Item 259 - Letter from R. C. Trevelyan to Sir George Trevelyan

Identity area

Reference code

TRER/46/259

Title

Letter from R. C. Trevelyan to Sir George Trevelyan

Date(s)

  • 13 Apr 1920 (Creation)

Level of description

Item

Extent and medium

1 doc

Context area

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

c/o B[ernard] Berenson Esq., I Tatti, Settignano, Florence. - Thanks his father for his letter, with his mother's, which reached him quickly; thinks 'the posts are working better'. Hears 'quite regularly from Bessie and Julian' who seem to be greatly enjoying themselves in the Netherlands; Julian seems to have 'made great friends with his young cousins', who are a little older.

Has had 'very bad weather' since he came, except for a few days, but 'Italy is delightful in all weathers' if, as now, it is not too cold. Heard a cuckoo this morning for the 'first time [this spring]', and expects he would have heard nightingales by now were it not for the rain. Is glad his father finds 'the Tchekof stories interesting [see 12/317]'; has six other volumes he could lend him when he returns home. Chekhov is 'certainly not at his best in those short sordid stories, though he tells them skilfully enough'; he needed to 'write to make money for his family, and so did quite a good many pot-boilers'. Likes him best when he 'gets hold of a character that really interests him, and gives himself room to develop it a little'. Has a volume of Chekhov, 'all stories about peasants and country priests, which are perhaps more moving than any others of his' he knows, which he could lend to his father; also suggests that if his father wants 'another good Russian book' he should 'get Aksakof's memoirs, in three volumes, perfectly translated by Duff the classical Trinity don'. The London Library has them, but they are 'often out'.

The Berensons send their 'kindest remembrances'; Robert sends his love to his mother, to whom he will write soon. The Uffizi 'has all been rearranged, and the best pictures, such as the Primavera of Botticelli, have been brought from the Ac[c]ademia'; this is 'on the whole... an improvement'.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Physical characteristics and technical requirements

      Finding aids

      Allied materials area

      Existence and location of originals

      Existence and location of copies

      Related units of description

      Related descriptions

      Notes area

      Alternative identifier(s)

      Access points

      Subject access points

      Place access points

      Genre access points

      Description identifier

      Institution identifier

      Rules and/or conventions used

      Status

      Level of detail

      Dates of creation revision deletion

      Language(s)

        Script(s)

          Sources

          Accession area