his assistant to take over the control of the stage by telling him to “hold the Book”. Is it possible that the expression “To hold the book” is a survival of the old term “book-holder”? In the “Short Glossary of Theatrical Terms” compiled by my friend W. G. Fay {1}, one finds—“Hold the Book”.—Is to take the prompt copy of the play and prompt the actors.”

The “Plot” is also in everyday use in the theatre, though it has changed somewhat from its Elizabethan ancestor. Every play has its “Scene plot”, “Property plot” and “Lighting plot”. The two latter are not so very different in appearance from the old ones. The sheet is divided into scenes, and, in the one case the moveable properties, in the other case the lighting, are given, in order, for each scene. The scene plot is generally a ground plan of each “set”.

I feel that I am presumptuous in offering information to so exact a scholar as you, but there are many stage terms that are little known, I think, outside the theatre, and some of them may have been in use as far back as the period in which you are particularly interested.

With grateful thanks for the enjoyment and information I have derived from your books.

Yours very truely†,
Bache Matthews

Dr. W. W. Greg,
Park Lodge,
Wimbledon Park,
S.W.19.

—————

{1} Full stop supplied in place of a comma after ‘W’.

† Sic.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Zone des conditions d'accès et d'utilisation

Conditions d’accès

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Caractéristiques matérielle et contraintes techniques

      Finding aids

      Instrument de recherche téléversé

      Zone des sources complémentaires

      Existence and location of originals

      Existence and location of copies

      Related units of description

      (Formerly inserted in Greg's copy of Dramatic Documents from the Elizabethan Playhouses (1931) (LL 023 G 101).)

      Descriptions associées

      Zone des notes

      Identifiant(s) alternatif(s)

      Mots-clés

      Mots-clés - Sujets

      Mots-clés - Lieux

      Mots-clés - Genre

      Identifiant de la description

      Identifiant du service d'archives

      Rules and/or conventions used

      Statut

      Niveau de détail

      Dates of creation revision deletion

      This description was created by A. C. Green in 2020.

      Langue(s)

        Écriture(s)

          Sources

          Accession area